Grace Exhibition Space For International Performance Art Inc

### Context Profile for Grace Exhibition Space For International Performance Art Inc

1. **Organization Mission & Cause**:
   - **Mission**: Grace Exhibition Space is dedicated to promoting international performance art and providing a platform for artists to explore and express political and social issues through their work. The organization aims to challenge societal norms and foster dialogue around marginalized voices and experiences.
   - **Cause**: They focus on performance art as a medium for activism, particularly in relation to gender identity, sexuality, and cultural expression. Their mission aligns with the belief in the transformative power of art to inspire change and provoke thought.

2. **Type of Activities**:
   - **Events**: Grace Exhibition Space hosts a variety of performance art events, including collaborations with international artists and organizations. Notable recent events include "PachaQueer," which showcases performances that address themes of gender and political resistance.
   - **Fundraising Campaigns**: They engage in fundraising efforts to support their programming and artist initiatives, often tied to specific events or projects.
   - **Community Programs**: The organization likely offers workshops and discussions to engage the community in the themes presented through their performances, although specific programs were not detailed on the website.

3. **Tone of Voice**:
   - The tone of voice on the website is **inspiring**, **inclusive**, and **activist-oriented**. It reflects a sense of urgency and passion for social change, using language that is both artistic and politically charged. The content is designed to resonate with audiences who are interested in contemporary issues, particularly those related to gender and identity.

4. **Emoji Usage**:
   - The website does not prominently feature emojis in its content. However, in their email communications, they may use emojis sparingly to add a friendly touch, though specific examples were not provided in the scraped content.

5. **Key Facts**:
   - **Founding Info**: The specific founding date is not mentioned on the website, but the organization has been active in promoting performance art for several years.
   - **Scale**: The organization has hosted numerous events and campaigns, with a total of 10 forms and 7 email campaigns indicating an active engagement with their audience.
   - **Impact Metrics**: While specific metrics were not detailed, the organization emphasizes its international reach and collaborations with artists from various countries, suggesting a significant impact in the performance art community.
   - **Volunteer Info**: There is no specific mention of volunteer opportunities on the website, but community involvement is likely encouraged through events and programs.

6. **Writing Guidelines**:
   - **Style**: Use an inspiring and engaging tone that reflects the urgency and importance of the issues addressed. Language should be inclusive and accessible, appealing to a diverse audience.
   - **Content Structure**: Prioritize clarity and emotional resonance in messaging. Use headings and bullet points for easy readability, especially in event descriptions and calls to action.
   - **Call to Action**: Encourage participation and engagement, whether through attending events, supporting fundraising efforts, or joining discussions. Use direct and motivating language to inspire action.

This context profile serves as a foundational guide for creating personalized and impactful content for Grace Exhibition Space, ensuring alignment with their mission, tone, and audience engagement strategies.

General Admission

Support the Arts! General Admision

Join us for the final night of the 18th annual GES spring season!&nbsp; Performances by:Joseph RavensMeadow Le&#39;elle accompanied by Yaz LancasterMiao Jiaxin Studio in collaboration with Arantxa Araujo and Joseph SledgianowskiCities Unexpected FieldPreach R. Sun Joseph Ravens (b.1968, USA) holds a Bachelor of Fine Arts in theater and studied audiovisuals at the Gerrit Rietveld Academie in Amsterdam before earning a Master of Fine Arts in Performance from The School of the Art Institute of Chicago. Numerous grants and awards have allowed Ravens to build an international reputation as an artist, curator, and academic throughout North and South America, Europe, and Asia. Ravens is founder and director of Defibrillator Gallery and faculty in the Performance Department at The School of the Art Institute of Chicago. Visit josephravens.com to learn more. Meadow Le&#39;elle is a local clown and music producer who makes textured, experimental electronic beats with &quot;poperatic&quot; vocals. Meadow has performed in the greater tri-state area for the last 5 years, making a name for itself by performing at venues like Trans Pecos, Purgatory, TV Eye, and the Meatlocker. This is Meadow&rsquo;s fourth Grace Exhibition Space performance.Meadow&#39;s music production is most inspired by noise, opera, pop,and dance music. Complexity craves simplicity is its motto as it prefers to make music on BandLab, a music making app on the phone. Its live performances teeters with eroticism, melancholy, and abstract expression. It uses vocal effect pedals and the spirits of beyond to create an intriguing and haunted soundscape with expressive interpretive dance. Meadow&#39;s purpose is to invite people into the visceral expression of their sincerest woes whilst reminding people that not all clowns are made to laugh, but to help others engage in radical, authentic expression of self. Miao Jiaxin Studio is perhaps best known for transforming his New York studio into a jail and offering it as accommodation on Airbnb for $1 per night. The same space was later repurposed as a blind dating venue and, subsequently, a massage therapy clinic. Miao&rsquo;s work often explores the ambivalent&mdash;and at times antagonistic&mdash;tension between the individual and governing or cultural authorities, questioning assumptions about power and its relationship to politics. He positions the artist as someone who transgresses boundaries, challenges consensus, and remains deliberately distant from authorities. Cities Unexpected Field is a NYC based three-piece outfit featuring drums, bass, saxophone, and varying electronics. The band is made of improvisational musicians: Jonah Knapp-Wilson, Sam Kurzydlo, and Jess Belardi, who investigate and explore themes of community, agency, ritual, impermanence, and grief. After forming in the spring of 2023, they have traversed New York DIY&rsquo;s threshold between music and performance art&ndash;from live scoring queer erotica to accompanying multimedia choreography. Preach R. Sun&nbsp; &mdash; U.S. based conjurer, &ldquo;wilderness preacher&rdquo; and &ldquo;fugitivist&rdquo; &mdash; implements and integrates: political activism, creative expression, and spiritual (new ritual) modalities as means to activate cognitive contemplation and awareness in regards to freedom, humanity and a universal (&lsquo;SOLE&rsquo;) consciousness. Sun, working at the interface of &ldquo;art&rdquo;, activism, and spiritual practice, incorporates these multimodal languages through process of creative consolidation involving spiritual/ ritual actions, with protest tactics and creative abstract performance based strategies, as means of social activation. Preach R Sun most often works on the street creatively incorporating abstract performance focused strategies, with ritualistic actions and political guerilla based tactics. However, the self-proclaimed &lsquo;street preacher&rsquo; also presents in festivals and galleries, using performance and video as tools to further his mission and ministry of social change, universal humanity, liberation and SOLE activation. In his own words: &lsquo;freedom is my life&rsquo;s mission, ministry and creative praxis.&#39; As such my work serves as an investigative inquiry into the nature and limits of humanity and freedom. Thus, the work should (both) provoke questions regarding our perceptions of freedom and humanity, while also demonstrating the strength and agency of individual action &ndash; pushing limits, challenging boundaries, and negating ALL blocks that divide us. i believe such action is not only inspirational, but instrumentally essential in galvanizing society towards the effort of collective unity (worldwide) that will serve as catalyst for a collective awakening which will ultimately bring about true universal liberation, salvation and humanity &mdash; the manifestation and activation of &lsquo;SOLE&rsquo;. Grace Exhibition Space welcomes a new spring season in this time of rapid change and accelerated bewilderment, empowering the immediacy of Now. Laughter and rage felt together will not abandon our utopian visions, but become our catalyst through the chaos to reach a better end. Presented on the floor, eliminating the separation of artist over viewer, we will together be pulled into the ideas being presented in an egalitarian, nonhierarchical way.GES proudly welcomes the 18th spring season Laughter-Rage in Action with diverse, equitable, inclusive and multi-generational works.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for purchasing a ticket for Friday&#39;s show! Doors open at 7:30, performances start at 8:00. There will be a donation-based bar available throughout the event. About Grace Exhibition SpaceGrace Exhibition Space was established in 2006 with a mission of the glorification of Performance art. Our focus is to showcase the current generation of international performance artists, whether emerging, mid-career, or established. GES believes in creating space to experience visceral and challenging works, where the boundary between artist and viewer is dissolved; Creating an immersive experience, our events are presented on the floor as opposed to a stage Grace Exhibition Space presents over 30 curated live performance art exhibitions each year, showcasing new work by more than 1000 performance artists from across the United States and the world. AccessibilityLocated at 182 Loisada Ave, Grace Exhibition Space strives to provide a welcoming environment to all visitors.&nbsp;GES is wheelchair accessible on the main floor and in the single-occupancy restroom, located in the back. Staff will work with individuals and groups who disclose accessibility needs in advance to accommodate them to the best of our ability.&nbsp; Getting to Grace Space🚇We are a 10 minute walk from the 1st Ave stop on the L train (exit via Avenue A).🚍The M14D-SBS stops directly across from the space, and is a 20 minute ride from Union Square (lines: 456/QNRW/L) For questions or access requests, please email info@graceexhibitionspace.org. For more information about GES, rental inquires, or to contribute further, visit our website www.graceexhibitionspace.org See you in the space ✨

Join us for the final night of the 18th annual GES spring season!  Performances by:Joseph RavensMeadow Le'elle accompanied by Yaz LancasterMiao Jiaxin Studio in collaboration with Arantxa Araujo and Joseph SledgianowskiCities Unexpected FieldPreach R. Sun Joseph Ravens (b.1968, USA) holds a Bachelor of Fine Arts in theater and studied audiovisuals at the Gerrit Rietveld Academie in Amsterdam before earning a Master of Fine Arts in Performance from The School of the Art Institute of Chicago. Numerous grants and awards have allowed Ravens to build an international reputation as an artist, curator, and academic throughout North and South America, Europe, and Asia. Ravens is founder and director of Defibrillator Gallery and faculty in the Performance Department at The School of the Art Institute of Chicago. Visit josephravens.com to learn more. Meadow Le'elle is a local clown and music producer who makes textured, experimental electronic beats with "poperatic" vocals. Meadow has performed in the greater tri-state area for the last 5 years, making a name for itself by performing at venues like Trans Pecos, Purgatory, TV Eye, and the Meatlocker. This is Meadow’s fourth Grace Exhibition Space performance.Meadow's music production is most inspired by noise, opera, pop,and dance music. Complexity craves simplicity is its motto as it prefers to make music on BandLab, a music making app on the phone. Its live performances teeters with eroticism, melancholy, and abstract expression. It uses vocal effect pedals and the spirits of beyond to create an intriguing and haunted soundscape with expressive interpretive dance. Meadow's purpose is to invite people into the visceral expression of their sincerest woes whilst reminding people that not all clowns are made to laugh, but to help others engage in radical, authentic expression of self. Miao Jiaxin Studio is perhaps best known for transforming his New York studio into a jail and offering it as accommodation on Airbnb for $1 per night. The same space was later repurposed as a blind dating venue and, subsequently, a massage therapy clinic. Miao’s work often explores the ambivalent—and at times antagonistic—tension between the individual and governing or cultural authorities, questioning assumptions about power and its relationship to politics. He positions the artist as someone who transgresses boundaries, challenges consensus, and remains deliberately distant from authorities. Cities Unexpected Field is a NYC based three-piece outfit featuring drums, bass, saxophone, and varying electronics. The band is made of improvisational musicians: Jonah Knapp-Wilson, Sam Kurzydlo, and Jess Belardi, who investigate and explore themes of community, agency, ritual, impermanence, and grief. After forming in the spring of 2023, they have traversed New York DIY’s threshold between music and performance art–from live scoring queer erotica to accompanying multimedia choreography. Preach R. Sun  — U.S. based conjurer, “wilderness preacher” and “fugitivist” — implements and integrates: political activism, creative expression, and spiritual (new ritual) modalities as means to activate cognitive contemplation and awareness in regards to freedom, humanity and a universal (‘SOLE’) consciousness. Sun, working at the interface of “art”, activism, and spiritual practice, incorporates these multimodal languages through process of creative consolidation involving spiritual/ ritual actions, with protest tactics and creative abstract performance based strategies, as means of social activation. Preach R Sun most often works on the street creatively incorporating abstract performance focused strategies, with ritualistic actions and political guerilla based tactics. However, the self-proclaimed ‘street preacher’ also presents in festivals and galleries, using performance and video as tools to further his mission and ministry of social change, universal humanity, liberation and SOLE activation. In his own words: ‘freedom is my life’s mission, ministry and creative praxis.' As such my work serves as an investigative inquiry into the nature and limits of humanity and freedom. Thus, the work should (both) provoke questions regarding our perceptions of freedom and humanity, while also demonstrating the strength and agency of individual action – pushing limits, challenging boundaries, and negating ALL blocks that divide us. i believe such action is not only inspirational, but instrumentally essential in galvanizing society towards the effort of collective unity (worldwide) that will serve as catalyst for a collective awakening which will ultimately bring about true universal liberation, salvation and humanity — the manifestation and activation of ‘SOLE’. Grace Exhibition Space welcomes a new spring season in this time of rapid change and accelerated bewilderment, empowering the immediacy of Now. Laughter and rage felt together will not abandon our utopian visions, but become our catalyst through the chaos to reach a better end. Presented on the floor, eliminating the separation of artist over viewer, we will together be pulled into the ideas being presented in an egalitarian, nonhierarchical way.GES proudly welcomes the 18th spring season Laughter-Rage in Action with diverse, equitable, inclusive and multi-generational works.