The Frost Place

**Context Profile for The Frost Place**

1. **Organization Mission & Cause**:
   - The Frost Place is dedicated to honoring the legacy of poet Robert Frost and fostering the creation and appreciation of poetry. Situated at Robert Frost's former home in Franconia, New Hampshire, the organization aims to inspire poets and poetry lovers through various educational programs and events. Their mission emphasizes the importance of poetry in cultural and personal expression, and they strive to create a nurturing environment for poets at all stages of their careers.

2. **Type of Activities**:
   - **Workshops and Conferences**: The Frost Place hosts poetry workshops and conferences, such as the "An Exploration of Thingness" with Joan Larkin, which focus on deepening participants' understanding and practice of poetry.
   - **Residencies**: They offer residencies for poets, providing a space for reflection and creation.
   - **Readings and Events**: Regular poetry readings and events are organized to engage the community and celebrate poetic works.
   - **Educational Programs**: The organization conducts educational initiatives to promote poetry appreciation among diverse audiences.

3. **Tone of Voice**:
   - The tone is professional yet inviting, with a focus on inspiration and intellectual engagement. The language used is thoughtful and reflective, often delving into the nuances of poetry and its impact.

4. **Emoji Usage**:
   - The Frost Place does not prominently use emojis in their communications. Their content maintains a formal and literary tone, aligning with their focus on poetry and academia.

5. **Key Facts**:
   - **Founding**: The Frost Place was established to preserve Robert Frost's home and promote poetry.
   - **Scale**: The organization manages multiple forms and email campaigns, indicating active engagement with their audience.
   - **Impact**: They have a significant impact on the poetry community through workshops, residencies, and public events.
   - **Volunteers**: Information about volunteer involvement is not explicitly detailed on the website.

6. **Writing Guidelines**:
   - **Style**: Content should be crafted with a focus on clarity, depth, and literary quality. The language should be articulate and resonate with poetry enthusiasts.
   - **Structure**: Use well-structured paragraphs with thoughtful insights into poetry and its elements.
   - **Engagement**: Encourage participation and reflection, inviting readers to explore poetry's role in personal and cultural contexts.
   - **Content**: Highlight the historical significance of Robert Frost and the ongoing relevance of poetry in contemporary society.

By adhering to these guidelines, AI-generated content can effectively align with The Frost Place's mission and engage their audience in meaningful ways.

Enjoy the full program with access to all main activities.

General Admission

You&#39;re invited to attend the faculty and guest readings for The Frost Place Poetry Seminar on Zoom! Readings will begin at 8:00 pm ET, followed by author Q&amp;A, and last for one hour. Monday, 8/3:&nbsp;Adam Giannelli&nbsp;&amp;&nbsp;Lauren CampTuesday, 8/4: Sydney Mayes &amp; Patrick DonnellyWednesday, 8/5: Octavio R. Gonzalez and Armen Davoudian <a fr-original-style="" href="https://www.adamgiannelli.com/" rel="noopener noreferrer" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Adam Giannelli</a> is the author of <a fr-original-style="" href="https://www.adamgiannelli.com/books/tremulous-hinge" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Tremulous Hinge</a>&nbsp;(<a fr-original-style="" href="https://www.uipress.uiowa.edu/" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">University of Iowa Press</a>, 2017), winner of the Iowa Poetry Prize. He is also the translator of a selection of prose poems by Marosa di Giorgio, <a fr-original-style="" href="https://www.adamgiannelli.com/books/diadem" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Diadem</a> (<a fr-original-style="" href="https://www.boaeditions.org/" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">BOA Editions</a>, 2012), which was shortlisted for the PEN Award for Poetry in Translation, and the editor of <a fr-original-style="" href="https://www.adamgiannelli.com/books/high-lonesome" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">High Lonesome</a> (<a fr-original-style="" href="http://www2.oberlin.edu/ocpress/" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Oberlin College Press</a>, 2006), a collection of critical essays on Charles Wright. His <a fr-original-style="" href="https://www.adamgiannelli.com/poems" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">writing</a> has appeared in Poetry, Kenyon Review, New England Review, Ploughshares, Atlantic, New York Times Magazine, New Criterion, and elsewhere. His work has been supported by fellowships and residencies from several institutions, including the National Endowment for the Arts, Fulbright Program, James Merrill House, Frost Place, Bread Loaf Writers&rsquo; Conference, Sewanee Writers&rsquo; Conference, Yaddo, and MacDowell. He has taught at Oberlin College, Hamilton College, Colby College, and Purdue University. <a fr-original-style="" href="https://www.laurencamp.com/" rel="noreferrer noopener" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Lauren Camp</a> served as the second New Mexico Poet Laureate. She is the author of nine poetry collections, most recently <a fr-original-style="" href="https://laurencamp.com/book-is-is-enough.html" rel="noreferrer noopener" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Is Is Enough</a>&nbsp;(Texas Review Press, 2026) and <a fr-original-style="" href="https://laurencamp.com/book-in-old-sky.html" rel="noreferrer noopener" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">In Old Sky</a> (Grand Canyon Conservancy, 2024), which grew out of her experience as Astronomer-in-Residence at Grand Canyon National Park, and won the New Mexico Book Award. She is the recipient of fellowships from the Academy of American Poets and Black Earth Institute, a Dorset Prize, a Glenna Luschei Award from Prairie Schooner, and finalist citations for the Arab American Book Award, Best of the Net, and Adrienne Rich Award. Her poems have appeared in Kenyon Review, Poem-a-Day, The Slowdown, Beloit Poetry Journal and numerous anthologies, and have been translated into Mandarin, Turkish, Spanish, French, and Arabic. She founded and spearheaded the New Mexico Epic Poem Project, in partnership with New Mexico Arts, to amplify the creative voices of residents in rural, arts-underserved communities. <a fr-original-style="" href="https://sydneymayespoet.wordpress.com/" rel="noopener noreferrer" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Sydney Mayes&nbsp;</a>is the 2026 FSG Fellow, winner of the 2025 Adrienne Rich Award and the inaugural Poet of the Year Award from ONLY POEMS. Her poems have been published in The Atlantic, Poets.org, Prairie Schooner, Virginia Quarterly Review, and The Kenyon Review.&nbsp;A graduate of the Vanderbilt University MFA, Mayes has received scholarships and support from Sewanee Writers&rsquo; Conference, Community of Writers, Lighthouse Writers, and Kimmel Harding Nelson Center for the Arts. Her prose is forthcoming in the anthology&nbsp;<a fr-original-style="" href="https://uipress.uiowa.edu/books/between-our-legs" rel="noreferrer noopener" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Between Our Legs: Silence Breaking Stories on Gynecological Health</a>, published by the University of Iowa Press. <a fr-original-style="" href="https://www.patrickdonnellypoetry.com/" rel="noreferrer noopener" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Patrick Donnelly</a>, director of The Frost Place Poetry Seminar since 2011, is the author of five books of poems, most recently <a fr-original-style="" href="https://fourwaybooks.com/site/willow-hammer/" rel="noreferrer noopener" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Willow Hammer</a> (Four Way Books, 2025), and <a fr-original-style="" href="https://fourwaybooks.com/site/little-known-operas/" rel="noreferrer noopener" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Little-Known Operas</a> (Four Way Books, 2019). Gregory Orr wrote &ldquo;everything he writes is suffused with tenderness and intelligence, lucidity and courage.&rdquo; Donnelly has taught at Smith College, Colby College, the Lesley University MFA Program, The Frost Place, the Bread Loaf Writers&rsquo; Conference, and elsewhere. His poetry has appeared in many journals, including American Poetry Review, Kenyon Review Online, Ploughshares, The Yale Review, and The Virginia Quarterly Review. With his spouse Stephen D. Miller, Donnelly translates classical Japanese poetry and drama. Their translations in <a fr-original-style="" href="https://www.cornellpress.cornell.edu/book/9781933947662/the-wind-from-vulture-peak/#bookTabs=1" rel="noreferrer noopener" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">The Wind from Vulture Peak</a> (Cornell East Asia Series, 2013) were awarded the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Donnelly&rsquo;s other awards include a U.S./Japan Creative Artists Program Award, an Artist Fellowship from the Massachusetts Cultural Council, and an Amy Clampitt Residency Award.Octavio R. Gonzalez is a queer Dominican American poet and scholar, and has published two books of poetry (Limerence, 2023; The Book of Ours, 2009), as well as a monograph of literary criticism (Misfit Modernism, 2020). His poems appear in Latino/a journals and queer publications, including The Latino Book Review, OCHO, Lambda Literary Anthology, Puerto del Sol, and Indolent Press. <a fr-original-style="" href="https://www.armendavoudian.com/" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Armen Davoudian</a> grew up in New Julfa, a predominantly Armenian neighborhood in Isfahan, Iran. He has an MFA from Johns Hopkins University and is a PhD candidate in English at Stanford University. His poems and translations from Persian appear in The Atlantic, Poetry magazine,&nbsp;Best American Poetry, and elsewhere. Davoudian is the author of <a fr-original-style="" href="https://tinhouse.com/book/palace-of-forty-pillars/" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">The Palace of Forty Pillars&nbsp;</a>(Tin House), which won the Northern California Book Award in Poetry and was longlisted for the National Book Critics Circle Award in Poetry. His earlier chapbook, <a fr-original-style="" href="https://bullcitypress.com/product/swan-song-by-armen-davoudian/" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Swan Song</a>, won the Frost Place/Bull City Press chapbook competition. His article, &ldquo;<a fr-original-style="" href="https://www.journals.uchicago.edu/doi/abs/10.1086/724587?journalCode=mp" style="text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">Poems in Books, Poems against Books,</a>&rdquo; was co-winner of the Lesley Lee Francis Prize for Best Scholarship on Frost from the Robert Frost Society. Davoudian is also the translator, from Persian, of Hopscotch (Ugly Duckling Presse) by Fatemeh Shams. By registering, you support our mission to foster the creation and appreciation of poetry.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="color: rgb(42, 42, 196); overflow-wrap: anywhere; user-select: none; background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; margin: 0px; padding: 1px 8px; font-size: 11px; display: inline-block; box-sizing: inherit;">First name, Thank you for signing up to attend our online poetry reading! Use the link to attend any and all of the poetry readings listed below: <a fr-original-style="text-align: start;" href="https://us02web.zoom.us/j/86765363227" style="text-align: start; text-decoration-color: currentcolor; user-select: auto; box-sizing: inherit;" target="_blank">https://us02web.zoom.us/j/86765363227</a> Readings will begin at 8:00 pm ET, followed by author Q&amp;A, and last for one hour. <div fr-original-style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start; background-color: rgb(255, 255, 255);" id="isPasted" style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start; background-color: rgb(255, 255, 255); line-height: 1.5; width: 100%; box-sizing: inherit;">Monday, 8/3: <span fr-original-style="font-family: Arial, sans-serif; text-align: center; background-color: transparent;" style="font-family: Arial, sans-serif; text-align: center; background-color: transparent; box-sizing: inherit;">Adam Giannelli&nbsp;<span fr-original-style="font-family: Arial, sans-serif; text-align: center; background-color: transparent;" style="font-family: Arial, sans-serif; text-align: center; background-color: transparent; box-sizing: inherit;">&amp;&nbsp;Lauren Camp</div><div fr-original-style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start; background-color: rgb(255, 255, 255);" style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start; background-color: rgb(255, 255, 255); line-height: 1.5; width: 100%; box-sizing: inherit;">Tuesday, 8/4: Sydney Mayes &amp; Patrick Donnelly</div><div fr-original-style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start; background-color: rgb(255, 255, 255);" style="color: rgb(34, 34, 34); font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start; background-color: rgb(255, 255, 255); line-height: 1.5; width: 100%; box-sizing: inherit;">Wednesday, 8/5:&nbsp;Octavio R. Gonzalez and Armen Davoudian</div> Thank you for joining us.&nbsp; Sincerely, Stacy HolmesExecutive DirectorThe Frost Place

You're invited to attend the faculty and guest readings for The Frost Place Poetry Seminar on Zoom! Readings will begin at 8:00 pm ET, followed by author Q&amp;A, and last for one hour. Monday, 8/3: Adam Giannelli &amp; Lauren CampTuesday, 8/4: Sydney Mayes &amp; Patrick DonnellyWednesday, 8/5: Octavio R. Gonzalez and Armen Davoudian <a href="https://www.adamgiannelli.com/" target="_blank">Adam Giannelli</a> is the author of <a href="https://www.adamgiannelli.com/books/tremulous-hinge" target="_blank">Tremulous Hinge</a> (<a href="https://www.uipress.uiowa.edu/" target="_blank">University of Iowa Press</a>, 2017), winner of the Iowa Poetry Prize. He is also the translator of a selection of prose poems by Marosa di Giorgio, <a href="https://www.adamgiannelli.com/books/diadem" target="_blank">Diadem</a> (<a href="https://www.boaeditions.org/" target="_blank">BOA Editions</a>, 2012), which was shortlisted for the PEN Award for Poetry in Translation, and the editor of <a href="https://www.adamgiannelli.com/books/high-lonesome" target="_blank">High Lonesome</a> (<a href="http://www2.oberlin.edu/ocpress/" target="_blank">Oberlin College Press</a>, 2006), a collection of critical essays on Charles Wright. His <a href="https://www.adamgiannelli.com/poems" target="_blank">writing</a> has appeared in Poetry, Kenyon Review, New England Review, Ploughshares, Atlantic, New York Times Magazine, New Criterion, and elsewhere. His work has been supported by fellowships and residencies from several institutions, including the National Endowment for the Arts, Fulbright Program, James Merrill House, Frost Place, Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, Yaddo, and MacDowell. He has taught at Oberlin College, Hamilton College, Colby College, and Purdue University. <a href="https://www.laurencamp.com/" target="_blank">Lauren Camp</a> served as the second New Mexico Poet Laureate. She is the author of nine poetry collections, most recently <a href="https://laurencamp.com/book-is-is-enough.html" target="_blank">Is Is Enough</a> (Texas Review Press, 2026) and <a href="https://laurencamp.com/book-in-old-sky.html" target="_blank">In Old Sky</a> (Grand Canyon Conservancy, 2024), which grew out of her experience as Astronomer-in-Residence at Grand Canyon National Park, and won the New Mexico Book Award. She is the recipient of fellowships from the Academy of American Poets and Black Earth Institute, a Dorset Prize, a Glenna Luschei Award from Prairie Schooner, and finalist citations for the Arab American Book Award, Best of the Net, and Adrienne Rich Award. Her poems have appeared in Kenyon Review, Poem-a-Day, The Slowdown, Beloit Poetry Journal and numerous anthologies, and have been translated into Mandarin, Turkish, Spanish, French, and Arabic. She founded and spearheaded the New Mexico Epic Poem Project, in partnership with New Mexico Arts, to amplify the creative voices of residents in rural, arts-underserved communities. <a href="https://sydneymayespoet.wordpress.com/" target="_blank">Sydney Mayes </a>is the 2026 FSG Fellow, winner of the 2025 Adrienne Rich Award and the inaugural Poet of the Year Award from ONLY POEMS. Her poems have been published in The Atlantic, Poets.org, Prairie Schooner, Virginia Quarterly Review, and The Kenyon Review. A graduate of the Vanderbilt University MFA, Mayes has received scholarships and support from Sewanee Writers’ Conference, Community of Writers, Lighthouse Writers, and Kimmel Harding Nelson Center for the Arts. Her prose is forthcoming in the anthology <a href="https://uipress.uiowa.edu/books/between-our-legs" target="_blank">Between Our Legs: Silence Breaking Stories on Gynecological Health</a>, published by the University of Iowa Press. <a href="https://www.patrickdonnellypoetry.com/" target="_blank">Patrick Donnelly</a>, director of The Frost Place Poetry Seminar since 2011, is the author of five books of poems, most recently <a href="https://fourwaybooks.com/site/willow-hammer/" target="_blank">Willow Hammer</a> (Four Way Books, 2025), and <a href="https://fourwaybooks.com/site/little-known-operas/" target="_blank">Little-Known Operas</a> (Four Way Books, 2019). Gregory Orr wrote “everything he writes is suffused with tenderness and intelligence, lucidity and courage.” Donnelly has taught at Smith College, Colby College, the Lesley University MFA Program, The Frost Place, the Bread Loaf Writers’ Conference, and elsewhere. His poetry has appeared in many journals, including American Poetry Review, Kenyon Review Online, Ploughshares, The Yale Review, and The Virginia Quarterly Review. With his spouse Stephen D. Miller, Donnelly translates classical Japanese poetry and drama. Their translations in <a href="https://www.cornellpress.cornell.edu/book/9781933947662/the-wind-from-vulture-peak/#bookTabs=1" target="_blank">The Wind from Vulture Peak</a> (Cornell East Asia Series, 2013) were awarded the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Donnelly’s other awards include a U.S./Japan Creative Artists Program Award, an Artist Fellowship from the Massachusetts Cultural Council, and an Amy Clampitt Residency Award.Octavio R. Gonzalez is a queer Dominican American poet and scholar, and has published two books of poetry (Limerence, 2023; The Book of Ours, 2009), as well as a monograph of literary criticism (Misfit Modernism, 2020). His poems appear in Latino/a journals and queer publications, including The Latino Book Review, OCHO, Lambda Literary Anthology, Puerto del Sol, and Indolent Press. <a href="https://www.armendavoudian.com/" target="_blank">Armen Davoudian</a> grew up in New Julfa, a predominantly Armenian neighborhood in Isfahan, Iran. He has an MFA from Johns Hopkins University and is a PhD candidate in English at Stanford University. His poems and translations from Persian appear in The Atlantic, Poetry magazine, Best American Poetry, and elsewhere. Davoudian is the author of <a href="https://tinhouse.com/book/palace-of-forty-pillars/" target="_blank">The Palace of Forty Pillars </a>(Tin House), which won the Northern California Book Award in Poetry and was longlisted for the National Book Critics Circle Award in Poetry. His earlier chapbook, <a href="https://bullcitypress.com/product/swan-song-by-armen-davoudian/" target="_blank">Swan Song</a>, won the Frost Place/Bull City Press chapbook competition. His article, “<a href="https://www.journals.uchicago.edu/doi/abs/10.1086/724587?journalCode=mp" target="_blank">Poems in Books, Poems against Books,</a>” was co-winner of the Lesley Lee Francis Prize for Best Scholarship on Frost from the Robert Frost Society. Davoudian is also the translator, from Persian, of Hopscotch (Ugly Duckling Presse) by Fatemeh Shams. By registering, you support our mission to foster the creation and appreciation of poetry.

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The Frost Place Poetry Seminar: Online Reading Series

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