A drummer in a patterned robe sits in the foreground next to a double bass player in the background, both against a teal backdrop with text.

The National Jazz Museum in Harlem

### Context Profile for National Jazz Museum in Harlem

1. **Organization Mission & Cause**:
   The National Jazz Museum in Harlem is dedicated to preserving and promoting the rich history of jazz, particularly its roots in Harlem. The museum aims to educate the public about jazz's cultural significance and its impact on American music and society. Their mission is to celebrate jazz as a living art form, fostering appreciation and understanding through various educational programs, exhibitions, and performances.

2. **Type of Activities**:
   - **Educational Programs**: The museum offers lectures, workshops, and classes aimed at all ages, focusing on jazz history, performance, and appreciation.
   - **Events**: Regular events include film series, live performances, and discussions featuring renowned musicians and scholars. The "Rare Jazz on Film Series" is an example of their engaging programming.
   - **Community Engagement**: The museum actively engages with the local community through outreach programs and collaborations with schools and other organizations.

3. **Tone of Voice**:
   The tone of the National Jazz Museum's communications is friendly, inviting, and inspiring. They use accessible language that resonates with both jazz enthusiasts and newcomers. The content is often infused with a sense of urgency and excitement, particularly when promoting events, encouraging participation, and highlighting the cultural importance of jazz.

4. **Emoji Usage**:
   The organization does not prominently use emojis in their communications. Their tone remains professional and focused on the content's cultural significance rather than informal or playful elements.

5. **Key Facts**:
   - **Founding Info**: Established in 2001, the museum was created to honor and promote the legacy of jazz in Harlem.
   - **Scale**: The museum has a significant presence in the community, with 36 total forms and 139 email campaigns indicating active engagement.
   - **Impact Metrics**: While specific metrics are not detailed on the website, the museum's programming and events suggest a strong impact on community engagement and education.
   - **Volunteer Info**: The website does not provide specific volunteer information, but community involvement is likely encouraged through events and educational programs.

6. **Writing Guidelines**:
   - **Style**: Use a conversational yet informative style that reflects the museum's mission to educate and inspire.
   - **Language**: Incorporate jazz-related terminology and cultural references to resonate with the audience. Avoid overly formal language; instead, aim for an approachable tone.
   - **Call to Action**: Encourage participation in events and programs with clear, enthusiastic calls to action. Highlight the unique experiences offered by the museum.
   - **Visuals**: Utilize engaging visuals, such as images of past events, musicians, and exhibits, to enhance the storytelling aspect of the content.

This context profile serves as a guide for crafting personalized and impactful communications for the National Jazz Museum in Harlem, ensuring alignment with their mission and audience engagement strategies.

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Marcus Gilmore is a multi-Grammy award winning drummer, composer, producer, and educator who has been recognized with numerous awards, residencies, and fellowships &ndash; including becoming a 2018 &ndash; 2019 Protege in the Rolex Arts Initiative. Gilmore, in all his playing, integrates a unique style where he is musically expanding rhythm, while supporting the great musicians with whom he plays. He has had the distinct privilege of performing/recording with Mulatu Astatke, Chick Corea, Pharoah Sanders, Savion Glover, Pat Metheny, Ambrose Akinmusire, Ravi Coltrane, Common, Flying Lotus, Robert Glasper, Natalie Cole, Steve Coleman, Zakir Hussain, Vijay Iyer, Derrick Hodge, Chief Xian aTunde Adjuah, Thundercat, Brad Mehldau, Cassandra Wilson, Nicholas Payton, Jill Scott, Talib Kweli, Queen Latifah, Norah Jones, Sanford Biggers, Black Thought, The Cadillacs, Bilal, Terence Blanchard, Roy Hargrove, Terrace Martin, Taylor Mcferrin, and Fred Armisen.With 25 years as a professional musician and performances in over 60 countries throughout his career &ndash; Marcus is just getting started. His latest projects include: the release of his critically acclaimed album &ldquo;Journey to the New&rdquo;, his innovative Marcus Gilmore Solo, Trio, and Quintet engagements, and the continued exploration of percussion with new sound compositions and rhythms thrilling music audiences worldwide. Born in New York City, bassist Ryoma Takenaga began studying piano at the age of five before turning to the upright bass at nine. His introduction to jazz at Jazz House Kids, where he studied under the guidance of Christian McBride, played a formative role in shaping his musical direction.Now twenty-one and pursuing Jazz Studies at New York University, Takenaga is active internationally as a performing and recording artist. He is a member of the Immanuel Wilkins Quartet and has also works in ensembles led by Chief Adjuah (formerly Christian Scott) and Lenny White. His collaborators have included Jack DeJohnette, Al Foster, Dianne Reeves, Ravi Coltrane, and Marcus Gilmore. Takenaga is featured as bassist on Immanuel Wilkins: Live at the Village Vanguard, released on Blue Note Records. He has also appeared with the quartet on NPR&rsquo;s Tiny Desk and performs regularly at major venues including the Carnegie Hall, Village Vanguard, and Blue Notes around the world, as well as at international festivals and concert halls across Europe, Asia, and the United States.His honors include the National YoungArts Award and the James Moody Jazz Scholarship. Through consistent work on bandstands and recordings, Takenaga has established himself as part of a new generation of jazz musicians grounded in tradition and engaged with the evolving language of the music.&nbsp;About TJG Joyce Wein Mentoring SeriesMentorship has always been a key theme in jazz history. Most of today&rsquo;s great jazz musicians were raised through informal channels and gained invaluable experience working alongside their heroes. Future generations of great jazz will depend on the continuation of this community-minded mentoring tradition that is, unfortunately, becoming less common as jazz education has become more formalized in conservatory and university settings. The Jazz Gallery developed its Mentorship Program to cultivate a group of senior-level jazz musicians as mentors and to provide aspiring musicians with the opportunity to learn the music and business of jazz under the guidance of their contemporary heroes. These young musicians will have the opportunity to learn by preparing for and performing in 4 concerts that are booked as a mini-tour, which will provide mentees with the opportunity to deepen their creative practice and performance skills. This will also teach mentees more practical skills of being working artists&mdash;skills set that are not taught in conservatory classrooms.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; -webkit-user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause!

Marcus Gilmore is a multi-Grammy award winning drummer, composer, producer, and educator who has been recognized with numerous awards, residencies, and fellowships – including becoming a 2018 – 2019 Protege in the Rolex Arts Initiative. Gilmore, in all his playing, integrates a unique style where he is musically expanding rhythm, while supporting the great musicians with whom he plays. He has had the distinct privilege of performing/recording with Mulatu Astatke, Chick Corea, Pharoah Sanders, Savion Glover, Pat Metheny, Ambrose Akinmusire, Ravi Coltrane, Common, Flying Lotus, Robert Glasper, Natalie Cole, Steve Coleman, Zakir Hussain, Vijay Iyer, Derrick Hodge, Chief Xian aTunde Adjuah, Thundercat, Brad Mehldau, Cassandra Wilson, Nicholas Payton, Jill Scott, Talib Kweli, Queen Latifah, Norah Jones, Sanford Biggers, Black Thought, The Cadillacs, Bilal, Terence Blanchard, Roy Hargrove, Terrace Martin, Taylor Mcferrin, and Fred Armisen.With 25 years as a professional musician and performances in over 60 countries throughout his career – Marcus is just getting started. His latest projects include: the release of his critically acclaimed album “Journey to the New”, his innovative Marcus Gilmore Solo, Trio, and Quintet engagements, and the continued exploration of percussion with new sound compositions and rhythms thrilling music audiences worldwide. Born in New York City, bassist Ryoma Takenaga began studying piano at the age of five before turning to the upright bass at nine. His introduction to jazz at Jazz House Kids, where he studied under the guidance of Christian McBride, played a formative role in shaping his musical direction.Now twenty-one and pursuing Jazz Studies at New York University, Takenaga is active internationally as a performing and recording artist. He is a member of the Immanuel Wilkins Quartet and has also works in ensembles led by Chief Adjuah (formerly Christian Scott) and Lenny White. His collaborators have included Jack DeJohnette, Al Foster, Dianne Reeves, Ravi Coltrane, and Marcus Gilmore. Takenaga is featured as bassist on Immanuel Wilkins: Live at the Village Vanguard, released on Blue Note Records. He has also appeared with the quartet on NPR’s Tiny Desk and performs regularly at major venues including the Carnegie Hall, Village Vanguard, and Blue Notes around the world, as well as at international festivals and concert halls across Europe, Asia, and the United States.His honors include the National YoungArts Award and the James Moody Jazz Scholarship. Through consistent work on bandstands and recordings, Takenaga has established himself as part of a new generation of jazz musicians grounded in tradition and engaged with the evolving language of the music. About TJG Joyce Wein Mentoring SeriesMentorship has always been a key theme in jazz history. Most of today’s great jazz musicians were raised through informal channels and gained invaluable experience working alongside their heroes. Future generations of great jazz will depend on the continuation of this community-minded mentoring tradition that is, unfortunately, becoming less common as jazz education has become more formalized in conservatory and university settings. The Jazz Gallery developed its Mentorship Program to cultivate a group of senior-level jazz musicians as mentors and to provide aspiring musicians with the opportunity to learn the music and business of jazz under the guidance of their contemporary heroes. These young musicians will have the opportunity to learn by preparing for and performing in 4 concerts that are booked as a mini-tour, which will provide mentees with the opportunity to deepen their creative practice and performance skills. This will also teach mentees more practical skills of being working artists—skills set that are not taught in conservatory classrooms.

The National Jazz Museum in Harlem

TJG Mentor Series: Marcus Gilmore + Ryoma Takenaga

58 W 129th St Ground Floor

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