Small School Inc

**Context Profile for Small School Inc**

1. **Organization Mission & Cause:**
   - **Mission:** Small School Inc is dedicated to fostering creativity and craftsmanship through educational workshops and community engagement. The organization aims to support artists and craftspeople, particularly those impacted by natural disasters, by providing them with platforms to showcase their work and develop their skills.
   - **Cause:** The organization focuses on arts education, community support, and disaster recovery, with a particular emphasis on helping artists in Western North Carolina who have been affected by events such as Hurricane Helene.

2. **Type of Activities:**
   - **Workshops and Classes:** Small School Inc organizes hands-on workshops, such as the "David Clemons Workshop," where participants learn techniques in metalsmithing and woodwork.
   - **Artist Talks and Exhibitions:** They host artist talks and exhibitions to highlight the work of local artists and craftspeople.
   - **Fundraising Campaigns:** Events often serve as fundraisers, with profits donated to local nonprofits supporting disaster recovery and community resilience.

3. **Tone of Voice:**
   - **Professional and Educational:** The language used is informative and detailed, focusing on the educational aspects of their workshops and the technical skills involved.
   - **Supportive and Community-Oriented:** The tone is also supportive, emphasizing community involvement and the positive impact of their activities on local artists.

4. **Emoji Usage:**
   - **Minimal to None:** There is no significant use of emojis in their communications, suggesting a more formal and professional approach.

5. **Key Facts:**
   - **Founding Info:** Not explicitly stated on the website, but the focus on community and disaster recovery suggests a responsive and adaptive organization.
   - **Scale and Impact:** Small School Inc operates at a local level, primarily in Western North Carolina, with a focus on supporting artists affected by natural disasters.
   - **Volunteer Info:** Not detailed on the website, but the community-oriented nature of their activities implies potential volunteer involvement in events and workshops.

6. **Writing Guidelines:**
   - **Clarity and Detail:** Emphasize clear, detailed descriptions of workshops and events, focusing on the skills and techniques taught.
   - **Community Focus:** Highlight the community impact and support for local artists, particularly those affected by disasters.
   - **Professional Tone:** Maintain a professional and educational tone in communications, avoiding casual language and emojis.
   - **Engagement and Support:** Encourage community participation and support, emphasizing the benefits of involvement in workshops and events.

This context profile should help AI assistants generate content that aligns with Small School Inc's mission, activities, and communication style.

General Admission

Tom Ashcraft &ldquo;Navigating a Public Practice&rdquo;&nbsp;+&nbsp;Georgia Deal &ldquo;Narrative, Collaboration and Social Response&rdquo; In this two part talk, Deal and Ashcraft will discuss their respective individual practices, focusing on studio andproject based collaborative works. This is the third artist talk in a series featuring western NC artists impacted by and moving forward after Hurricane Helene. BiosGeorgia Deal is a printmaker and papermaker whose mixed-media works explore memory, narrative, and the tactile qualities of handmade paper. She is Professor Emeritus and former Chair of the Printmaking and Papermaking Program at the Corcoran School of Art &amp; Design of George Washington University in Washington, D.C. Prior to the Corcoran, she taught at the Munson-Williams-Proctor Institute in New York and served as Resident Printmaker at the Smithsonian American Art Museum.Deal&#39;s work has been supported by grants from the Maryland State Arts Council, the Washington Project for the Arts, and the New York State Council on the Arts, and is represented in collections including the Philadelphia Museum of Art, the Library of Congress, the Corcoran Gallery of Art, and Yale University Library.She has led workshops across the U.S.&mdash;at the Penland School of Craft, Haystack Mountain School of Crafts, Arrowmont School, and the Paper &amp; Book Intensive&mdash;and abroad in Italy, Greece, and Mexico.Deal is the proprietor of Swannanoa Paper in Asheville, where she continues her studio practice. Her work evokes the layered nature of memory, using the transparency and tactility of handmade paper to uncover a personal archaeology of time and place. Tom Ashcraft is an artist whose practice spans object-making, public art, and participatory projects. In 2005, he co-founded Workingman Collective, a collaborative group of artists and professionals that reimagines creative collaboration through shifting memberships, goals, and methods. This flexible framework allows Ashcraft and his collaborators to work fluidly across disciplines&mdash;from art and architecture to ecology and community organizing.Ashcraft and Workingman Collective have exhibited and produced projects throughout the U.S., Europe, the Caribbean, and Africa. His honors include a National Endowment for the Arts Design Grant, Ford Foundation Fellowship, YADDO Fellowship, NY State Arts Grant, Washington DC Commission on the Arts Award, Mabel Pew Grant, and three commissions from the U.S. Department of State&#39;s Art in Embassies program.Educational projects include The Andros Island Art Project in the Bahamas, Container Space&mdash;a repurposed shipping container and social hub at George Mason University&mdash;and Public Practice, a multi-year course at Western Carolina University that produced permanent artworks for the U.S. Embassy in Niger.Born in Long Beach, California, and raised in Nevada and Florida, Ashcraft is now based in Asheville, North Carolina, where he serves as MFA Director and Distinguished Professor at the School of Art + Design, Western Carolina University.&nbsp;Small School and the NCMA are partners on this and many other events.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering - look forward to seeing you at the talk! Best,JP ReuerSmall School

Tom Ashcraft “Navigating a Public Practice” + Georgia Deal “Narrative, Collaboration and Social Response” In this two part talk, Deal and Ashcraft will discuss their respective individual practices, focusing on studio andproject based collaborative works. This is the third artist talk in a series featuring western NC artists impacted by and moving forward after Hurricane Helene. BiosGeorgia Deal is a printmaker and papermaker whose mixed-media works explore memory, narrative, and the tactile qualities of handmade paper. She is Professor Emeritus and former Chair of the Printmaking and Papermaking Program at the Corcoran School of Art &amp; Design of George Washington University in Washington, D.C. Prior to the Corcoran, she taught at the Munson-Williams-Proctor Institute in New York and served as Resident Printmaker at the Smithsonian American Art Museum.Deal's work has been supported by grants from the Maryland State Arts Council, the Washington Project for the Arts, and the New York State Council on the Arts, and is represented in collections including the Philadelphia Museum of Art, the Library of Congress, the Corcoran Gallery of Art, and Yale University Library.She has led workshops across the U.S.—at the Penland School of Craft, Haystack Mountain School of Crafts, Arrowmont School, and the Paper &amp; Book Intensive—and abroad in Italy, Greece, and Mexico.Deal is the proprietor of Swannanoa Paper in Asheville, where she continues her studio practice. Her work evokes the layered nature of memory, using the transparency and tactility of handmade paper to uncover a personal archaeology of time and place. Tom Ashcraft is an artist whose practice spans object-making, public art, and participatory projects. In 2005, he co-founded Workingman Collective, a collaborative group of artists and professionals that reimagines creative collaboration through shifting memberships, goals, and methods. This flexible framework allows Ashcraft and his collaborators to work fluidly across disciplines—from art and architecture to ecology and community organizing.Ashcraft and Workingman Collective have exhibited and produced projects throughout the U.S., Europe, the Caribbean, and Africa. His honors include a National Endowment for the Arts Design Grant, Ford Foundation Fellowship, YADDO Fellowship, NY State Arts Grant, Washington DC Commission on the Arts Award, Mabel Pew Grant, and three commissions from the U.S. Department of State's Art in Embassies program.Educational projects include The Andros Island Art Project in the Bahamas, Container Space—a repurposed shipping container and social hub at George Mason University—and Public Practice, a multi-year course at Western Carolina University that produced permanent artworks for the U.S. Embassy in Niger.Born in Long Beach, California, and raised in Nevada and Florida, Ashcraft is now based in Asheville, North Carolina, where he serves as MFA Director and Distinguished Professor at the School of Art + Design, Western Carolina University. Small School and the NCMA are partners on this and many other events.

Small School Inc

Tom Ashcraft + Georgia Deal - Artist Talk

2110 Blue Ridge Rd

General Admission

Free

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