Opera Reading Project

### Context Profile for Opera Reading Project

#### 1. Organization Mission & Cause
The **Opera Reading Project** is dedicated to making opera accessible to everyone, emphasizing the transformative power of storytelling through music. Their mission is to empower individuals by sharing stories that can change the world, fostering a community that values the arts, music, and language learning. They believe that opera is not just for the elite but for all who appreciate the beauty and impact of artistic expression.

#### 2. Type of Activities
The organization engages in a variety of activities, including:
- **Community Classes**: Offering educational programs that promote opera and its appreciation.
- **Fundraising Campaigns**: Initiatives like "Raise Every Voice" that encourage donations to support emerging artists and community access to opera.
- **Events**: Hosting performances and gatherings that bring together artists and audiences to celebrate opera.
- **Outreach Programs**: Encouraging participation from diverse communities to ensure inclusivity in the arts.

#### 3. Tone of Voice
The tone of voice used by the Opera Reading Project is:
- **Friendly and Inviting**: The language is warm and welcoming, encouraging participation and support.
- **Inspiring**: The content often highlights the transformative power of opera and storytelling, motivating readers to get involved.
- **Casual yet Professional**: While maintaining a level of professionalism, the tone is approachable, making it easy for a broad audience to connect with their mission.

#### 4. Emoji Usage
The organization frequently uses emojis in their communications to enhance engagement and convey emotions. Examples include:
- 🎶 (musical note) to highlight musical themes.
- 💖 (heart) to express love and support for the arts.
- 📣 (megaphone) to encourage sharing and spreading the word.
- 👥 (people) to promote community involvement.
Emojis are used strategically in campaign materials and emails, adding a friendly touch to their messaging.

#### 5. Key Facts
- **Founding Info**: Specific founding details were not provided on the website; further research may be needed.
- **Scale**: The organization has conducted 15 total forms and sent out 36 email campaigns, indicating an active engagement strategy.
- **Impact Metrics**: While specific metrics were not detailed, the emphasis on supporting emerging artists and community classes suggests a focus on measurable outcomes in accessibility and participation.
- **Volunteer Info**: The organization encourages community involvement but specific volunteer opportunities were not detailed on the website.

#### 6. Writing Guidelines
When creating content for the Opera Reading Project, consider the following guidelines:
- **Use a Friendly and Inviting Tone**: Write as if you are speaking to a friend about the importance of opera and storytelling.
- **Incorporate Inspirational Language**: Highlight the transformative power of the arts and the impact of community support.
- **Utilize Emojis Sparingly**: Use emojis to enhance engagement but avoid overuse. Aim for 1-3 emojis per communication piece, depending on the context.
- **Be Clear and Concise**: Ensure that messaging is straightforward and easy to understand, focusing on calls to action that encourage donations, sharing, and participation.

This context profile serves as a foundational guide for creating personalized and effective content for the Opera Reading Project, aligning with their mission and engaging their audience effectively.

LXCL:This amount covers your reservation and will help us to keep performer training fees low, defray artistic staff costs, and continue providing such programming in the future.

PWYC Audience Reservation - Suggested Admission

LXCL:This amount covers your reservation and goes towards admission for someone else with less means.

PWYC Audience Reservation + Pay It Forward

LXCL:We understand that not everyone has the means to pay much for a seat reservation, and we want our event to be accessible to all. If you would like to attend but are unable to do so at the suggested admission amount, please select this option.

PWYC Audience Reservation - Reduced Admission

Opera Reading Project presents its first ever performance of staged opera scenes! Featuring excerpts from Der Wald&nbsp;(Smythe), Tosca&nbsp;(Puccini), Hamlet&nbsp;(Thomas), and Peter Grimes&nbsp;(Britten).&nbsp; In Der Wald, Ethyl Smythe&rsquo;s setting of a German libretto by Henry Brewster, Iolanthe becomes fascinated with a young woodcutter named Heinrich, who is engaged to the peasant-girl R&ouml;schen, and attempts to seduce him to her whims.&nbsp; In Act III of Puccini&rsquo;s Tosca, Cavaradossi and Tosca are reunited after his imprisonment and the death of Scarpia, hopeful that they may be able to flee their tragic circumstances. In Thomas&rsquo;s French-language adaptation of the classic Shakespeare play, Hamlet&rsquo;s grief and confusion over his father&rsquo;s death are interrupted by the arrival of Oph&eacute;lie, who asks for reassurance of their mutual love. Oph&eacute;lie&rsquo;s brother, La&euml;rte, enters to bid his sister farewell and entrusts her care to Hamlet.&nbsp; In a poignant Act II quartet from Britten&rsquo;s Peter Grimes, Ellen, Auntie, and the two Nieces express their disdain and judgement of the titular outcast fisherman, whom they see as rising from nothing and bringing ruin upon all.&nbsp; &mdash; Advanced Seating Reservations are highly recommended, and seating is limited. If reservations are sold out, we will maintain a waiting list. If you would like to be added to the waiting list, please email us with your name and desired number of seats at&nbsp;operareadingproject@gmail.com. We will notify you via email should there be cancellations or if additional seats become available. We want our event to be accessible to all. If you would like to attend but your budget is limited, please look for a reduced ticket option. The suggested amount will help us to keep performer training fees low, defray artistic staff costs, and continue providing such programming in the future. <img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1765053048/wysiwyg/qtigwlg4sivefxlmu787.jpg" style="width: 600px; display: block; vertical-align: top; margin: 5px auto; text-align: center; position: relative; max-width: 100%; cursor: pointer; padding: 0px 1px; -webkit-user-select: none; box-sizing: inherit;" fr-original-style="width: 600px; display: block; vertical-align: top; margin: 5px auto; text-align: center;" fr-original-class="fr-draggable"> This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund.

Hi&nbsp;<span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; -webkit-touch-callout: none; -webkit-user-select: none; box-sizing: inherit;">First name, Thank you for reserving your seat! We are looking forward to seeing you at Voices in Motion, Opera Reading Project&#39;s first ever staged opera scenes performance on Sunday, February 22 at the MN Opera Center.&nbsp; Arrival: Doors open at 1:40 p.m. for the 2:00 p.m. performance&nbsp;in Bemis Hall at the Opera Center (lower level). Please check in with the monitor at the table in the entryway at the Opera Center when you arrive. General seating. Performance time is approximately 1.5 hours including a short intermission between shows.&nbsp; Parking: Metered parking is available on the street or in the pay lot diagonal and across the street. We also encourage you to consider taking an Uber or public transportation as there may be several events or performances going on in the area that afternoon. See you soon! Kind regards,Elena StabileDirector of OperationsOpera Reading Project

Opera Reading Project presents its first ever performance of staged opera scenes! Featuring excerpts from Der Wald (Smythe), Tosca (Puccini), Hamlet (Thomas), and Peter Grimes (Britten).  In Der Wald, Ethyl Smythe’s setting of a German libretto by Henry Brewster, Iolanthe becomes fascinated with a young woodcutter named Heinrich, who is engaged to the peasant-girl Röschen, and attempts to seduce him to her whims.  In Act III of Puccini’s Tosca, Cavaradossi and Tosca are reunited after his imprisonment and the death of Scarpia, hopeful that they may be able to flee their tragic circumstances. In Thomas’s French-language adaptation of the classic Shakespeare play, Hamlet’s grief and confusion over his father’s death are interrupted by the arrival of Ophélie, who asks for reassurance of their mutual love. Ophélie’s brother, Laërte, enters to bid his sister farewell and entrusts her care to Hamlet.  In a poignant Act II quartet from Britten’s Peter Grimes, Ellen, Auntie, and the two Nieces express their disdain and judgement of the titular outcast fisherman, whom they see as rising from nothing and bringing ruin upon all.  — Advanced Seating Reservations are highly recommended, and seating is limited. If reservations are sold out, we will maintain a waiting list. If you would like to be added to the waiting list, please email us with your name and desired number of seats at operareadingproject@gmail.com. We will notify you via email should there be cancellations or if additional seats become available. We want our event to be accessible to all. If you would like to attend but your budget is limited, please look for a reduced ticket option. The suggested amount will help us to keep performer training fees low, defray artistic staff costs, and continue providing such programming in the future. <img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1765053048/wysiwyg/qtigwlg4sivefxlmu787.jpg" style="width:600px;display:block;vertical-align:top;margin:5px auto;text-align:center;position:relative;cursor:pointer;padding:0px 1px;-webkit-user-select:none;box-sizing:inherit;max-width:100%" /> This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund.

Opera Reading Project

Voices in Motion: Opera Scenes

620 N 1st St

PWYC Audience Reservation - Suggested Admission

$15

PWYC Audience Reservation + Pay It Forward

$30

PWYC Audience Reservation - Reduced Admission

$5

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