Automata Arts

### Context Profile for Automata Arts

1. **Organization Mission & Cause**:
   - **Mission**: Automata Arts is dedicated to fostering innovative and experimental performance art. Their mission revolves around creating a space for artists to explore and present new work, particularly in the realm of installation and performance art. They aim to challenge traditional narratives and engage audiences in unique, immersive experiences.
   - **Cause**: The organization emphasizes the importance of artistic exploration and community engagement, providing a platform for artists to push boundaries and provoke thought through their work.

2. **Type of Activities**:
   - **Events**: Automata Arts hosts various performances, including installation performances like "Eutrophia II," which combines elements of visual art and live performance.
   - **Fundraising Campaigns**: They engage in fundraising efforts to support their residency programs and events, offering free or discounted tickets to encourage community participation.
   - **Community Programs**: The organization facilitates audience engagement through participatory events, allowing audiences to interact with the performances and provide feedback.

3. **Tone of Voice**:
   - The tone of Automata Arts is **professional yet approachable**, with an emphasis on **artistic expression**. Their language is often **inspiring and thought-provoking**, aiming to engage audiences intellectually and emotionally. The use of artistic terminology and detailed descriptions reflects a deep appreciation for the nuances of performance art.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their content is more formal and focused on conveying artistic concepts and event details without the casualness that emojis might imply.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website, but Automata Arts is involved in contemporary performance art and has established itself as a significant venue for experimental work.
   - **Scale**: The organization has a total of 57 forms and email campaigns, indicating active engagement with their audience.
   - **Impact Metrics**: While specific metrics were not detailed, the organization’s focus on community engagement and artist support suggests a commitment to fostering a vibrant arts community.
   - **Volunteer Info**: Information on volunteer opportunities was not explicitly mentioned, but the participatory nature of their events implies potential for audience involvement.

6. **Writing Guidelines**:
   - **Style**: Content should maintain a balance between professional and accessible language. Use artistic terminology where appropriate to reflect the organization's focus on performance art.
   - **Structure**: Clear, concise paragraphs with a focus on engaging the reader. Use headings and bullet points for easy navigation, especially in event descriptions.
   - **Engagement**: Encourage audience interaction by posing questions or inviting feedback where relevant. Highlight the unique aspects of each event to draw in attendees.
   - **Call to Action**: Always include a clear call to action, whether it’s to purchase tickets, attend an event, or support the organization through donations.

This context profile provides a comprehensive overview of Automata Arts, enabling AI assistants to generate tailored content that aligns with the organization’s mission, activities, and communication style.

General Admission

Students, Members, Seniors, Artists Admission

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Automata Artsautomataarts@gmail.com

***Event tickets have sold out. A limited number of tickets will be available for purchase at the door before the performance.*** Automata presents Zoopraxographers #3: Who says the moon is heartless?Saturday 8pm (doors 7:30pm) Zoopraxographers is thrilled to be back at Automata with its third edition, featuring artists Umi Hsu, Madison Brookshire, Michael Pisaro-Liu and Cherlyn Hsing-Hsin Liu. “Who says the moon is heartless?” is an evening of winds, crickets and birdsong, moving paper and sleepless poetry.Set 1: Listen to the wind eight hundred times by Cherlyn Hsing-Hsin Liu &amp; Michael Pisaro-LiuFilm-painting, music, poetry, ≈ 15 minutes, 2025 Set 2: Window Film, 2025 by Madison BrookshireDigital video, 32 minutes, color, sound, 2025 Set 3: Sleepless Night by Umi HsuLive performance (with cassette recorders, radio, voice, and archival letters), ≈30 minutes, 2025 Total Runtime: ≈ 75mins  Full Program: Please visit <a href="https://automata.squarespace.com/2025-zoopraxographers-3-who-says-the-moon-is-heartless" target="_blank">Automata</a>. Set 1: Listen to the wind eight hundred times by Cherlyn Hsing-Hsin Liu &amp; Michael Pisaro-LiuFilm-painting, music, poetry, ≈ 15 minutes, 2025 The moving image is created from 35mm hand-drawn film, projected three times at varying speeds using a hand-cranked projector. Combined, I hoped to create a scroll-painting-like movie, offering a visual poetry of sound in the wind. This is a collaborative project; music composed and performed by Michael Pisaro-Liu. "Listen to the wind eight hundred times" is from an old Chinese anecdote that speaks of the wind blowing and the grass growing again —the return to a life of ease and freedom after experiencing countless trials and turbulences. (C.H.L.) “Listen to the wind eight hundred times” was written in response to Cherlyn Hsing-Hsin Liu’s painting “Listen to the wind eight hundred times 聽風八百遍” (2023). That work consists of countless ink marks given a sense of movement by their placement and interaction with the uneven background of rough linen; the movement comes to an end with a boat at rest. This music is composed of about 800 sound events assembled from recordings (of wind, birds, bells, clicks and wheels) in alternation with solo guitar (enhanced by a sustain pedal). One of the birds is a mourning dove recorded right outside my window. (M.P.) Set 2: Window Film, 2025 by Madison BrookshireDigital video, 32 minutes, color, sound, 2025 Half an hour from an ongoing work of expanded cinema. This recording, Window Film, 2025, is a film unto itself and therefore has a beginning, middle, and end, but the Window Film, i.e. the 4 x 3 rectangle of blue watercolor on translucent vellum, remains and continues to run. “Changing, it rests.” (M.B.) Set 3: Sleepless Night by Umi HsuLive performance (with cassette recorders, radio, voice, and archival letters), ≈30 minutes, 2025 Sleepless Night is a new work of sound art performance that traverses the space between the unforgettable and the forgotten in the diaspora. What is the sound of language as it decays in the diaspora? Sound artist Umi Hsu builds an assemblage of memory by creating an evolving architecture of ambiences through cassette loops, radios, field recordings, and words drawn from letters from the artist’s childhood. Exposing the slippage between the interior and exterior sound of language, this performance illustrates the elusive quality of nativity in the immigrant speech and sense of self. This work is a part of the performance series that is inspired by Umi Hsu’s sound art memoir Departures / Arrivals (2024). (U.H.) About the artists: <a href="https://cherlynhsinghsinliu.com/" target="_blank">Cherlyn Hsing-Hsin Liu</a> is an artist, filmmaker, and writer whose work is grounded in experimental literature, the conceptual avant-garde, and philosophy. Liu's works are concerned with materiality in different contexts and eras, as well as its transformation, symbolism, decay, and emotional resonance. For Liu materiality includes both living and inanimate matter. Through film, poetry, painting, sculpture, and other media, she reflects the light and darkness of the world she lives in. Her films have been shown at international film festivals and museums, including the Edinburgh International Film Festival, Helsinki Festival, Festival des Cinémas Différents et Expérimentaux de Paris, Image Forum Festival, Japan, Istanbul International Experimental Film Festival, The Museum of Kyoto, the San Francisco Museum of Modern Art, M+ Museum in Hong Kong, the Taipei Fine Arts Museum, among others.  <a href="https://www.michaelpisaro-liu.com/" target="_blank">Michael Pisaro-Liu</a> (born 1961 in Buffalo, New York) is a guitarist and composer and a long-time member of the Wandelweiser collective. While, like other members of Wandelweiser, Pisaro-Liu is known for pieces of long duration with periods of silence, over the past two decades his work has branched out in many directions, including work with field recording, electronics, improvisation and large ensembles of very different kinds of instrumental constitution. Recordings of his music can be found on Edition Wandelweiser, erstwhile records, elsewhere music, Potlatch, another timbre, ftarri, winds measure and other labels. Pisaro-Liu is the Director of Composition and Experimental Music at CalArts. <a href="https://madisonbrookshire.com/" target="_blank">Madison Brookshire</a> lives in Los Angeles, where he makes films, paintings, and performances. His work invites viewers to become aware of perceptual processes and the sensuous experience of time. Through his work, he hopes to get closer to living. Moving between experimental film, music, and art, he often works at the edges of disciplines, frequently collaborating with musicians and composers, including Ezra Buchla, LCollective, Laura Steenberge, Mark So, and Tashi Wada. His awards include being named a 2023 Guggenheim Fellow in Fine Arts, an ARC grant from the Center for Cultural Innovation, a Rema Hort Mann Foundation Emerging Artist Grant, and being an Artist in Residence at the Echo Park Film Center and the Hammer Museum. <a href="https://www.umihsu.studio/" target="_blank">Umi Hsu</a>  is a sound artist and ethnomusicologist who traces the contours of migration, memory, and transformation. Having a bicultural and bilingual background, they use sound as a paralinguistic medium to surface meanings, reconstruct memory, and forge connections. With a PhD in Critical and Comparative Studies in Music from the University of Virginia, Hsu’s work has been presented by LACMA, CTM Festival in Berlin, and ONE Archives; featured in LA Times, LA Weekly, and Arts at MIT; and awarded by the NEA, Mellon Foundation, American Council for Learned Society, LA Metro, and City of West Hollywood. About Zoopraxographers: <a href="https://www.zoopraxographers.org/" target="_blank">Zoopraxographers</a> draws inspiration from Muybridge’s practice of motion study and Los Angeles filmmaker Thom Andersen’s debut documentary, Eadweard Muybridge, Zoopraxographer (1975). Zoopraxographers seeks to find a place for art in motion and the movement of art, ultimately the artist’s infinite movement. Zoopraxographers is self-funded by two artists. Ticket sales and personal donations from all shows will be used to support the venue and subsidize participating artists.

Automata Arts

Zoopraxographers #3: Who says the moon is heartless?

504 Chung King Rd

General Admission

$17

Students, Members, Seniors, Artists Admission

$12

Add a donation for Automata Arts