Voix Éternelles / Vox Aeterna

### Context Profile for Voix Éternelles / Vox Aeterna

#### 1. Organization Mission & Cause
**Mission:** Voix Éternelles / Vox Aeterna is dedicated to promoting the cultural heritage of music through various artistic expressions, particularly focusing on vocal arts. Their mission revolves around fostering community engagement and appreciation for diverse musical traditions, particularly through workshops and performances that celebrate cultural diversity.

**Cause:** The organization emphasizes the intersection of sport and culture, aiming to enrich community life through artistic endeavors that encourage participation and collaboration among individuals of all backgrounds.

#### 2. Type of Activities
- **Workshops:** The organization hosts workshops such as the "Celtic Song Workshop with Linda Morrison," where participants learn traditional songs from Scotland and Ireland.
- **Concerts:** They organize concerts featuring various artists, including collaborations with local opera companies.
- **Cultural Events:** Regularly scheduled events that highlight different musical traditions and cultural practices, fostering community involvement and appreciation.

#### 3. Tone of Voice
The tone of voice used by Voix Éternelles is:
- **Friendly and Inviting:** The language is warm and welcoming, encouraging participation from individuals of all skill levels.
- **Inspiring:** Communications often aim to evoke a sense of cultural pride and community spirit.
- **Casual yet Professional:** While maintaining professionalism, the tone is approachable, making it easy for audiences to engage with their offerings.

#### 4. Emoji Usage
The organization does not prominently use emojis in their communications. The language is straightforward and focused on clarity and professionalism, particularly in formal announcements and workshop invitations.

#### 5. Key Facts
- **Founding Info:** Specific founding details are not available on the website, but the organization has established itself as a key player in the cultural landscape.
- **Scale:** The organization has a total of 51 forms and has conducted 37 email campaigns, indicating an active engagement strategy.
- **Impact Metrics:** While specific metrics are not detailed, the organization’s impact can be inferred through community participation in workshops and events.
- **Volunteer Info:** There is no direct mention of volunteer opportunities on the website, but community involvement is a key aspect of their activities.

#### 6. Writing Guidelines
- **Clarity and Simplicity:** Use clear and straightforward language to ensure accessibility for all audiences.
- **Engagement Focus:** Write in a way that invites participation, emphasizing the communal and inclusive nature of their events.
- **Cultural Sensitivity:** Be mindful of the diverse cultural backgrounds represented in their activities, ensuring that communications respect and celebrate this diversity.
- **Personalization:** Incorporate personalized greetings and acknowledgments in communications, as seen in their email campaigns.

This context profile serves as a foundational guide for generating content that aligns with the values, mission, and activities of Voix Éternelles / Vox Aeterna, ensuring that all communications resonate with their audience and reflect their organizational ethos.

General admission

Admission générale

Festival de la Voix is approaching its 10th anniversary and we are celebrating this occasion with an exceptional concert featuring two internationally renowned Canadian opera singers! PLEASE NOTE: ALL TICKETS PURCHASED FOR THE ORIGINAL CONCERT DATE (NOV. 6, 2022) WILL BE HONOURED.  Claire de Sévigné Hailed for her “sparkling top notes and vocal brilliance, lightness and finesse” (Neue Musikzeitung) Canadian soprano Claire de Sévigné is enjoying an exciting and diverse career. Named one of CBC’s Top Young Canadian Classical Musicians, Ms. de Sévigné was recently nominated for a Classical Album of the Year JUNO award for her album of Vivaldi Cantatas. In the 2022-23 season, Ms. De Sévigné will appear with the Grand Théâtre de Genève, the Opéra Orchestre National Montpellier and Pacific Opera Victoria. In concert, she performs at the Lausitz Festival with the Symphoniker Hamburg as well as with the Niagara Symphony Orchestra. Recent engagements have included performances with the Ópera National de Lyon, Opera Anger, Nantes Opéra, Opera Toulon, Opéra d’Avignon, Lucerne Opera House and the Grand Théâtre de Genève. In the 2019-20 season, Ms. de Sévigné was a member of the core Ensemble with the Grand Théâtre de Genève. She is also a young artist graduate from the Zurich Opera House (2018), the Salzburg Young Singers Project (2016) and the Canadian Opera Company’s Ensemble (2015). Other operatic engagements have included performances with the Hamburg Elbphilharmonie, the Savonlinna Opera Festival in Finland, the Salzburg Festival, a tour of China with the Salzburg Festival in collaboration with the Hantang International Music Festival, the Mozarteum Orchestra in Spain, Edmonton Symphony, Concertgebouw Orchestra in Amsterdam, the Grant Park Music Festival of Chicago, the Elora Festival of Canada, the Toronto Symphony Orchestra and concerts for Orchestre Symphonique de Montréal and Opéra de Québec. Ms. de Sévigné has been awarded accolades by the Orchestre symphonique de Montréal Standard Life Competition, the Montreal International Competition, Vancouver Opera Guild, the Christina and Louis Quilico Competition, the Marcello Giordani Foundation, the International Vocal Competition and the Annual COC Ensemble Studio Competition. The Montreal native is proud to be supported by the Jacqueline Desmarais Foundation, SSHRC Bombardier Master’s Research Grant, the Canadian Opera Volunteer Committee as well as the Leanara Foundation in Zürich.<p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit"> <p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit">Danielle MacMillan Italian-Canadian Mezzo Soprano, Danielle MacMillan was a member of the Canadian Opera Company’s Ensemble Studio. Ms. MacMillan made her Canadian Opera Company debut as the Second Niece in Britten’s Peter Grimes. She holds a bachelor of fine arts, with honours, in classical vocal performance from York University, with additional training at Istituzione Teatro Lirico Sperimentale di Spoleto, in Italy and The Glenn Gould School of The Royal Conservatory of Music. Her credits include Diana in La Calisto, Cavalli, Second Lady in The Magic Flute, Mozart, Véronique in Le docteur Miracle, Bizet (GGS), Annio in La clemenza di Tito, Mozart (COSI), Cherubino in Le nozze di Figaro, Mozart and Siebel in Faust, Gounod (HOS). Ms.MacMillan also appeared as Dorabella in the COC’s Ensemble Studio production of Cosí fan tutte, Mozart, and covered the role of Garcias in Don Quichotte, Massenet (COC). Ms. MacMillan joined Palm Beach Opera’s Benenson Young Artist Program in 2015 where she covered the roles of Mercedes in Carmen, Bizet and Komponist in Ariadne auf Naxos, Strauss. In their 2016/17 season Ms. MacMillan covered Suzuki in Madama Butterfly, Puccini; Giovanna, and sang Countess Ceprano in Rigoletto, Verdi; and Edith in Pirates of Penzance, Gilbert and Sullivan. Danielle is a recipient of the IRCPA Maureen Forrester Scholarship, a winner of the St. Andrews Arts Council Aria Competition and a Regional Finalist prize winner of the Metropolitan Opera National Council Auditions in Denver, Colorado. Ms. MacMillanreturned to Palm Beach Opera as Cherubino in their 2018 season of Le nozze di Figaro and in 2019, making her role debut as Zerlina in Don Giovanni. After it’s reveal at the Banff Centre for the Performing Arts in 2017, Danielle revived the role of Agni in Against the Grain Theatre’s production of Kopernikus by Claude Vivier in April 2019; and appeared for an tenth season with the Toronto Classical Singers in Mendelssohn’s Elijah as The Angel in May. June 2019 marked Ms. MacMillan’s debut of Beethoven’s 9th Symphony with the NYCO and her participation in the NAC’s chamber festival. Ms. MacMillan took first place at the Clifford Poole Vocal Competition with the CBSO in Toronto and returned to sing with the TCS in Schubert’s Mass in C, March 2020. Ms. MacMillan made her debut in October with Opera Atelier, in their filmed production of “Something Rich & Strange” and looks forward to celebrating a future debut as Flora in La Traviata with the Chattanooga Symphony Orchestra and Wellgunde in Das Rheingold with Opera Nashville. Accompanied by Stéphane Mayer Pianist and composer Stéphane Mayer has quickly been establishing himself as one of Canada's premier up and coming artists. A graduate of the COC ensemble, Stéphane has served as a rehearsal pianist and member of music staff for The Magic Flute, Eugene Onegin and Arabella among many other productions at the Canadian Opera Company. He has also served as an opera répétiteur for productions of La Bohème (Edmonton Opera), Louis Riel (Opéra de Québec), Missing (Pacific Opera Victoria), The Rocking Horse Winner (Tapestry Opera) and Ours (Opera on the Avalon). An accomplished art-song recitalist, Stéphane has studied with noted interpreters of German Lied, including Elly Ameling, Robert Holl, Julius Drake, Andreas Schmidt and Roger Vignoles at the Franz-Schubert Institut in Baden bei Wien, Austria. A graduate of McGill University’s Schulich School of Music, Stéphane also worked as a vocal coach and accompanist at Western University.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Last name, The Festival de la Voix thanks you for your support! This is a confirmation of your ticket purchase to attend the DIVINE DIVAS concert:  📭   at St. Columba-by-the-Lake Church (11 Av. Rodney, Pointe-Claire, QC H9R 4L8, Canada) ⌚️   on Sunday, March 19th, 2023 at 3:00 p.m. You can either print your tickets, or present them on your phone at the door. We look forward to having you! <img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1668091851/ntblnxyzjo8o2qp264jw.png" style="width:119px;display:block;vertical-align:top;margin:5px auto 5px 0px;text-align:left;position:relative;max-width:100%;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit" />Festival de la Voix info@festivaldelavoix.com514-758-3641

Festival de la Voix is approaching its 10th anniversary and we are celebrating this occasion with an exceptional concert featuring two internationally renowned Canadian opera singers! PLEASE NOTE: ALL TICKETS PURCHASED FOR THE ORIGINAL CONCERT DATE (NOV. 6, 2022) WILL BE HONOURED.  Claire de Sévigné Hailed for her “sparkling top notes and vocal brilliance, lightness and finesse” (Neue Musikzeitung) Canadian soprano Claire de Sévigné is enjoying an exciting and diverse career. Named one of CBC’s Top Young Canadian Classical Musicians, Ms. de Sévigné was recently nominated for a Classical Album of the Year JUNO award for her album of Vivaldi Cantatas. In the 2022-23 season, Ms. De Sévigné will appear with the Grand Théâtre de Genève, the Opéra Orchestre National Montpellier and Pacific Opera Victoria. In concert, she performs at the Lausitz Festival with the Symphoniker Hamburg as well as with the Niagara Symphony Orchestra. Recent engagements have included performances with the Ópera National de Lyon, Opera Anger, Nantes Opéra, Opera Toulon, Opéra d’Avignon, Lucerne Opera House and the Grand Théâtre de Genève. In the 2019-20 season, Ms. de Sévigné was a member of the core Ensemble with the Grand Théâtre de Genève. She is also a young artist graduate from the Zurich Opera House (2018), the Salzburg Young Singers Project (2016) and the Canadian Opera Company’s Ensemble (2015). Other operatic engagements have included performances with the Hamburg Elbphilharmonie, the Savonlinna Opera Festival in Finland, the Salzburg Festival, a tour of China with the Salzburg Festival in collaboration with the Hantang International Music Festival, the Mozarteum Orchestra in Spain, Edmonton Symphony, Concertgebouw Orchestra in Amsterdam, the Grant Park Music Festival of Chicago, the Elora Festival of Canada, the Toronto Symphony Orchestra and concerts for Orchestre Symphonique de Montréal and Opéra de Québec. Ms. de Sévigné has been awarded accolades by the Orchestre symphonique de Montréal Standard Life Competition, the Montreal International Competition, Vancouver Opera Guild, the Christina and Louis Quilico Competition, the Marcello Giordani Foundation, the International Vocal Competition and the Annual COC Ensemble Studio Competition. The Montreal native is proud to be supported by the Jacqueline Desmarais Foundation, SSHRC Bombardier Master’s Research Grant, the Canadian Opera Volunteer Committee as well as the Leanara Foundation in Zürich.<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit;max-width:100%">Danielle MacMillan Italian-Canadian Mezzo Soprano, Danielle MacMillan was a member of the Canadian Opera Company’s Ensemble Studio. Ms. MacMillan made her Canadian Opera Company debut as the Second Niece in Britten’s Peter Grimes. She holds a bachelor of fine arts, with honours, in classical vocal performance from York University, with additional training at Istituzione Teatro Lirico Sperimentale di Spoleto, in Italy and The Glenn Gould School of The Royal Conservatory of Music. Her credits include Diana in La Calisto, Cavalli, Second Lady in The Magic Flute, Mozart, Véronique in Le docteur Miracle, Bizet (GGS), Annio in La clemenza di Tito, Mozart (COSI), Cherubino in Le nozze di Figaro, Mozart and Siebel in Faust, Gounod (HOS). Ms.MacMillan also appeared as Dorabella in the COC’s Ensemble Studio production of Cosí fan tutte, Mozart, and covered the role of Garcias in Don Quichotte, Massenet (COC). Ms. MacMillan joined Palm Beach Opera’s Benenson Young Artist Program in 2015 where she covered the roles of Mercedes in Carmen, Bizet and Komponist in Ariadne auf Naxos, Strauss. In their 2016/17 season Ms. MacMillan covered Suzuki in Madama Butterfly, Puccini; Giovanna, and sang Countess Ceprano in Rigoletto, Verdi; and Edith in Pirates of Penzance, Gilbert and Sullivan. Danielle is a recipient of the IRCPA Maureen Forrester Scholarship, a winner of the St. Andrews Arts Council Aria Competition and a Regional Finalist prize winner of the Metropolitan Opera National Council Auditions in Denver, Colorado. Ms. MacMillanreturned to Palm Beach Opera as Cherubino in their 2018 season of Le nozze di Figaro and in 2019, making her role debut as Zerlina in Don Giovanni. After it’s reveal at the Banff Centre for the Performing Arts in 2017, Danielle revived the role of Agni in Against the Grain Theatre’s production of Kopernikus by Claude Vivier in April 2019; and appeared for an tenth season with the Toronto Classical Singers in Mendelssohn’s Elijah as The Angel in May. June 2019 marked Ms. MacMillan’s debut of Beethoven’s 9th Symphony with the NYCO and her participation in the NAC’s chamber festival. Ms. MacMillan took first place at the Clifford Poole Vocal Competition with the CBSO in Toronto and returned to sing with the TCS in Schubert’s Mass in C, March 2020. Ms. MacMillan made her debut in October with Opera Atelier, in their filmed production of “Something Rich &amp; Strange” and looks forward to celebrating a future debut as Flora in La Traviata with the Chattanooga Symphony Orchestra and Wellgunde in Das Rheingold with Opera Nashville. Accompanied by Stéphane Mayer Pianist and composer Stéphane Mayer has quickly been establishing himself as one of Canada's premier up and coming artists. A graduate of the COC ensemble, Stéphane has served as a rehearsal pianist and member of music staff for The Magic Flute, Eugene Onegin and Arabella among many other productions at the Canadian Opera Company. He has also served as an opera répétiteur for productions of La Bohème (Edmonton Opera), Louis Riel (Opéra de Québec), Missing (Pacific Opera Victoria), The Rocking Horse Winner (Tapestry Opera) and Ours (Opera on the Avalon). An accomplished art-song recitalist, Stéphane has studied with noted interpreters of German Lied, including Elly Ameling, Robert Holl, Julius Drake, Andreas Schmidt and Roger Vignoles at the Franz-Schubert Institut in Baden bei Wien, Austria. A graduate of McGill University’s Schulich School of Music, Stéphane also worked as a vocal coach and accompanist at Western University.

**NEW DATE** "DIVINE DIVAS" Fundraising Concert: Claire de Sévigné & Danielle MacMillan

Le dixième anniversaire du Festival de la Voix approche et nous célébrons cette occasion par un concert exceptionnel mettant en vedette deux chanteuses d'opéra canadiennes de renommée internationale! VEUILLEZ NOTER QUE TOUS LES BILLETS ACHETÉS POUR LA DATE ORIGINALE DU CONCERT (6 NOVEMBRE 2022) SERONT ACCEPTÉS. <p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.38;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit">Claire de Sévigné <p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.38;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit"> <p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit">Parmi les meilleurs jeunes musiciens classiques canadiens pour la CBC (Société Radio-Canada), Claire de Sévigné a été récemment nominée pour le prix JUNO du disque classique de l’année. Née à Montréal, elle étudie le chant à l’Université McGill et l’opéra à l’Université de Toronto, puis se perfectionne au Studio de l’Opéra de Zurich, ainsi que dans le cadre du projet jeunes chanteurs du Festival de Salzbourg puis dans l’Ensemble de la Canadian Opera Company à Toronto. Elle est soutenue par la Fondation Jacqueline Desmarais, une bourse de recherche Bombardier du CRSH, le Comité des amis de l’Opéra canadien et la Fondation Leanara. Elle a été récompensée lors de divers concours internationaux – Operalia, Standard Life de l’Orchestre symphonique de Montréal, concours de la Vancouver Opera Guild, concours Christina et Louis Quilico, concours vocal international de la Fondation Marcello Giordani, etc. À Zurich (2015-2017), elle interprète Hermione (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Orest, Manfred Trojahn), le Feu, la Princesse et le Rossignol (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">L’Enfant et les sortilèges, Ravel) et Angelica (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Orlando Paladino, Haydn) ; à Toronto, elle chante Mozart : Despina (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Così fan tutte), Servilia (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">La Clémence de Titus) – ainsi qu’une Nièce dans <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Peter Grimes (Britten). Membre de l’Ensemble du Grand Théâtre de Genève durant la saison 2019-2020, elle chante Phani (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Les Indes galantes, Rameau), Blonde (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">L’Enlèvement au sérail, Mozart), la Grande Prêtresse (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Aïda, Verdi). Parmi ses autres engagements, Vénus (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Le Grand Macabre, Ligeti) à l’Elbphilharmonie de Hambourg, Blonde au Festival de Savonlinna, à Zurich et à Toronto, Fiakermilli (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Arabella, Richard Strauss).<p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit"> <p style="color:rgb(34, 34, 34);font-family:Arial, Helvetica, sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit">En concert, elle s’est produite en tournée en Chine en collaboration avec le Hantang International Music Festival, a chanté des oeuvres de Mozart au Festival de Salzbourg, la <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Messe du Couronnement et <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Exsultate, jubilate (Mozart) avec l’Orchestre du Mozarteum, <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Le Messie (Haendel) avec l’Orchestre symphonique d’Edmonton et avec celui de de Toronto, la Vierge (<span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Jeanne d’Arc au bûcher, Honegger) avec l’Orchestre du Concertgebouw d’Amsterdam, etc. Ses engagements récents et à venir comprennent les rôles de la Première Dame dans <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">La Flûte enchantée (Mozart) à Montpellier, Henriette dans <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">L’Éclair (Halévy) au Grand Théâtre de Genève, Adèle dans <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">La Chauve-Souris (J. Strauss) à l’Angers Nantes Opéra, Rennes et Avignon, la Fée dans <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Cendrillon (Massenet) à Lucerne et Cunégonde dans <span style="font-size:11pt;font-family:Roboto;color:rgb(1, 1, 1);font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Candide (Bernstein) à Genève.

<span style="color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit">Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" style="box-sizing:inherit;background-color:rgb(191, 191, 255);border:1px solid rgb(85, 85, 231);border-radius:4px;color:rgb(85, 85, 231);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;font-family:Roboto;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial">Prénom<span style="color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit"> <span contenteditable="false" data-custom-variable="{{lastname}}" style="box-sizing:inherit;background-color:rgb(191, 191, 255);border:1px solid rgb(85, 85, 231);border-radius:4px;color:rgb(85, 85, 231);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;font-family:Roboto;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial">Nom<span style="color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit">, Le Festival de la Voix vous remercie ! Ceci est une confirmation de votre achat de billet pour assister au concert DIVAS DIVINES : <span style="color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit">📭  à l'Église St. Columba-by-the-Lake <span style="color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit">(11 Av. Rodney, Pointe-Claire, QC H9R 4L8, Canada) <span style="color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;float:none;display:inline !important;box-sizing:inherit">⌚️ dimanche le 19 mars, 2023 à 15h00. Vous pouvez soit imprimer vos billets, soit les présenter sur votre téléphone à la porte. Nous nous réjouissons de vous accueillir ! <img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1668091988/rvtghxn0spkgwl5jymps.png" style="width:115px;display:block;vertical-align:top;margin:5px auto 5px 0px;text-align:left;position:relative;max-width:100%;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit" />Festival de la Voix info@festivaldelavoix.com514-758-3641

Le dixième anniversaire du Festival de la Voix approche et nous célébrons cette occasion par un concert exceptionnel mettant en vedette deux chanteuses d'opéra canadiennes de renommée internationale! VEUILLEZ NOTER QUE TOUS LES BILLETS ACHETÉS POUR LA DATE ORIGINALE DU CONCERT (6 NOVEMBRE 2022) SERONT ACCEPTÉS. <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.38;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit;max-width:100%">Claire de Sévigné <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.38;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit;max-width:100%">Parmi les meilleurs jeunes musiciens classiques canadiens pour la CBC (Société Radio-Canada), Claire de Sévigné a été récemment nominée pour le prix JUNO du disque classique de l’année. Née à Montréal, elle étudie le chant à l’Université McGill et l’opéra à l’Université de Toronto, puis se perfectionne au Studio de l’Opéra de Zurich, ainsi que dans le cadre du projet jeunes chanteurs du Festival de Salzbourg puis dans l’Ensemble de la Canadian Opera Company à Toronto. Elle est soutenue par la Fondation Jacqueline Desmarais, une bourse de recherche Bombardier du CRSH, le Comité des amis de l’Opéra canadien et la Fondation Leanara. Elle a été récompensée lors de divers concours internationaux – Operalia, Standard Life de l’Orchestre symphonique de Montréal, concours de la Vancouver Opera Guild, concours Christina et Louis Quilico, concours vocal international de la Fondation Marcello Giordani, etc. À Zurich (2015-2017), elle interprète Hermione (Orest, Manfred Trojahn), le Feu, la Princesse et le Rossignol (L’Enfant et les sortilèges, Ravel) et Angelica (Orlando Paladino, Haydn) ; à Toronto, elle chante Mozart : Despina (Così fan tutte), Servilia (La Clémence de Titus) – ainsi qu’une Nièce dans Peter Grimes (Britten). Membre de l’Ensemble du Grand Théâtre de Genève durant la saison 2019-2020, elle chante Phani (Les Indes galantes, Rameau), Blonde (L’Enlèvement au sérail, Mozart), la Grande Prêtresse (Aïda, Verdi). Parmi ses autres engagements, Vénus (Le Grand Macabre, Ligeti) à l’Elbphilharmonie de Hambourg, Blonde au Festival de Savonlinna, à Zurich et à Toronto, Fiakermilli (Arabella, Richard Strauss).<p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit;max-width:100%"> <p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;line-height:1.38;text-align:justify;margin-top:0pt;margin-bottom:0pt;box-sizing:inherit;max-width:100%">En concert, elle s’est produite en tournée en Chine en collaboration avec le Hantang International Music Festival, a chanté des oeuvres de Mozart au Festival de Salzbourg, la Messe du Couronnement et Exsultate, jubilate (Mozart) avec l’Orchestre du Mozarteum, Le Messie (Haendel) avec l’Orchestre symphonique d’Edmonton et avec celui de de Toronto, la Vierge (Jeanne d’Arc au bûcher, Honegger) avec l’Orchestre du Concertgebouw d’Amsterdam, etc. Ses engagements récents et à venir comprennent les rôles de la Première Dame dans La Flûte enchantée (Mozart) à Montpellier, Henriette dans L’Éclair (Halévy) au Grand Théâtre de Genève, Adèle dans La Chauve-Souris (J. Strauss) à l’Angers Nantes Opéra, Rennes et Avignon, la Fée dans Cendrillon (Massenet) à Lucerne et Cunégonde dans Candide (Bernstein) à Genève.

EN

Voix Éternelles / Vox Aeterna

NOUVELLE DATE « DIVINES DIVAS » Concert Bénéfice : Claire de Sévigné & Danielle MacMillan

11 Av. Rodney

Admission générale

100 $

EN

Voix Éternelles / Vox Aeterna

**NOUVELLE DATE** « DIVINES DIVAS » Concert Bénéfice : Claire de Sévigné & Danielle MacMillan

11 Av. Rodney

Admission générale

100 $

NOUVELLE DATE « DIVINES DIVAS » Concert Bénéfice : Claire de Sévigné & Danielle MacMillan