Concours international d'orgue du Canada

### Context Profile for Concours international d'orgue du Canada (CIOC)

#### 1. Organization Mission & Cause
The **Concours international d'orgue du Canada (CIOC)** is dedicated to promoting the art of organ music through international competitions, concerts, and educational initiatives. Their mission is to foster the appreciation of organ music and support the development of talented organists, creating a vibrant community around this unique musical form. The CIOC aims to elevate the profile of organ music in Canada and beyond, encouraging both performers and audiences to engage with this rich cultural heritage.

#### 2. Type of Activities
- **International Competitions**: The CIOC hosts prestigious organ competitions that attract talented musicians from around the world.
- **Concerts**: They organize concerts featuring both competition winners and established artists, such as the recent concert featuring Shen Yuan.
- **Educational Programs**: The organization provides resources and opportunities for learning about organ music, including workshops and masterclasses.
- **Community Engagement**: Through partnerships with local organizations, CIOC promotes organ music within the community, enhancing cultural appreciation.

#### 3. Tone of Voice
The tone of the CIOC's communications is **professional yet accessible**, with a blend of **inspiring and informative** language. The organization conveys a sense of passion for music and a commitment to community engagement, making their content both engaging and educational. The use of formal language is balanced with friendly expressions, inviting audiences to participate in their events and initiatives.

#### 4. Emoji Usage
The CIOC does not prominently use emojis in their communications. Their content tends to maintain a more traditional and formal approach, focusing on clear and professional messaging without the casualness that emojis might convey.

#### 5. Key Facts
- **Founding Information**: The CIOC was established to promote organ music and support organists through competitions and events.
- **Scale**: The organization has conducted a total of **61 forms** and sent out **91 email campaigns**, indicating a robust engagement strategy.
- **Impact Metrics**: While specific metrics are not detailed on the website, the organization highlights its role in fostering international talent and community involvement in organ music.
- **Volunteer Information**: The CIOC encourages volunteer participation in events, although specific details about volunteer opportunities are not extensively covered on the website.

#### 6. Writing Guidelines
- **Clarity and Professionalism**: Maintain a clear and professional tone throughout the content. Avoid overly casual language or slang.
- **Inspiration and Engagement**: Use inspiring language that encourages participation and appreciation for organ music. Highlight the emotional and cultural significance of the events.
- **Informative Content**: Provide detailed information about events, competitions, and educational opportunities. Ensure that all communications are informative and encourage further engagement.
- **Call to Action**: Include clear calls to action in all communications, inviting readers to attend events, participate in competitions, or support the organization.

This context profile serves as a foundational guide for creating tailored communications that resonate with the CIOC's mission and audience.

Billet valide pour le concert d'Isabelle Demers seulement

Admission générale

Ticket valid only for the Isabelle Demers concert

General Admission

Billet valide pour les deux concerts de la soirée : Isabelle Demers à 19 h et Découvertes nocturnes (nouvelles œuvres pour orgue par des compositeur.rice.s d'ici) à 21 h 30

2 concerts (Isabelle Demers / Découvertes nocturnes)

Ticket valid for both concerts on the evening of October 20: Isabelle Demers at 7 p.m. and Nighttime Revelations (featuring new works for organ by local composers) at 9:30 p.m.

2 concerts (Isabelle Demers / Nighttime Revelations)

Isabelle Demers joue Petrushka  20 octobre, 19 h Lieu : Église Saint-Jean-Baptiste Isabelle Demers, orgue Programme :J. S Bach (1685-1750) – Ouverture (de la Suite no 2 pour orchestre en si mineur), BWV 1067, trans. Demers Rachel Laurin (b. 1961) – Three Short Studies, op. 68<ul><li>Monologue</li><li>Flight of the Hummingbird</li><li>Dialogue of the Mockingbird</li></ul>W. A. Mozart (1756-1791) – Fantaisie en fa mineur K. 608 William Albright (1944-1998) – extraits de « Flights of Fancy »<ul><li>Ragtime Lullaby</li><li>Shimmy</li></ul> César Franck (1822-1890) – Allegretto, extrait de Symphonie en ré mineur, trans. Calvin Hampton Igor Stravinsky (1882-1971) – Trois Mouvements de Pétrouchka, trans. Demers<ul><li>Danse Russe</li><li>Chez Pétrouchka</li><li>La Semaine Grasse</li></ul>

Merci pour votre achat. Veuillez apporter une copie imprimée ou électronique de votre billet au concert. Pour toute question, veuillez nous envoyer un courriel à info@ciocm.org. Bon concert !

Isabelle Demers joue Petrushka  20 octobre, 19 h Lieu : Église Saint-Jean-Baptiste Isabelle Demers, orgue Programme :J. S Bach (1685-1750) – Ouverture (de la Suite no 2 pour orchestre en si mineur), BWV 1067, trans. Demers Rachel Laurin (b. 1961) – Three Short Studies, op. 68<ul><li>Monologue</li><li>Flight of the Hummingbird</li><li>Dialogue of the Mockingbird</li></ul>W. A. Mozart (1756-1791) – Fantaisie en fa mineur K. 608 William Albright (1944-1998) – extraits de « Flights of Fancy »<ul><li>Ragtime Lullaby</li><li>Shimmy</li></ul> César Franck (1822-1890) – Allegretto, extrait de Symphonie en ré mineur, trans. Calvin Hampton Igor Stravinsky (1882-1971) – Trois Mouvements de Pétrouchka, trans. Demers<ul><li>Danse Russe</li><li>Chez Pétrouchka</li><li>La Semaine Grasse</li></ul>

Isabelle Demers joue Petrouchka

Isabelle Demers plays Petrushka  October 20th, 7PM Location: Église Saint-Jean-Baptiste Isabelle Demers, organ Program:J. S Bach (1685-1750) – Overture, from Orchestral Suite #2 in b minor, BWV 1067, trans. Demers Rachel Laurin (b. 1961) – Three Short Studies, op. 68<ul><li>Monologue</li><li>Flight of the Hummingbird</li><li>Dialogue of the Mockingbird</li></ul>W. A. Mozart (1756-1791) – Fantasy in F Minor, K. 608 William Albright (1944-1998) – excerpts from Flights of Fancy<ul><li>Ragtime Lullaby</li><li>Shimmy</li></ul>César Franck (1822-1890) – Allegretto (excerpt from Symphony in D Minor), trans. Calvin Hampton Igor Stravinsky (1882-1971) – Three movements from Petrushka, trans. Demers<ul><li>Russian Dance</li><li>Petrushka’s Room</li><li>The Shrovetide Fair</li></ul>

Thank you for your purchase. Please bring a printed or electronic copy of your ticket to the concert. For any questions, please email us at info@ciocm.org. Enjoy the concert!

Isabelle Demers plays Petrushka  October 20th, 7PM Location: Église Saint-Jean-Baptiste Isabelle Demers, organ Program:J. S Bach (1685-1750) – Overture, from Orchestral Suite #2 in b minor, BWV 1067, trans. Demers Rachel Laurin (b. 1961) – Three Short Studies, op. 68<ul><li>Monologue</li><li>Flight of the Hummingbird</li><li>Dialogue of the Mockingbird</li></ul>W. A. Mozart (1756-1791) – Fantasy in F Minor, K. 608 William Albright (1944-1998) – excerpts from Flights of Fancy<ul><li>Ragtime Lullaby</li><li>Shimmy</li></ul>César Franck (1822-1890) – Allegretto (excerpt from Symphony in D Minor), trans. Calvin Hampton Igor Stravinsky (1882-1971) – Three movements from Petrushka, trans. Demers<ul><li>Russian Dance</li><li>Petrushka’s Room</li><li>The Shrovetide Fair</li></ul>

EN

Concours international d'orgue du Canada

Isabelle Demers joue Petrouchka

309 Rue Rachel E

Admission générale

20 $

2 concerts (Isabelle Demers / Découvertes nocturnes)

25 $