Ada X

### Context Profile for Ada X

1. **Organization Mission & Cause**:
   - **Mission**: Ada X is dedicated to promoting and supporting the work of artists and creators in the fields of digital art and technology. Their focus is on fostering a community that encourages experimentation and innovation in the arts, particularly through the use of new media and technology.
   - **Cause**: The organization aims to bridge the gap between technology and the arts, empowering artists to explore new forms of expression and engage with contemporary issues through interactive and immersive experiences.

2. **Type of Activities**:
   - **Workshops**: Ada X offers various workshops, such as the recent "Introduction à Unreal Engine 5 pour les artistes," which focuses on teaching artists how to use Unreal Engine 5 for creating interactive projects.
   - **Events**: They host events that bring together artists and the community to explore digital art and technology.
   - **Fundraising Campaigns**: The organization engages in fundraising efforts to support their programs and initiatives, including membership renewals and special events.

3. **Tone of Voice**:
   - The tone of voice used on the website and in communications is **friendly**, **informative**, and **encouraging**. The language is accessible, aiming to engage both artists and the general public. It balances professionalism with a welcoming approach, making it clear that all are invited to participate regardless of their prior experience.

4. **Emoji Usage**:
   - The website and email communications do not prominently feature emojis. The tone remains professional and straightforward, focusing on clarity and engagement without relying on emojis for expression.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website.
   - **Scale**: Ada X has a total of 13 forms and has conducted 30 email campaigns, indicating an active engagement with their audience.
   - **Impact Metrics**: While specific impact metrics were not detailed, the focus on workshops and community engagement suggests a commitment to fostering artistic development.
   - **Volunteer Info**: No specific volunteer information was found on the website, but the organization likely welcomes community involvement given its mission.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that is easy to understand. Avoid jargon unless necessary, and provide explanations when technical terms are used.
   - **Engagement**: Write in a friendly and inviting tone, encouraging participation and exploration. Use questions to engage the reader and invite them to think critically about the topics discussed.
   - **Structure**: Organize content with headings and bullet points for easy readability. Use bold text for important information, such as workshop details or key messages.
   - **Inclusivity**: Ensure that language is inclusive and welcoming to all potential participants, regardless of their background or experience level.

This context profile provides a comprehensive overview of Ada X, enabling AI assistants to generate tailored and effective content that aligns with the organization's mission and communication style.

Admission générale

General Admission

Pr&eacute;sentation vid&eacute;o + discussion Oeuvre vid&eacute;o par Be Heintzman Hope + Baco Lepage-Acosta Mod&eacute;ration et texte par Rouzbeh Shadpey Jeudi 10 mars 2022, 19h - 20h En ligne&nbsp; Il y a un ludisme radical dans le fait de cr&eacute;er une vid&eacute;o d&rsquo;entra&icirc;nement avec tout le soin que Be Heintzman Hope et Baco portent &agrave; Poetics to Activate the Technology of the Body 1 + 2. Dans cet espace, il n&#39;y a pas d&#39;instructions, que des invitations sinc&egrave;res : &agrave; imaginer, (inspire) exag&eacute;rer, (expire) comme une mar&eacute;e. Be et Baco tracent une cosmotechnique(1) du corps loin des machinations de la technoglobalit&eacute; num&eacute;rique occidentale : ici, les organes sont des oc&eacute;ans, les colonnes vert&eacute;brales des paysages, et la raison est la sagesse des anc&ecirc;tres qui vous rappellent la derni&egrave;re fois que vous vous &ecirc;tes senti&middot;e aim&eacute;&middot;e cette semaine. Dans un collage de performances, de sons et d&#39;images, Poetics, durant 7 minutes symboliques, propose &nbsp;apaisement et ressourcement en invitant &agrave; suivre (ou non) un exercice de m&eacute;ditation &agrave; travers le souffle et le mouvement. C&rsquo;est un travail fait avec amour par deux artistes dont l&#39;amour s&rsquo;efforce d&rsquo;activer nos technologies somatiques &ndash; des habitudes de lenteur &agrave; cultiver gr&acirc;ce au travail minutieux de l&rsquo;entra&icirc;nement propos&eacute;. Les paysages alluviaux rituels s&rsquo;entrem&ecirc;lent tandis que le corps de Be, r&eacute;duit &agrave; la taille d&rsquo;un organisme minuscule, bouge au son malade d&#39;un rythme Tirzah-esque, et ponctue la cadence. Une voix guide notre respiration. Une chenille ondule. La pratique de mouvement de Be, fruit d&#39;une d&eacute;cennie de recherche sur les liaisons nerveuses entre le corps et la respiration, le mouvement et la voix, impr&egrave;gne Poetics et sous-tend sa po&eacute;thique (2). Son h&eacute;ritage chinois ainsi que son engagement artistique et extra-artistique pour le Qigong, la m&eacute;decine chinoise, la somatique et le travail du corps dans un contexte occidental capitaliste d&#39;appropriation culturelle mettent en contexte les th&egrave;mes abord&eacute;s dans Poetics. Il s&#39;agit d&#39;un espace de lutte, o&ugrave; la connaissance-praxis d&#39;une cosmotechnique alternative du corps et de sa gu&eacute;rison est sans cesse coopt&eacute;e et f&eacute;tichis&eacute;e par la Blanchit&eacute;. Be reconna&icirc;t ces tensions conflictuelles et ne s&#39;y d&eacute;robe pas. Au contraire, iel y plonge. Poetics brille par une conscience de soi rieuse, arborant les tropes esth&eacute;tiques d&rsquo;un art white whash&eacute;, les portant comme une armure : &eacute;cof&eacute;minisme blanc new-age, art multim&eacute;dia post-internet sad boi des ann&eacute;es 2000, etc. Comme une mar&eacute;e, Poetics va et vient, et comme une mar&eacute;e, ne se perd pas, port&eacute; par la g&eacute;n&eacute;rosit&eacute; de son offre, par le soin sinc&egrave;re de son lavage. Rejoignez-nous pour une pr&eacute;sentation de Poetics to Activate the Technology of the Body 1 + 2&nbsp;suivie d&#39;une conversation entre Be Heintzman Hope et Rouzbeh Shadpey. Be Heintzman Hope cr&eacute;e des espaces &agrave; travers la musique, la danse et les rituels d&#39;incarnation. Baco Lepage-Acosta&nbsp;est une personne trans/non-binaire multidisciplinaire qui sort de temps en temps pour jouer. Rouzbeh Shadpey&nbsp;est un artiste, musicien et &eacute;crivain. Tou&middot;te&middot;s sont bas&eacute;&middot;e&middot;s &agrave; Tio&#39;tia:ke/Mooniyang, aussi connue sous le nom colonial de Montr&eacute;al. &mdash;&mdash;&mdash; (1) Yuk Hui, The Question Concerning Technology in China : Un essai de cosmotechnie, Urbanomic, 2016. (2) Denise Ferreira da Silva. &quot; Vers une po&eacute;thique f&eacute;ministe noire : The Quest(Ion) of Blackness Toward the End of the World&quot;. The Black Scholar 44, no 2 (2014) : 81-97. http://www.jstor.org/stable/10.5816/blackscholar.44.2.0081.

Bonjour Prénom Nom, Merci de votre inscription &agrave; l&rsquo;&eacute;v&eacute;nement &quot;Poetics to Activate the Technology of the Body 1 + 2 : Be Heintzman Hope et Rouzbeh Shadpey&quot; organis&eacute; le 10 mars prochain par Ada X&thinsp;!&nbsp;Un courriel avec le lien Zoom vous sera envoy&eacute; le jour de l&rsquo;&eacute;v&eacute;nement. Si vous avez des questions, n&rsquo;h&eacute;sitez pas &agrave; nous contacter au info@ada-x.org. &nbsp; &nbsp; Au plaisir&thinsp;! Ada X&nbsp;(514) 845-7934info@ada-x.org

Présentation vidéo + discussion Oeuvre vidéo par Be Heintzman Hope + Baco Lepage-Acosta Modération et texte par Rouzbeh Shadpey Jeudi 10 mars 2022, 19h - 20h En ligne  Il y a un ludisme radical dans le fait de créer une vidéo d’entraînement avec tout le soin que Be Heintzman Hope et Baco portent à Poetics to Activate the Technology of the Body 1 + 2. Dans cet espace, il n'y a pas d'instructions, que des invitations sincères : à imaginer, (inspire) exagérer, (expire) comme une marée. Be et Baco tracent une cosmotechnique(1) du corps loin des machinations de la technoglobalité numérique occidentale : ici, les organes sont des océans, les colonnes vertébrales des paysages, et la raison est la sagesse des ancêtres qui vous rappellent la dernière fois que vous vous êtes senti·e aimé·e cette semaine. Dans un collage de performances, de sons et d'images, Poetics, durant 7 minutes symboliques, propose  apaisement et ressourcement en invitant à suivre (ou non) un exercice de méditation à travers le souffle et le mouvement. C’est un travail fait avec amour par deux artistes dont l'amour s’efforce d’activer nos technologies somatiques – des habitudes de lenteur à cultiver grâce au travail minutieux de l’entraînement proposé. Les paysages alluviaux rituels s’entremêlent tandis que le corps de Be, réduit à la taille d’un organisme minuscule, bouge au son malade d'un rythme Tirzah-esque, et ponctue la cadence. Une voix guide notre respiration. Une chenille ondule. La pratique de mouvement de Be, fruit d'une décennie de recherche sur les liaisons nerveuses entre le corps et la respiration, le mouvement et la voix, imprègne Poetics et sous-tend sa poéthique (2). Son héritage chinois ainsi que son engagement artistique et extra-artistique pour le Qigong, la médecine chinoise, la somatique et le travail du corps dans un contexte occidental capitaliste d'appropriation culturelle mettent en contexte les thèmes abordés dans Poetics. Il s'agit d'un espace de lutte, où la connaissance-praxis d'une cosmotechnique alternative du corps et de sa guérison est sans cesse cooptée et fétichisée par la Blanchité. Be reconnaît ces tensions conflictuelles et ne s'y dérobe pas. Au contraire, iel y plonge. Poetics brille par une conscience de soi rieuse, arborant les tropes esthétiques d’un art white whashé, les portant comme une armure : écoféminisme blanc new-age, art multimédia post-internet sad boi des années 2000, etc. Comme une marée, Poetics va et vient, et comme une marée, ne se perd pas, porté par la générosité de son offre, par le soin sincère de son lavage. Rejoignez-nous pour une présentation de Poetics to Activate the Technology of the Body 1 + 2 suivie d'une conversation entre Be Heintzman Hope et Rouzbeh Shadpey. Be Heintzman Hope crée des espaces à travers la musique, la danse et les rituels d'incarnation. Baco Lepage-Acosta est une personne trans/non-binaire multidisciplinaire qui sort de temps en temps pour jouer. Rouzbeh Shadpey est un artiste, musicien et écrivain. Tou·te·s sont basé·e·s à Tio'tia:ke/Mooniyang, aussi connue sous le nom colonial de Montréal. ——— (1) Yuk Hui, The Question Concerning Technology in China : Un essai de cosmotechnie, Urbanomic, 2016. (2) Denise Ferreira da Silva. " Vers une poéthique féministe noire : The Quest(Ion) of Blackness Toward the End of the World". The Black Scholar 44, no 2 (2014) : 81-97. http://www.jstor.org/stable/10.5816/blackscholar.44.2.0081.

Poetics to Activate the Technology of the Body 1 + 2 | Be Heintzman Hope / Rouzbeh Shadpey

Video screening + discussion Video work by Be Heintzman Hope + Baco Lepage-Acosta Moderation and text by Rouzbeh Shadpey Conversation with Be Heintzman Hope and Rouzbeh Shadpey Thursday, March 10th 2022 7pm &mdash; 8pm Online&nbsp; There is a radical playfulness at stake in creating a workout video so full of care as the one Be Heintzman Hope and Baco offer us in Poetics to Activate the Technology of the Body 1 + 2. There are no instructions in this space, only sincere invitations: to imagine (breathe in) exaggerate (breathe out) like a tide. Be and Baco trace a cosmotechnics (1) of the body outside the machinations of Western digital technoglobality: Here organs are oceans, spines are landscapes, and reason is the wisdom of ancestors reminding you of a time you felt loved this week. Deploying a collage of performance, sound, and image, Poetics, which lasts 7 symbolic minutes, sets out to soothe and center, generously holding space for its viewer to follow it (or not) through a meditation of breath and movement. This is a labor of love between two artists whose love labors to activate our somatic technologies&ndash;&ndash; those habits of slow practice we cultivate through the careful work of our training. Alluvial ritual landscapes shift against each other as Be&#39;s body&ndash;&ndash; shrunken to minute organismic size and crittering to the sick sound of a grudging Tirzah-esque beat&ndash;&ndash; punctuates time with rhythmic interruption. A high octane voice delivers breathing suggestions. A caterpillar vibes. Be&#39;s movement practice, originating from a decade of research into the sinews which link body and breath, movement and voice, suffuses Poetics and undergirds its poethics. (2) Their mixed Chinese heritage as well as their artistic and extra-artistic engagements with Qigong, Chinese medicine, somatics, and bodywork within a Western landscape of cultural capitalist appropriation situate the positionality from which the themes of Poetics are engaged. This is a space of struggle, where the knowledge-praxis of alternate cosmotechnics of the body and its healing are constantly co-opted and fetishized by whiteness. Be recognizes and does not shy away from these conflictual tensions. Instead, they lean in. Poetics shines in its humorous self-awareness, garbing itself in the aesthetic tropes of white artwashing, wearing them as armour: new-age white ecofeminism, Y2K post-internet sad boy multimedia art, and so on. Like a tide,&nbsp;Poetics ebbs and flows and like a tide it is never lost: compassed by the generosity of its offering, the genuine care of its wash. Join us for a presentation of Poetics to Activate the Technology of the Body 1 + 2&nbsp;followed by a conversation between Be Heintzman Hope and Rouzbeh Shadpey. Be Heintzman Hope is a facilitator of music, dance and embodiment ritual. Baco Lepage-Acosta is a trans/non-binary multidisciplinary homebody that occasionally comes out to play. Rouzbeh Shadpey is an artist, musician, and writer. They are all based in Tio&rsquo;tia:ke/Mooniyang, colonially known as Montr&eacute;al. &mdash;&mdash;&mdash; (1) Yuk Hui, The Question Concerning Technology in China : Un essai de cosmotechnie, Urbanomic, 2016. (2) Denise Ferreira da Silva. &quot; Vers une po&eacute;thique f&eacute;ministe noire : The Quest(Ion) of Blackness Toward the End of the World&quot;. The Black Scholar 44, no 2 (2014) : 81-97. http://www.jstor.org/stable/10.5816/blackscholar.44.2.0081.

Hello Prénom Nom, Thank you for registering for the event &quot;Poetics to Activate the Technology of the Body 1 + 2 : Be Heintzman Hope et Rouzbeh Shadpey&quot; happening March 10th at Ada X!An email with a zoom link will be sent to you the day of the event. If you have any questions, please don&#39;t hesitate to contact us at info@ada-x.org. &nbsp; &nbsp; Have a great day! Ada X&nbsp;(514) 845-7934info@ada-x.org

Video screening + discussion Video work by Be Heintzman Hope + Baco Lepage-Acosta Moderation and text by Rouzbeh Shadpey Conversation with Be Heintzman Hope and Rouzbeh Shadpey Thursday, March 10th 2022 7pm — 8pm Online  There is a radical playfulness at stake in creating a workout video so full of care as the one Be Heintzman Hope and Baco offer us in Poetics to Activate the Technology of the Body 1 + 2. There are no instructions in this space, only sincere invitations: to imagine (breathe in) exaggerate (breathe out) like a tide. Be and Baco trace a cosmotechnics (1) of the body outside the machinations of Western digital technoglobality: Here organs are oceans, spines are landscapes, and reason is the wisdom of ancestors reminding you of a time you felt loved this week. Deploying a collage of performance, sound, and image, Poetics, which lasts 7 symbolic minutes, sets out to soothe and center, generously holding space for its viewer to follow it (or not) through a meditation of breath and movement. This is a labor of love between two artists whose love labors to activate our somatic technologies–– those habits of slow practice we cultivate through the careful work of our training. Alluvial ritual landscapes shift against each other as Be's body–– shrunken to minute organismic size and crittering to the sick sound of a grudging Tirzah-esque beat–– punctuates time with rhythmic interruption. A high octane voice delivers breathing suggestions. A caterpillar vibes. Be's movement practice, originating from a decade of research into the sinews which link body and breath, movement and voice, suffuses Poetics and undergirds its poethics. (2) Their mixed Chinese heritage as well as their artistic and extra-artistic engagements with Qigong, Chinese medicine, somatics, and bodywork within a Western landscape of cultural capitalist appropriation situate the positionality from which the themes of Poetics are engaged. This is a space of struggle, where the knowledge-praxis of alternate cosmotechnics of the body and its healing are constantly co-opted and fetishized by whiteness. Be recognizes and does not shy away from these conflictual tensions. Instead, they lean in. Poetics shines in its humorous self-awareness, garbing itself in the aesthetic tropes of white artwashing, wearing them as armour: new-age white ecofeminism, Y2K post-internet sad boy multimedia art, and so on. Like a tide, Poetics ebbs and flows and like a tide it is never lost: compassed by the generosity of its offering, the genuine care of its wash. Join us for a presentation of Poetics to Activate the Technology of the Body 1 + 2 followed by a conversation between Be Heintzman Hope and Rouzbeh Shadpey. Be Heintzman Hope is a facilitator of music, dance and embodiment ritual. Baco Lepage-Acosta is a trans/non-binary multidisciplinary homebody that occasionally comes out to play. Rouzbeh Shadpey is an artist, musician, and writer. They are all based in Tio’tia:ke/Mooniyang, colonially known as Montréal. ——— (1) Yuk Hui, The Question Concerning Technology in China : Un essai de cosmotechnie, Urbanomic, 2016. (2) Denise Ferreira da Silva. " Vers une poéthique féministe noire : The Quest(Ion) of Blackness Toward the End of the World". The Black Scholar 44, no 2 (2014) : 81-97. http://www.jstor.org/stable/10.5816/blackscholar.44.2.0081.

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Poetics to Activate the Technology of the Body 1 + 2 | Be Heintzman Hope / Rouzbeh Shadpey

Admission générale

Gratuit