Centre CLARK

### Context Profile for Centre CLARK

1. **Organization Mission & Cause**:
   - **Mission**: Centre CLARK is dedicated to supporting contemporary artists and fostering artistic creation. The organization aims to provide a platform for artists to showcase their work and engage with the community through various artistic initiatives and exhibitions.
   - **Cause**: The organization emphasizes the importance of art in community development and cultural expression, aiming to bridge the gap between artists and the public.

2. **Type of Activities**:
   - **Exhibitions**: Centre CLARK hosts various art exhibitions, including the "MAISON MODÈLE" series, which showcases works from multiple artists in a home-staging context.
   - **Fundraising Events**: They organize VIP events, such as the "SOIRÉE VIP - MAISON MODÈLE 6," which includes exclusive previews of artworks, performances, and gourmet dining experiences.
   - **Community Programs**: The center engages in community outreach, providing opportunities for local artists and promoting cultural activities.

3. **Tone of Voice**:
   - The tone is **friendly**, **inspiring**, and **professional**. The language used is accessible yet sophisticated, appealing to both art enthusiasts and the general public. The content often conveys a sense of urgency and excitement, especially around events and exhibitions.

4. **Emoji Usage**:
   - The website and communications do not prominently feature emojis. The tone remains formal and professional, focusing on clear and engaging language without the use of emojis.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not provided on the website, but the organization has established itself as a significant player in the contemporary art scene.
   - **Scale**: The organization has hosted multiple exhibitions and events, indicating a robust engagement with the local arts community.
   - **Impact Metrics**: While specific metrics are not listed, the organization emphasizes community involvement and support for artists, suggesting a positive impact on local culture.
   - **Volunteer Info**: The website does not provide explicit details about volunteer opportunities, but community engagement is a key aspect of their mission.

6. **Writing Guidelines**:
   - **Style**: Use a mix of formal and conversational language to maintain professionalism while being approachable. 
   - **Structure**: Content should be well-organized, with clear headings and sections to facilitate easy reading.
   - **Call to Action**: Encourage participation in events and support for artists, using inspiring language that highlights the importance of community involvement in the arts.
   - **Visuals**: Incorporate images of artworks and events to enhance engagement and provide a visual context for the written content.

This context profile serves as a foundational guide for generating personalized and relevant content for Centre CLARK, ensuring alignment with their mission, activities, and tone.

Impression jet d'encre machinimagraph from Timetraveller portraits, 17 x 30 cm, édition – 1/3 + 1 EA, encadrée



Goddess: Flower Feather, 2020

<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1644348045/je6pfrwyh6gkn2neiglx.jpg" style="width: 300px;" class="fr-fic fr-dib fr-fil">Goddess: Flower Feather, 2020 1 085$<p style='box-sizing: inherit; width: 444.156px; color: rgba(0, 0, 0, 0.87); font-family: "Open Sans", sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; background-color: rgb(255, 255, 255);'>Impression jet d&#39;encre machinimagraph from Timetraveller portraits 17 x 30 cm &Eacute;dition <span id="isPasted" style='color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;'>&ndash; 1/3 + 1 EA Montage sous acrylique<p style='box-sizing: inherit; width: 444.156px; color: rgba(0, 0, 0, 0.87); font-family: "Open Sans", sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; background-color: rgb(255, 255, 255);'> Goddess Flower Feather fait partie du septième épisode du premier projet machinima de Skawennati, TimeTravellerTM. Se déroulant à Tenochtitlan en 1490 (https://vimeo.com/80494899), cet épisode se concentre sur l&rsquo;ancienne civilisation aztèque. TimeTravellerTM est une histoire de science-fiction dont le héros est un Mohawk vivant en l&rsquo;an 2121. Il utilise la technologie de son époque pour visiter des événements historiques importants. Ce projet a comme but de donner vie à une chronologie ininterrompue de l&rsquo;histoire autochtone, débutant avant le contact avec les Européens et se terminant dans un futur lointain, tout en représentant les Autochtones comme individus qui pensent, ressentent et raisonnent.<p id="isPasted" style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'> <p style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; width: 444.156px; color: rgba(0, 0, 0, 0.87); font-family: "Open Sans", sans-serif; text-align: start; background-color: rgb(255, 255, 255);'> <p style='box-sizing: inherit; margin-top: 0px !important; margin-bottom: 0px !important; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; width: 444.156px; color: rgba(0, 0, 0, 0.87); font-family: "Open Sans", sans-serif; text-align: start; background-color: rgb(255, 255, 255);'>BIOGRAPHIESkawennati est née à Kahnawà:ke, territoire Mohawk et vit &agrave; Montr&eacute;al. Elle détient un baccalauréat en beaux-arts de l&rsquo;Université Concordia à Montréal. Elle crée des &oelig;uvres qui abordent les notions d&rsquo;histoire, d&rsquo;avenir et de changement, d&rsquo;un point de vue autochtone. Elle est reconnue pour ses machinimas &ndash; des films réalisés dans des environnements virtuels &ndash; et elle produit également des images fixes et des sculptures. Ses &oelig;uvres ont été présentées dans plusieurs expositions internationales majeures, dont Uchronia|What if? au HyperPavilion de la 57e Biennale de Venise, On Desire&nbsp;à la B3 Biennale of the Moving Image de Francfort, Now? Now! à la Biennale des Amériques, et L&rsquo;Avenir (looking forward) à la Biennale de Montréal. Son travail, plusieurs fois récompensé, est présent dans des collections publiques et privées. Skawennati est codirectrice de Aboriginal Territories in Cyberspace (AbTeC), un réseau de recherche pour artistes, universitaires et technologues dédié à l&rsquo;exploration, à la création et à la critique d&rsquo;environnements virtuels autochtones. Elle codirige également Skins, un atelier pour les jeunes orienté vers les médias numériques et la culture autochtone.Représentée par la galerie ELLEPHANT.

Bonjour Prénom Nom, F&eacute;licitations pour votre superbe acquisition !&nbsp; Nous sommes choy&eacute;.e.s de vous compter parmi nos donateurs.trices, et nous sommes ravi.e.s que cette oeuvre ait trouv&eacute; une nouvelle maison.&nbsp; <div style='font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; box-sizing: inherit; color: rgb(65, 65, 65); font-family: "Open Sans"; font-size: 14px; font-variant-ligatures: normal; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); margin-top: 0px !important; margin-bottom: 0px !important;'>Nous prendrons bient&ocirc;t contact avec vous afin de planifier le ramassage de votre oeuvre. Merci d&#39;avoir magasin&eacute; chez CLARK! 🙂&nbsp;</div>&nbsp;Bien cordialement, Alexandra Briand-Soucyprojets@clarkplaza.org514.297.2190

<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1644348045/je6pfrwyh6gkn2neiglx.jpg" style="width:300px;max-width:100%" />Goddess: Flower Feather, 2020 1 085$<p style="box-sizing:inherit;width:444.156px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%">Impression jet d'encre machinimagraph from Timetraveller portraits 17 x 30 cm Édition – 1/3 + 1 EA Montage sous acrylique<p style="box-sizing:inherit;width:444.156px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%"> Goddess Flower Feather fait partie du septième épisode du premier projet machinima de Skawennati, TimeTravellerTM. Se déroulant à Tenochtitlan en 1490 (https://vimeo.com/80494899), cet épisode se concentre sur l’ancienne civilisation aztèque. TimeTravellerTM est une histoire de science-fiction dont le héros est un Mohawk vivant en l’an 2121. Il utilise la technologie de son époque pour visiter des événements historiques importants. Ce projet a comme but de donner vie à une chronologie ininterrompue de l’histoire autochtone, débutant avant le contact avec les Européens et se terminant dans un futur lointain, tout en représentant les Autochtones comme individus qui pensent, ressentent et raisonnent.<p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;max-width:100%"> <p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;width:444.156px;text-align:start;max-width:100%"> <p style="box-sizing:inherit;margin-top:0px !important;margin-bottom:0px !important;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;width:444.156px;text-align:start;max-width:100%">BIOGRAPHIESkawennati est née à Kahnawà:ke, territoire Mohawk et vit à Montréal. Elle détient un baccalauréat en beaux-arts de l’Université Concordia à Montréal. Elle crée des œuvres qui abordent les notions d’histoire, d’avenir et de changement, d’un point de vue autochtone. Elle est reconnue pour ses machinimas – des films réalisés dans des environnements virtuels – et elle produit également des images fixes et des sculptures. Ses œuvres ont été présentées dans plusieurs expositions internationales majeures, dont Uchronia|What if? au HyperPavilion de la 57e Biennale de Venise, On Desire à la B3 Biennale of the Moving Image de Francfort, Now? Now! à la Biennale des Amériques, et L’Avenir (looking forward) à la Biennale de Montréal. Son travail, plusieurs fois récompensé, est présent dans des collections publiques et privées. Skawennati est codirectrice de Aboriginal Territories in Cyberspace (AbTeC), un réseau de recherche pour artistes, universitaires et technologues dédié à l’exploration, à la création et à la critique d’environnements virtuels autochtones. Elle codirige également Skins, un atelier pour les jeunes orienté vers les médias numériques et la culture autochtone.Représentée par la galerie ELLEPHANT.

Centre CLARK

SKAWENNATI

Goddess: Flower Feather, 2020

1 085 $