World Creation Studio

### Context Profile for World Creation Studio

1. **Organization Mission & Cause**:
   - **Mission**: World Creation Studio is an artist-run space dedicated to nurturing experimental practices in the arts. Their mission is to ensure that space, tools, and opportunities remain accessible to emerging artists, fostering inclusive and collaborative environments where diverse artistic practices can thrive.
   - **Cause**: The organization focuses on supporting the creative community in Montreal by providing resources and opportunities for artists, particularly those who are emerging or working in experimental fields.

2. **Type of Activities**:
   - **Events**: The organization hosts various events, including community fundraisers, DJ sets, and art exhibitions. The recent campaign titled "Community Fundraiser" features a day-party with performances from local artists, aimed at raising funds to sustain the studio and its programming.
   - **Fundraising Campaigns**: They conduct year-end fundraising campaigns, such as the recent one, to support their operational costs and community initiatives.
   - **Community Programs**: They offer workshops, collaborative projects, and other resources to support artists and the local creative community.

3. **Tone of Voice**:
   - The tone of voice used by World Creation Studio is **friendly**, **inclusive**, and **inspiring**. The language is approachable, encouraging community participation and support. They often use exclamation points and casual phrases to create an inviting atmosphere.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications, although they may include a smiley face (":)") in informal contexts, suggesting a light-hearted and friendly approach. Emoji usage appears to be minimal and not a central part of their branding.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not provided on the website, but it is implied that the studio is a relatively new initiative aimed at supporting local artists.
   - **Scale**: The organization has a total of 68 forms and has conducted 24 email campaigns, indicating an active engagement with their community.
   - **Impact Metrics**: While specific metrics are not detailed, the impact is reflected in their commitment to supporting emerging artists and fostering a collaborative creative environment.
   - **Volunteer Info**: There is no specific information about volunteer opportunities on the website, but the community-driven nature of the organization suggests potential for volunteer involvement.

6. **Writing Guidelines**:
   - **Style**: Use a casual and friendly tone, incorporating inclusive language that invites participation. 
   - **Engagement**: Encourage community involvement and support, emphasizing the importance of collective effort in sustaining the arts.
   - **Clarity**: Ensure that messages are clear and actionable, providing straightforward calls to action for events and fundraising efforts.
   - **Positivity**: Maintain an uplifting and positive tone, celebrating the contributions of artists and the creative community.

This context profile serves as a foundational guide for generating personalized and relevant content for World Creation Studio, aligning with their mission, activities, and tone.

General Admission

Admission générale

The inaugural edition of present form(s) brings together four artists whose work approaches sound in dialogue with the body, environment, and technology. The program centres live performances and listening sessions focused on critical and experimental contemporary practices. We are pleased to present internationally renowned artist Atau Tanaka performing Om Ujjayi, an interactive electronic performance that explores physiological sensing through muscle electromyogram (EMG), heart electrocardiogram (ECG), and the acoustic capture of breath. In the work, heart, breath, and muscle become sources of sound and data, shaping a modular synthesis system through resonators, ring modulators, waveshapers, oscillators, and filters. Drawing on yogic practices of breathing and chanting, Om Ujjayi treats sound as a means of entering and rendering embodied states, marking Tanaka&rsquo;s first performance in Montreal in over ten years. Montreal-based sound artist John-Clarence Prosper presents micro_bio, a performance that renders internal physiological processes audible through electromagnetic sensing, computational sonification, and acoustic amplification, tracing the body as a complex and evolving system. Ludwig Berger presents the North American premiere of his album Ecotonalities: No Other Home Than the In-Between, developed for Luxembourg&rsquo;s contribution to the 2025 Venice Biennial of Architecture, as an extended listening work grounded in an environmental sound practice that preserves and renders perceptible the micro and macroscopic transformations of landscapes. B&eacute;n&eacute;dicte presents new work grounded in synthesis, field recordings, and ambient textures, combining layered electronic sound with processed environmental material to create an inward, carefully composed listening space.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, We are writing to confirm receipt of your ticket.We look forward to welcoming you on Sunday. Should you have any questions, please feel free to get in touch. &ndash;&nbsp;World Creation Studiocontact@worldcreation.studio

The inaugural edition of present form(s) brings together four artists whose work approaches sound in dialogue with the body, environment, and technology. The program centres live performances and listening sessions focused on critical and experimental contemporary practices. We are pleased to present internationally renowned artist Atau Tanaka performing Om Ujjayi, an interactive electronic performance that explores physiological sensing through muscle electromyogram (EMG), heart electrocardiogram (ECG), and the acoustic capture of breath. In the work, heart, breath, and muscle become sources of sound and data, shaping a modular synthesis system through resonators, ring modulators, waveshapers, oscillators, and filters. Drawing on yogic practices of breathing and chanting, Om Ujjayi treats sound as a means of entering and rendering embodied states, marking Tanaka’s first performance in Montreal in over ten years. Montreal-based sound artist John-Clarence Prosper presents micro_bio, a performance that renders internal physiological processes audible through electromagnetic sensing, computational sonification, and acoustic amplification, tracing the body as a complex and evolving system. Ludwig Berger presents the North American premiere of his album Ecotonalities: No Other Home Than the In-Between, developed for Luxembourg’s contribution to the 2025 Venice Biennial of Architecture, as an extended listening work grounded in an environmental sound practice that preserves and renders perceptible the micro and macroscopic transformations of landscapes. Bénédicte presents new work grounded in synthesis, field recordings, and ambient textures, combining layered electronic sound with processed environmental material to create an inward, carefully composed listening space.

Atau Tanaka / Ludwig Berger / Bénédicte / John-Clarence Prosper

La premi&egrave;re &eacute;dition de present form(s) r&eacute;unit quatre artistes dont les pratiques abordent le son en dialogue avec le corps, l&rsquo;environnement et la technologie. Le programme met de l&rsquo;avant des performances en direct ainsi que des s&eacute;ances d&rsquo;&eacute;coute, ancr&eacute;es dans des pratiques contemporaines critiques et exp&eacute;rimentales. Nous sommes heureux&middot;ses de pr&eacute;senter l&rsquo;artiste de renomm&eacute;e internationale Atau Tanaka, interpr&eacute;tant Om Ujjayi, une performance &eacute;lectronique interactive qui explore le captage physiologique &agrave; travers l&rsquo;&eacute;lectromyogramme musculaire (EMG), l&rsquo;&eacute;lectrocardiogramme cardiaque (ECG) et la prise de son acoustique de la respiration. Dans cette &oelig;uvre, le c&oelig;ur, le souffle et les muscles deviennent des sources de son et de donn&eacute;es, fa&ccedil;onnant un syst&egrave;me de synth&egrave;se modulaire compos&eacute; de r&eacute;sonateurs, de modulateurs en anneau, de waveshapers, d&rsquo;oscillateurs et de filtres. S&rsquo;appuyant sur des pratiques yogiques de respiration et de chant, Om Ujjayi consid&egrave;re le son comme un moyen d&rsquo;entrer dans des &eacute;tats incarn&eacute;s et de les rendre perceptibles, marquant la premi&egrave;re performance de Tanaka &agrave; Montr&eacute;al depuis plus de dix ans.L&rsquo;artiste sonore bas&eacute;&middot;e &agrave; Montr&eacute;al John-Clarence Prosper pr&eacute;sente micro_bio, une performance qui rend audibles des processus physiologiques internes par le biais du captage &eacute;lectromagn&eacute;tique, de la sonification computationnelle et de l&rsquo;amplification acoustique, abordant le corps comme un syst&egrave;me complexe et en constante &eacute;volution. Ludwig Berger pr&eacute;sente la premi&egrave;re nord-am&eacute;ricaine de son album Ecotonalities: No Other Home Than the In-Between, d&eacute;velopp&eacute; pour la contribution du Luxembourg &agrave; la Biennale d&rsquo;architecture de Venise 2025, sous la forme d&rsquo;une &oelig;uvre d&rsquo;&eacute;coute &eacute;tendue ancr&eacute;e dans une pratique sonore environnementale qui pr&eacute;serve et rend perceptibles les transformations micro et macroscopiques des paysages. B&eacute;n&eacute;dicte pr&eacute;sente une nouvelle &oelig;uvre ancr&eacute;e dans la synth&egrave;se, les enregistrements de terrain et des textures ambiantes, combinant des couches sonores &eacute;lectroniques et des mat&eacute;riaux environnementaux transform&eacute;s afin de cr&eacute;er un espace d&rsquo;&eacute;coute int&eacute;rieur, soigneusement compos&eacute;.

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Nous vous &eacute;crivons pour confirmer la r&eacute;ception de votre billet.Nous avons h&acirc;te de vous accueillir ce dimanche. N&rsquo;h&eacute;sitez pas &agrave; nous contacter si vous avez des questions. &ndash;&nbsp;World Creation Studiocontact@worldcreation.studio

La première édition de present form(s) réunit quatre artistes dont les pratiques abordent le son en dialogue avec le corps, l’environnement et la technologie. Le programme met de l’avant des performances en direct ainsi que des séances d’écoute, ancrées dans des pratiques contemporaines critiques et expérimentales. Nous sommes heureux·ses de présenter l’artiste de renommée internationale Atau Tanaka, interprétant Om Ujjayi, une performance électronique interactive qui explore le captage physiologique à travers l’électromyogramme musculaire (EMG), l’électrocardiogramme cardiaque (ECG) et la prise de son acoustique de la respiration. Dans cette œuvre, le cœur, le souffle et les muscles deviennent des sources de son et de données, façonnant un système de synthèse modulaire composé de résonateurs, de modulateurs en anneau, de waveshapers, d’oscillateurs et de filtres. S’appuyant sur des pratiques yogiques de respiration et de chant, Om Ujjayi considère le son comme un moyen d’entrer dans des états incarnés et de les rendre perceptibles, marquant la première performance de Tanaka à Montréal depuis plus de dix ans.L’artiste sonore basé·e à Montréal John-Clarence Prosper présente micro_bio, une performance qui rend audibles des processus physiologiques internes par le biais du captage électromagnétique, de la sonification computationnelle et de l’amplification acoustique, abordant le corps comme un système complexe et en constante évolution. Ludwig Berger présente la première nord-américaine de son album Ecotonalities: No Other Home Than the In-Between, développé pour la contribution du Luxembourg à la Biennale d’architecture de Venise 2025, sous la forme d’une œuvre d’écoute étendue ancrée dans une pratique sonore environnementale qui préserve et rend perceptibles les transformations micro et macroscopiques des paysages. Bénédicte présente une nouvelle œuvre ancrée dans la synthèse, les enregistrements de terrain et des textures ambiantes, combinant des couches sonores électroniques et des matériaux environnementaux transformés afin de créer un espace d’écoute intérieur, soigneusement composé.

EN

World Creation Studio

Atau Tanaka / Ludwig Berger / Bénédicte / John-Clarence Prosper.

3995 Rue Berri

Admission générale

25 $

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