Nigra Iuventa

### Context Profile for Nigra Iuventa

1. **Organization Mission & Cause:**
   - **Mission:** Nigra Iuventa is dedicated to supporting and promoting artists from African, Caribbean, and diasporic communities. Their mission focuses on cultural representation and empowerment through art, aiming to create a platform for these artists to showcase their work and connect with broader audiences.
   - **Cause:** The organization emphasizes the importance of cultural heritage and aims to uplift marginalized voices in the arts. They engage in various initiatives that foster cultural exchange and appreciation.

2. **Type of Activities:**
   - **Cultural Initiatives:** Nigra Iuventa organizes exhibitions and residencies that feature artists from the targeted communities.
   - **Fundraising Campaigns:** They run campaigns such as the recent "La boutique de Nigra Iuventa," which sells exclusive tote bags to fund their initiatives.
   - **Community Engagement:** The organization actively seeks to involve the community in their events and initiatives, promoting a sense of belonging and participation.

3. **Tone of Voice:**
   - The tone of voice on the Nigra Iuventa website is **friendly, welcoming, and inspiring**. The language is inclusive and encourages community involvement, reflecting a sense of warmth and appreciation for supporters.
   - Phrases like "Bienvenue dans la boutique Nigra Iuventa!" and "Merci de faire partie du mouvement" convey a sense of gratitude and community spirit.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in informal communications or social media, the organization may opt to use emojis that resonate with their audience, such as art-related or community-focused emojis, to enhance engagement.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not provided on the website, but the organization appears to be relatively new, focusing on contemporary issues in the arts.
   - **Scale:** The organization has a limited number of forms (4 total) indicating a focused approach to their campaigns and outreach.
   - **Impact Metrics:** While specific metrics are not detailed, the impact is implied through the support of artists and cultural initiatives.
   - **Volunteer Info:** There is no specific information regarding volunteer opportunities on the website, but community involvement is encouraged.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inclusive tone that resonates with a diverse audience. 
   - **Language:** Incorporate both French and English where appropriate, reflecting the bilingual nature of their audience.
   - **Call to Action:** Encourage participation and support, using phrases that express gratitude and community involvement.
   - **Content Structure:** Use clear and engaging headings, bullet points for easy reading, and maintain a conversational style to foster connection with the audience.

### Summary
This context profile provides a comprehensive understanding of Nigra Iuventa's mission, activities, and communication style. It serves as a guide for creating personalized content that aligns with the organization's values and engages its audience effectively.

This ticket provides access to the conversation between Zohra Opoku and Mallory Lowe Mpoka, presented as part of the RAN Symposium at the MBAM. The number of seats is limited to encourage a privileged exchange between the speakers and the audience.

General Admission

LXCL:Ce billet donne accès à l'activité La mémoire collective rendue possible grâce aux dons de documents en collaboration avec Artexte&nbsp;, présentée dans le cadre du Symposium RAN. Le nombre de places est limité afin de favoriser un échange privilégié entre les intervenant·e·s et le public.

Admission générale

<p dir="ltr" fr-original-style="line-height: 1.38; text-align: left; margin-top: 0pt; margin-bottom: 0pt;" style="line-height: 1.38; text-align: left; margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"><span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">L&rsquo;activit&eacute; permettra d&rsquo;explorer la m&eacute;moire collective rendue possible gr&acirc;ce aux dons de documents faits pas les artistes, commissaires et organismes culturels dans notre collection documentaire &agrave; des fins de d&eacute;couvrabilit&eacute;, de recherche et de conservation.&nbsp;<span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Lors de cet &eacute;v&eacute;nement, d&eacute;couvrez la collection d&rsquo;Artexte et prenez part &agrave; un atelier portant sur les processus d&rsquo;ouverture de dossiers et de d&eacute;p&ocirc;t de documents sp&eacute;cifiques &agrave; Artexte afin de cr&eacute;er et renforcer de nouveaux r&eacute;seaux de solidarit&eacute; et de co-construction de savoirs. <p dir="ltr" fr-original-style="line-height: 1.38; text-align: left; margin-top: 0pt; margin-bottom: 0pt;" style="line-height: 1.38; text-align: left; margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"><span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Pour clore cet &rsquo;atelier, assistez &agrave; la conf&eacute;rence intitul&eacute;e&nbsp;<span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">The Ethics of Aesthetics &ndash; New Methods for Art Criticism<span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">&nbsp;par l&rsquo;autrice et critique d&rsquo;art Yaniya Lee. Cette activit&eacute;, pr&eacute;sent&eacute;e en collaboration avec Artexte, s&rsquo;inscrit dans le cadre du Symposium international RAN &ndash; R&eacute;seaux de l&rsquo;Atlantique noir : patrimoines, savoirs et solidarit&eacute;s, projet de Nigra Iuventa, organis&eacute; en partenariat avec le Consulat g&eacute;n&eacute;ral de France &agrave; Qu&eacute;bec et le Goethe-Institut de Montr&eacute;al et qui se tiendra &agrave; Montr&eacute;al du 18 au 22 novembre 2025.&nbsp; Informations pratiques<ul fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="" style="box-sizing: inherit;">Activit&eacute; gratuite en anglais, pr&eacute;sent&eacute;e le vendredi 21 novembre 2025 &ndash; 10h00 &agrave; 12h00 &nbsp;</li><li fr-original-style="" style="box-sizing: inherit;">Dur&eacute;e : 2 heures - un atelier de 60 min, suivi d&#39;une conf&eacute;rence de 60 min</li><li fr-original-style="" style="box-sizing: inherit;">Lieu : salle de lecture d&rsquo;Artexte, 2 St Catherine St E #301, Montreal, Quebec H2X 1K4</li><li fr-original-style="" style="box-sizing: inherit;">Le lieu est accessible aux personnes &agrave; mobilit&eacute; r&eacute;duite</li></ul>&Agrave; propos de la conf&eacute;renci&egrave;re :&nbsp; Yaniya Lee est l&rsquo;auteure de Selected Writing on Black Canadian Art (2024). Elle a par ailleurs &eacute;crit sur l&rsquo;art pour des magazines, des mus&eacute;es et des galeries au Canada et &agrave; l&rsquo;&eacute;tranger.En tant que doctorante au d&eacute;partement d&rsquo;&eacute;tudes sur le genre de l&rsquo;Universit&eacute; Queen&rsquo;s, Yaniya m&egrave;ne des recherches qui retracent la pratique cr&eacute;ative et les r&eacute;cits de lib&eacute;ration des personnes noires &agrave; travers le pays. Sa d&eacute;marche vise &agrave; constituer une archive critique qui reconna&icirc;t l&rsquo;histoire de l&rsquo;art des personnes noires canadiennes, sans quoi celle-ci est pass&eacute;e sous silence.Elle enseigne l&rsquo;&eacute;criture artistique et travaille fr&eacute;quemment avec des collaborateur&middot;trices dans le cadre de divers colloques, programmes et ateliers. Parmi ses &oelig;uvres r&eacute;cemment expos&eacute;es, on retrouve notamment What does the land know? (Videographe, 2024), what it feels like is good enough (Archive, 2023), The Scream and the Whisper (Asia Art Archive, 2023), Black History Navigational Toolkit (Biennal d&rsquo;art de Toronto, 2022), From her world (The Blackwood, 2022), WhAt She SaId: Promiscuous References &amp; Disobedient Care (Contingencies of Care, 2021), fractured horizon &ndash; a view from the body (Vtape, 2020), Bodies, Borders, Fields (Trinity Square Video, 2019) et Desire x Politics (Mercer Union, 2019).

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom ,<p fr-original-style="box-sizing: inherit; width: 734px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 734px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> Merci pour votre inscription &agrave;&nbsp;La m&eacute;moire collective rendue possible gr&acirc;ce aux dons de documents en collaboration avec Artexte dans le cadre du Symposium RAN &ndash; R&eacute;seaux de l&rsquo;Atlantique noir, organis&eacute; par Nigra Iuventa, en partenariat avec le Consulat g&eacute;n&eacute;ral de France &agrave; Qu&eacute;bec et le Goethe-Institut Montr&eacute;al. 📍 Lieu : Artexte, 2 St Catherine St E #301, Montreal, Quebec H2X 1K4 📲 Suivez Nigra Iuventa pour d&eacute;couvrir la programmation compl&egrave;te et nos prochaines actualit&eacute;s :<a fr-original-style="" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a> | <a fr-original-style="" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a> | &nbsp;💛 En tant qu&rsquo;organisme &agrave; but non lucratif, nous faisons en sorte d&rsquo;offrir gratuitement la majorit&eacute; de nos activit&eacute;s. Si vous souhaitez soutenir notre mission, un don, m&ecirc;me symbolique, fait une r&eacute;elle diff&eacute;rence :<span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-a25db96d-0528-4b13-b868-c02559874671}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Faire un don}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Faire un don&nbsp; Au plaisir de vous accueillir,L&rsquo;&eacute;quipe du Symposium RAN

L’activité permettra d’explorer la mémoire collective rendue possible grâce aux dons de documents faits pas les artistes, commissaires et organismes culturels dans notre collection documentaire à des fins de découvrabilité, de recherche et de conservation. Lors de cet événement, découvrez la collection d’Artexte et prenez part à un atelier portant sur les processus d’ouverture de dossiers et de dépôt de documents spécifiques à Artexte afin de créer et renforcer de nouveaux réseaux de solidarité et de co-construction de savoirs. Pour clore cet ’atelier, assistez à la conférence intitulée The Ethics of Aesthetics – New Methods for Art Criticism par l’autrice et critique d’art Yaniya Lee. Cette activité, présentée en collaboration avec Artexte, s’inscrit dans le cadre du Symposium international RAN – Réseaux de l’Atlantique noir : patrimoines, savoirs et solidarités, projet de Nigra Iuventa, organisé en partenariat avec le Consulat général de France à Québec et le Goethe-Institut de Montréal et qui se tiendra à Montréal du 18 au 22 novembre 2025.  Informations pratiques<ul><li>Activité gratuite en anglais, présentée le vendredi 21 novembre 2025 – 10h00 à 12h00  </li><li>Durée : 2 heures - un atelier de 60 min, suivi d'une conférence de 60 min</li><li>Lieu : salle de lecture d’Artexte, 2 St Catherine St E #301, Montreal, Quebec H2X 1K4</li><li>Le lieu est accessible aux personnes à mobilité réduite</li></ul>À propos de la conférencière :  Yaniya Lee est l’auteure de Selected Writing on Black Canadian Art (2024). Elle a par ailleurs écrit sur l’art pour des magazines, des musées et des galeries au Canada et à l’étranger.En tant que doctorante au département d’études sur le genre de l’Université Queen’s, Yaniya mène des recherches qui retracent la pratique créative et les récits de libération des personnes noires à travers le pays. Sa démarche vise à constituer une archive critique qui reconnaît l’histoire de l’art des personnes noires canadiennes, sans quoi celle-ci est passée sous silence.Elle enseigne l’écriture artistique et travaille fréquemment avec des collaborateur·trices dans le cadre de divers colloques, programmes et ateliers. Parmi ses œuvres récemment exposées, on retrouve notamment What does the land know? (Videographe, 2024), what it feels like is good enough (Archive, 2023), The Scream and the Whisper (Asia Art Archive, 2023), Black History Navigational Toolkit (Biennal d’art de Toronto, 2022), From her world (The Blackwood, 2022), WhAt She SaId: Promiscuous References &amp; Disobedient Care (Contingencies of Care, 2021), fractured horizon – a view from the body (Vtape, 2020), Bodies, Borders, Fields (Trinity Square Video, 2019) et Desire x Politics (Mercer Union, 2019).

La mémoire collective rendue possible grâce aux dons de documents en collaboration avec Artexte | Atelier et conférence

This activity will explore collective memory made possible by donations of documents from and by artists, curators and cultural organizations in our documentary collection the objectives of discoverability, research and conservation.&nbsp; During this event, discover the Artexte collection and take part in a workshop on Artexte&rsquo;s specific file opening and document donation processes in order to create strengthen new networks of solidarity and co-construction of knowledge.&nbsp; To conclude this workshop, attend a talk title The Ethics of Aesthetics &ndash; New Methods for Art Criticism by author and art critic Yaniya Lee..Information<ul fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="" style="box-sizing: inherit;">Free activity in English, presented on Friday, November 21, 10 am.</li><li fr-original-style="" style="box-sizing: inherit;">Duration: &nbsp;2 hours - a 60-minute workshop followed by a 60-minute lecture</li><li fr-original-style="" style="box-sizing: inherit;">Location: @ Artexte reading room, 2 St Catherine St E #301, Montreal, Quebec H2X 1K4</li><li fr-original-style="" style="box-sizing: inherit;">The venue is accessible to people with reduced mobility.</li></ul>About the speaker:&nbsp; Yaniya Lee is the author of Selected Writing on Black Canadian Art (2024). She has written about art for galleries, magazines and museums across Canada, and abroad.As a PhD student in the Gender Studies department at Queen&rsquo;s University, her research tracks Black creative practice and narratives of liberation across the nation, with the intention of building a critical archive that recognizes otherwise hidden Black Canadian art histories.She teaches art writing and frequently works with collaborators on symposiums, programs, and workshops. Most recently: What does the land know? (Videographe, 2024), what it feels like is good enough (Archive, 2023); The Scream and the Whisper (Asia Art Archive, 2023); Black History Navigational Toolkit (Toronto Biennial of Art, 2022); From her world (The Blackwood, 2022); WhAt She SaId: Promiscuous References &amp; Disobedient Care (Contingencies of Care, 2021); fractured horizon &ndash; a view from the body (Vtape, 2020); Bodies, Borders, Fields (Trinity Square Video, 2019); and Desire x Politics (Mercer Union, 2019).

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom ,&nbsp; Thank you for registering for Collective memory made possible by document donations in collaboration with Artexte as part of the RAN Symposium - Black Atlantic Networks, organized by Nigra Iuventa, in partnership with the Consulate General of France in Quebec and the Goethe-Institut Montreal. 📍 Location: Artexte, 2 St Catherine St E #301, Montreal, Quebec H2X 1K4 📲 Follow Nigra Iuventa to discover the complete program and our latest news: <a fr-original-style="" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a> | <a fr-original-style="" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a> | &nbsp;💛 As a non-profit organization, we strive to offer the majority of our activities for free. If you would like to support our mission, even a symbolic donation makes a real difference: <span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-8af0f129-ac48-4ce5-9272-4e254bb3ac7a}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Donate}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">DonateWe look forward to welcoming you,The RAN Symposium Team

This activity will explore collective memory made possible by donations of documents from and by artists, curators and cultural organizations in our documentary collection the objectives of discoverability, research and conservation.  During this event, discover the Artexte collection and take part in a workshop on Artexte’s specific file opening and document donation processes in order to create strengthen new networks of solidarity and co-construction of knowledge.  To conclude this workshop, attend a talk title The Ethics of Aesthetics – New Methods for Art Criticism by author and art critic Yaniya Lee..Information<ul><li>Free activity in English, presented on Friday, November 21, 10 am.</li><li>Duration:  2 hours - a 60-minute workshop followed by a 60-minute lecture</li><li>Location: @ Artexte reading room, 2 St Catherine St E #301, Montreal, Quebec H2X 1K4</li><li>The venue is accessible to people with reduced mobility.</li></ul>About the speaker:  Yaniya Lee is the author of Selected Writing on Black Canadian Art (2024). She has written about art for galleries, magazines and museums across Canada, and abroad.As a PhD student in the Gender Studies department at Queen’s University, her research tracks Black creative practice and narratives of liberation across the nation, with the intention of building a critical archive that recognizes otherwise hidden Black Canadian art histories.She teaches art writing and frequently works with collaborators on symposiums, programs, and workshops. Most recently: What does the land know? (Videographe, 2024), what it feels like is good enough (Archive, 2023); The Scream and the Whisper (Asia Art Archive, 2023); Black History Navigational Toolkit (Toronto Biennial of Art, 2022); From her world (The Blackwood, 2022); WhAt She SaId: Promiscuous References &amp; Disobedient Care (Contingencies of Care, 2021); fractured horizon – a view from the body (Vtape, 2020); Bodies, Borders, Fields (Trinity Square Video, 2019); and Desire x Politics (Mercer Union, 2019).

EN

Nigra Iuventa

La mémoire collective rendue possible grâce aux dons de documents en collaboration avec Artexte | Atelier et conférence

2 St Catherine St E #301

Admission générale

Gratuit

Ajouter un don pour Nigra Iuventa