Codes d'accès

### Context Profile for Codes d'accès

1. **Organization Mission & Cause**:
   - **Mission**: Codes d'accès is dedicated to promoting contemporary vocal music and supporting emerging artists in the field. Their mission revolves around creating a platform for innovative compositions and performances that resonate with contemporary themes and emotions.
   - **Cause**: The organization aims to bridge the gap between historical vocal works and modern interpretations, fostering a dialogue between past and present through music.

2. **Type of Activities**:
   - **Concerts**: They host performances that feature both established and emerging artists, focusing on new compositions and innovative interpretations of classic works.
   - **Collaborations**: Codes d'accès engages in collaborative projects with composers and playwrights, enhancing the richness of their performances (e.g., the concert featuring Rebecca Gray and Sarah Danielle Pitman).
   - **Community Engagement**: They involve local artists and composers, creating a vibrant community around contemporary vocal music.

3. **Tone of Voice**:
   - The tone is **inspiring** and **professional**, with a focus on artistic expression and emotional depth. The language used is accessible yet sophisticated, appealing to both music enthusiasts and the general public.
   - Communications often include descriptive and evocative language to convey the emotional weight of the performances and compositions.

4. **Emoji Usage**:
   - The organization does not prominently use emojis in their communications. Their tone remains formal and professional, reflecting the artistic nature of their work.

5. **Key Facts**:
   - **Founding Info**: Specific founding details were not available on the website, but the organization is actively promoting its 2025-2026 season.
   - **Scale**: Codes d'accès has conducted 6 forms and sent out 20 email campaigns, indicating a structured approach to outreach and engagement.
   - **Impact Metrics**: While specific impact metrics were not detailed, the focus on supporting emerging artists suggests a commitment to fostering talent in the contemporary music scene.

6. **Writing Guidelines**:
   - **Style**: Use a formal yet engaging tone that reflects the artistic nature of the organization. Descriptive language should be employed to evoke emotions and convey the significance of the performances.
   - **Structure**: Content should be organized clearly, with headings and bullet points where appropriate to enhance readability.
   - **Audience Engagement**: Aim to connect with both music lovers and potential supporters by highlighting the emotional and cultural relevance of the performances.

### Summary
This context profile provides a comprehensive overview of Codes d'accès, focusing on their mission, activities, tone, and communication style. Future content generated for this organization should align with their artistic vision and engage their audience through evocative language and a professional tone.

LXCL:Taxes and fees included.

Regular

LXCL:Taxes et frais inclus.

Régulier

Students / Seniors

Étudiant·es / Aîné·es

Membres

Members

LXCL:If you can afford it, this ticket allows you to support the mission of Codes d’accès. Taxes and fees included.

Supporting

LXCL:Si vous en avez les moyens, ce billet vous permet de soutenir la mission de Codes d’accès. Taxes et frais inclus.

Solidaire

This concert is presented in collaboration with the Vivier Interuniversitaire (ViU). Battements&nbsp;is an instrumental music concert that will take advantage of the beautiful acoustics of the Chapel of Saint-Louis. Bringing together pieces that delve into the very essence of sound, such as intonation and timbre, this instrumental concert will charm and intrigue. Rimes d&eacute;faites par le Sphinx is a project of songs in &quot;just intonation&quot; for two voices and two guitars in just intonation (according to the conception of Simon Martin). When we listen to sounds (the sounds of music, the sounds of life), we hear them through the prism of culture. How can we free our ears from the too familiar, letting ourselves be carried away by the charm of the unknown? Perhaps through songs (too familiar form!) sung in an unusual yet intoxicating temperament? Trac&eacute;, Fossile is inspired by the slow mineralization of organic matter. Through a gradual metamorphosis from fluid sounds to rough textures, this piece is designed as a summary of a fossilization process spanning several geological eras. Through the progressive increase in density and the gradual rarefaction of movement, both temporal and physical, Trac&eacute;, Fossile is a reflection, even a meditation, on the becoming of matter. PROGRAM<ul fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="" style="box-sizing: inherit;">Alexandre Amat, Trac&eacute;, Fossile, for violin and cello, 2023 (12&#39;)<ul fr-original-style="" style="box-sizing: inherit;"><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" id="isPasted" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;">Paul Ballesta, violin</li><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;">Audr&eacute;anne Filion, cello</li></ul></li><li fr-original-style="" style="box-sizing: inherit;">Genevi&egrave;ve Ackerman, Rimes d&eacute;faites par le Sphinx, for soprano and alto voices, and two guitars in natural intonation, 2026 (25&#39;)<ul fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="" style="box-sizing: inherit;">Genevi&egrave;ve Ackerman, composition and voice</li><li fr-original-style="" style="box-sizing: inherit;">Florence Tremblay, voice</li><li fr-original-style="" style="box-sizing: inherit;">Alexandre Ethier, guitar</li><li fr-original-style="" style="box-sizing: inherit;">Francis Brunet-Turcotte, guitar</li></ul></li><li fr-original-style="" style="box-sizing: inherit;">Emmanuel Lacopo, &laquo; Home &raquo; pour guitare classique, &eacute;lectroniques et voix, 2024 (6&rsquo;30)</li><li fr-original-style="" style="box-sizing: inherit;">Emmanuel Lacopo &laquo; I Never Want to See That Day &raquo; pour guitare &eacute;lectrique et &eacute;lectroniques, 2 violons alto, 3 violoncelles, 1 saxophone t&eacute;nor et batteries, 2025 (5&prime;)<ul fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Emmanuel Lacopo, guitare &eacute;lectrique</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Troy Stephenson, violon alto</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Marilou Lepage, violon alto</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Josh Morris, violoncelle</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Jaeyong Chong, violoncelle</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Luis Almeida, violoncelle</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Kirby Leitz, saxophone t&eacute;nor</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Martin D&rsquo;aigle, batterie</li></ul></li></ul>

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom&nbsp; <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Nom , Thanks for your purchase and for your interest in Codes d&#39;acc&egrave;s ! Battements📍 &nbsp;Chapelle St-Louis: 4230, rue Drolet, Montr&eacute;al (Qc), H2W 2L6📅 The <span contenteditable="false" data-custom-variable="{{date-variable-ad9370a4-ba31-41fe-bf0c-7a01f6bb9f7b}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Date&nbsp;🎵 Doors open at 7pm, concert at 7:30pm&nbsp;⌛ &nbsp;90 minutes Don&#39;t hesitate to contact us for any questions regarding your purchase or the concert! We look forward to welcoming you,&nbsp; Codes d&#39;acc&egrave;s Team<a fr-original-style="" href="mailto:info@codesdacces.org" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">info@codesdacces.org</a>&nbsp;

This concert is presented in collaboration with the Vivier Interuniversitaire (ViU). Battements is an instrumental music concert that will take advantage of the beautiful acoustics of the Chapel of Saint-Louis. Bringing together pieces that delve into the very essence of sound, such as intonation and timbre, this instrumental concert will charm and intrigue. Rimes défaites par le Sphinx is a project of songs in "just intonation" for two voices and two guitars in just intonation (according to the conception of Simon Martin). When we listen to sounds (the sounds of music, the sounds of life), we hear them through the prism of culture. How can we free our ears from the too familiar, letting ourselves be carried away by the charm of the unknown? Perhaps through songs (too familiar form!) sung in an unusual yet intoxicating temperament? Tracé, Fossile is inspired by the slow mineralization of organic matter. Through a gradual metamorphosis from fluid sounds to rough textures, this piece is designed as a summary of a fossilization process spanning several geological eras. Through the progressive increase in density and the gradual rarefaction of movement, both temporal and physical, Tracé, Fossile is a reflection, even a meditation, on the becoming of matter. PROGRAM<ul><li>Alexandre Amat, Tracé, Fossile, for violin and cello, 2023 (12')<ul><li>Paul Ballesta, violin</li><li>Audréanne Filion, cello</li></ul></li><li>Geneviève Ackerman, Rimes défaites par le Sphinx, for soprano and alto voices, and two guitars in natural intonation, 2026 (25')<ul><li>Geneviève Ackerman, composition and voice</li><li>Florence Tremblay, voice</li><li>Alexandre Ethier, guitar</li><li>Francis Brunet-Turcotte, guitar</li></ul></li><li>Emmanuel Lacopo, « Home » pour guitare classique, électroniques et voix, 2024 (6’30)</li><li>Emmanuel Lacopo « I Never Want to See That Day » pour guitare électrique et électroniques, 2 violons alto, 3 violoncelles, 1 saxophone ténor et batteries, 2025 (5′)<ul><li>Emmanuel Lacopo, guitare électrique</li><li>Troy Stephenson, violon alto</li><li>Marilou Lepage, violon alto</li><li>Josh Morris, violoncelle</li><li>Jaeyong Chong, violoncelle</li><li>Luis Almeida, violoncelle</li><li>Kirby Leitz, saxophone ténor</li><li>Martin D’aigle, batterie</li></ul></li></ul>

Battements

Ce concert est pr&eacute;sent&eacute; en collaboration avec le Vivier Interuniversitaire (ViU). <p dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" id="isPasted" style="line-height: 1.38; margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"><span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Battements&nbsp;est un concert de musique instrumentale qui profitera de la magnifique acoustique de la Chapelle Saint-Louis. Regroupant des pi&egrave;ces qui se penchent sur la mati&egrave;re m&ecirc;me du son, comme l&rsquo;intonation et le timbre, ce concert instrumental saura charmer autant qu&rsquo;intriguer. Trac&eacute;, Fossile est inspir&eacute;e par la lente min&eacute;ralisation d&rsquo;une mati&egrave;re organique. Par une m&eacute;tamorphose graduelle depuis les sons fluides jusqu&rsquo;aux textures rugueuses, cette pi&egrave;ce est con&ccedil;ue comme le r&eacute;sum&eacute; d&rsquo;un proc&eacute;d&eacute; de fossilisation s&rsquo;&eacute;tendant sur plusieurs &egrave;res g&eacute;ologiques. &Agrave; travers l&rsquo;augmentation progressive de la densit&eacute; et la rar&eacute;faction graduelle du mouvement, &agrave; la fois temporel et physique, Trac&eacute;, Fossile constitue une r&eacute;flexion, voire une m&eacute;ditation, sur le devenir de la mati&egrave;re. <span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Rimes d&eacute;faites par le Sphinx est un projet de chansons en &laquo; intonation juste &raquo; pour deux voix et deux guitares &agrave; intonation juste (selon la conception de Simon Martin). Lorsque nous &eacute;coutons des sons (les sons de la musique, les sons de la vie), nous les entendons &agrave; travers le prisme de la culture. Comment lib&eacute;rer notre oreille du trop connu, en se laissant porter par le charme de l&rsquo;inconnu? Peut-&ecirc;tre par des chansons (forme trop connue!) chant&eacute;es dans un temp&eacute;rament inhabituel bien qu&rsquo;enivrant? <span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Home, pour guitare classique, &eacute;lectronique et voix, est une &oelig;uvre intimiste qui explore la vuln&eacute;rabilit&eacute; &agrave; travers la forme musicale et une conception sonore exp&eacute;rimentale inspir&eacute;e de l&rsquo;&eacute;ducation musicale rock et pop du compositeur-interpr&egrave;te Emmanuel Lacopo. I Never Want To See That Day est une &oelig;uvre de chambre &agrave; grande &eacute;chelle pour guitare &eacute;lectrique, &eacute;lectronique, cordes, saxophone t&eacute;nor et batterie. Inspir&eacute;e par Godspeed You! Black Emperor et Julius Eastman, elle construit des textures &eacute;volutives et des m&eacute;lodies lyriques avec une guitare trait&eacute;e en direct qui fa&ccedil;onne l&rsquo;ensemble. <span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">PROGRAMME<ul fr-original-style="" style="box-sizing: inherit;"><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" id="isPasted" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;">Alexandre Amat, Trac&eacute;, Fossile, pour violon et violoncelle, 2023 (12&rsquo;)<ul fr-original-style="" style="box-sizing: inherit;"><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;">Paul Ballesta, violon</li><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;">Audr&eacute;anne Filion, violoncelle</li></ul></li><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" id="isPasted" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;"><span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Genevi&egrave;ve Ackerman, Rimes d&eacute;faites par le Sphinx, pour voix soprano et alto, et deux guitares en intonation naturelle, 2026 (25&rsquo;)<ul fr-original-style="" style="box-sizing: inherit;"><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" id="isPasted" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;"><span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Genevi&egrave;ve Ackerman, composition et voix</li><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" id="isPasted" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;"><span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Florence Tremblay, voix</li><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" id="isPasted" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;"><span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Alexandre Ethier, guitare</li><li dir="ltr" fr-original-style="line-height:1.3800000000000001;margin-top:0pt;margin-bottom:0pt;" id="isPasted" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; box-sizing: inherit;"><span fr-original-style="font-size:11pt;font-family:Arial,sans-serif;color:#000000;background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;" style="font-size: 11pt; font-family: Arial, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap; box-sizing: inherit;">Francis Brunet-Turcotte, guitare</li></ul></li><li fr-original-style="" style="box-sizing: inherit;">Emmanuel Lacopo, &laquo; Home &raquo; pour guitare classique, &eacute;lectroniques et voix, 2024 (6&rsquo;30)</li><li fr-original-style="" style="box-sizing: inherit;">Emmanuel Lacopo &laquo; I Never Want to See That Day &raquo; pour guitare &eacute;lectrique et &eacute;lectroniques, 2 violons alto, 3 violoncelles, 1 saxophone t&eacute;nor et batteries, 2025 (5&prime;)</li></ul><ul fr-original-style="box-sizing: border-box; margin: 0px 0px 32px; padding: 0px 0px 0px 2em; list-style: disc; color: rgb(26, 26, 26); font-family: neue-haas-grotesk-display; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 1px; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: border-box; margin: 0px 0px 32px; padding: 0px 0px 0px 2em; list-style: disc; color: rgb(26, 26, 26); font-family: neue-haas-grotesk-display; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 1px; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"><ul fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Emmanuel Lacopo, guitare &eacute;lectrique</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Troy Stephenson, violon alto</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Marilou Lepage, violon alto</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Josh Morris, violoncelle</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Jaeyong Chong, violoncelle</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Luis Almeida, violoncelle</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Kirby Leitz, saxophone t&eacute;nor</li><li fr-original-style="box-sizing: inherit;" style="box-sizing: inherit;">Martin D&rsquo;aigle, batterie</li></ul></ul>

Bonjour <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Nom <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom ,<p fr-original-style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> Nous vous remercions pour votre achat et pour votre int&eacute;r&ecirc;t envers Codes d&#39;acc&egrave;s !<p fr-original-style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> Battements📍 &nbsp; Chapelle St-Louis : 4230, rue Drolet, Montr&eacute;al (Qc), H2W 2L6📅 Le <span contenteditable="false" data-custom-variable="{{date-variable-0a1c1050-77cd-49aa-8470-fb237eb19280}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Date&nbsp;🎵 Portes &agrave; 19h, concert &agrave; 19h30&nbsp;⌛ &nbsp;90 minutes<p fr-original-style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> N&#39;h&eacute;sitez pas &agrave; nous contacter pour toutes questions relatives &agrave; votre achat ou au concert !<p fr-original-style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> Au plaisir de vous accueillir,&nbsp;<p fr-original-style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 774px; margin: 0px; line-height: 1.5; color: rgb(15, 14, 91); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> L&#39;&eacute;quipe de Codes d&#39;acc&egrave;s<a fr-original-style="" href="mailto:info@codesdacces.org" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">info@codesdacces.org</a>&nbsp;

Ce concert est présenté en collaboration avec le Vivier Interuniversitaire (ViU). Battements est un concert de musique instrumentale qui profitera de la magnifique acoustique de la Chapelle Saint-Louis. Regroupant des pièces qui se penchent sur la matière même du son, comme l’intonation et le timbre, ce concert instrumental saura charmer autant qu’intriguer. Tracé, Fossile est inspirée par la lente minéralisation d’une matière organique. Par une métamorphose graduelle depuis les sons fluides jusqu’aux textures rugueuses, cette pièce est conçue comme le résumé d’un procédé de fossilisation s’étendant sur plusieurs ères géologiques. À travers l’augmentation progressive de la densité et la raréfaction graduelle du mouvement, à la fois temporel et physique, Tracé, Fossile constitue une réflexion, voire une méditation, sur le devenir de la matière. Rimes défaites par le Sphinx est un projet de chansons en « intonation juste » pour deux voix et deux guitares à intonation juste (selon la conception de Simon Martin). Lorsque nous écoutons des sons (les sons de la musique, les sons de la vie), nous les entendons à travers le prisme de la culture. Comment libérer notre oreille du trop connu, en se laissant porter par le charme de l’inconnu? Peut-être par des chansons (forme trop connue!) chantées dans un tempérament inhabituel bien qu’enivrant? Home, pour guitare classique, électronique et voix, est une œuvre intimiste qui explore la vulnérabilité à travers la forme musicale et une conception sonore expérimentale inspirée de l’éducation musicale rock et pop du compositeur-interprète Emmanuel Lacopo. I Never Want To See That Day est une œuvre de chambre à grande échelle pour guitare électrique, électronique, cordes, saxophone ténor et batterie. Inspirée par Godspeed You! Black Emperor et Julius Eastman, elle construit des textures évolutives et des mélodies lyriques avec une guitare traitée en direct qui façonne l’ensemble. PROGRAMME<ul><li>Alexandre Amat, Tracé, Fossile, pour violon et violoncelle, 2023 (12’)<ul><li>Paul Ballesta, violon</li><li>Audréanne Filion, violoncelle</li></ul></li><li>Geneviève Ackerman, Rimes défaites par le Sphinx, pour voix soprano et alto, et deux guitares en intonation naturelle, 2026 (25’)<ul><li>Geneviève Ackerman, composition et voix</li><li>Florence Tremblay, voix</li><li>Alexandre Ethier, guitare</li><li>Francis Brunet-Turcotte, guitare</li></ul></li><li>Emmanuel Lacopo, « Home » pour guitare classique, électroniques et voix, 2024 (6’30)</li><li>Emmanuel Lacopo « I Never Want to See That Day » pour guitare électrique et électroniques, 2 violons alto, 3 violoncelles, 1 saxophone ténor et batteries, 2025 (5′)</li></ul><ul><ul><li>Emmanuel Lacopo, guitare électrique</li><li>Troy Stephenson, violon alto</li><li>Marilou Lepage, violon alto</li><li>Josh Morris, violoncelle</li><li>Jaeyong Chong, violoncelle</li><li>Luis Almeida, violoncelle</li><li>Kirby Leitz, saxophone ténor</li><li>Martin D’aigle, batterie</li></ul></ul>

EN

Codes d'accès

Battements

4230 R. Drolet

Régulier

24 $

Étudiant·es / Aîné·es

19 $

Membres

17 $

Solidaire

30 $

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