Nigra Iuventa

### Context Profile for Nigra Iuventa

1. **Organization Mission & Cause:**
   - **Mission:** Nigra Iuventa is dedicated to supporting and promoting artists from African, Caribbean, and diasporic communities. Their mission focuses on cultural representation and empowerment through art, aiming to create a platform for these artists to showcase their work and connect with broader audiences.
   - **Cause:** The organization emphasizes the importance of cultural heritage and aims to uplift marginalized voices in the arts. They engage in various initiatives that foster cultural exchange and appreciation.

2. **Type of Activities:**
   - **Cultural Initiatives:** Nigra Iuventa organizes exhibitions and residencies that feature artists from the targeted communities.
   - **Fundraising Campaigns:** They run campaigns such as the recent "La boutique de Nigra Iuventa," which sells exclusive tote bags to fund their initiatives.
   - **Community Engagement:** The organization actively seeks to involve the community in their events and initiatives, promoting a sense of belonging and participation.

3. **Tone of Voice:**
   - The tone of voice on the Nigra Iuventa website is **friendly, welcoming, and inspiring**. The language is inclusive and encourages community involvement, reflecting a sense of warmth and appreciation for supporters.
   - Phrases like "Bienvenue dans la boutique Nigra Iuventa!" and "Merci de faire partie du mouvement" convey a sense of gratitude and community spirit.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in informal communications or social media, the organization may opt to use emojis that resonate with their audience, such as art-related or community-focused emojis, to enhance engagement.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not provided on the website, but the organization appears to be relatively new, focusing on contemporary issues in the arts.
   - **Scale:** The organization has a limited number of forms (4 total) indicating a focused approach to their campaigns and outreach.
   - **Impact Metrics:** While specific metrics are not detailed, the impact is implied through the support of artists and cultural initiatives.
   - **Volunteer Info:** There is no specific information regarding volunteer opportunities on the website, but community involvement is encouraged.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inclusive tone that resonates with a diverse audience. 
   - **Language:** Incorporate both French and English where appropriate, reflecting the bilingual nature of their audience.
   - **Call to Action:** Encourage participation and support, using phrases that express gratitude and community involvement.
   - **Content Structure:** Use clear and engaging headings, bullet points for easy reading, and maintain a conversational style to foster connection with the audience.

### Summary
This context profile provides a comprehensive understanding of Nigra Iuventa's mission, activities, and communication style. It serves as a guide for creating personalized content that aligns with the organization's values and engages its audience effectively.

LXCL:This ticket grants access to, this activity presented as part of the RAN Symposium at the Goethe-Institut. Seating is limited to encourage an intimate exchange between the speakers and the audience.

General admission (in person)

LXCL:This ticket grants access to the virtual component of this activity, presented as part of the RAN Symposium at the Goethe-Institut, in partnership with the RIDM. A connection link will be shared with registered participants prior to the event. Seating is limited to encourage an intimate exchange between the speakers and the audience.

Virtual admission

This conversation brings together writers, editors, and cultural producers who challenge conventional modes of publishing to imagine new editorial and narrative possibilities within Black diasporic thought. Reflecting on their own practices, the speakers will explore how experimental writing, multilingual expression, and artist-led collaboration can nurture Black discourse. The discussion will examine how editors and authors sustain spaces for creative risk and experimentation across the Black Atlantic. This activity is part of the symposium <a fr-original-style="" href="https://www.nigraiuventa.com/symposium-ran" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank" title="">Black Atlantic Networks: Heritage, Knowledge and Solidarity</a>, taking place in Montr&eacute;al from November 18 to 22, 2025. The symposium fosters transnational dialogue and creates a space for the co-construction of knowledge.Speakers<ul data-rte-list="default" fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="" style="box-sizing: inherit;">Afi Venessa Appiah</li><li fr-original-style="" style="box-sizing: inherit;">Ethel Tawe</li><li fr-original-style="" style="box-sizing: inherit;">James Oscar</li></ul>Information<ul data-rte-list="default" fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="" style="box-sizing: inherit;">Free activity in English, presented in hybrid format at the Goethe-Institut on Wednesday, November 19, from 3:00 to 4:00 p.m.</li><li fr-original-style="" style="box-sizing: inherit;">Duration: 60 minutes</li><li fr-original-style="" style="box-sizing: inherit;">Location: Goethe-Institut Montreal, 1626 Boulevard Saint-Laurent</li></ul>About the panelists Ethel-Ruth Tawe (b. Yaound&eacute;, Cameroon) is an antidisciplinary artist and creative researcher exploring memory in Africa and its diaspora. Image-making, storytelling, and time-travelling compose the framework of her inquiry. From photography, collage, and text, to moving image, installation and other time-based media, Tawe examines culture and technology often from a speculative lens. Her burgeoning curatorial practice took form in an inaugural exhibition titled &#39;African Ancient Futures&#39;, and continues to expand in a myriad of audiovisual experiments. She is currently Editor-in-Chief at the arts and culture platform Contemporary And (C&amp;) Magazine.<p dir="ltr" fr-original-style="line-height:1.38;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; background-color: rgb(255, 255, 255); margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"> Afi Venessa Appiah (Afi/ Anteism Books/ NYU Tisch)I am a 29-year-old theorist who can remember being a 10-year old writer and who expects to someday be an 80-year old writer. I&rsquo;m also comfortably reclusive &ndash; a hermit butterfly in the middle of New York &ndash; a latent sojourner, a reluctant cynic when I&rsquo;m not careful, a questioning feminist, a Black African; an oil-and-water combination of zeal, lull, insecurity, certainty, and intensity.

Dear <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom , Thank you for registering for Black Diasporic Publishing Practices, presented in partnership with the RIDM,&nbsp;as part of the RAN Symposium &ndash; Black Atlantic Networks: Heritage, Knowledge, and Solidarities, organized by Nigra Iuventa in partnership with the Consulate General of France in Qu&eacute;bec and the Goethe-Institut Montr&eacute;al.📲 Follow Nigra Iuventa to discover the full program and upcoming news: &nbsp;:<a fr-original-style="background-color: transparent;" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="background-color: transparent; text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a>&nbsp;|&nbsp;<a fr-original-style="background-color: transparent;" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="background-color: transparent; text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a>&nbsp; &nbsp; 💛 As a non-profit organization, we strive to offer most of our activities free of charge. If you wish to support our mission, a donation &mdash; even symbolic &mdash; makes a real difference: <span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-a25db96d-0528-4b13-b868-c02559874671}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Support our mission}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Support our mission&nbsp; We look forward to welcoming you, The RAN Symposium Team

This conversation brings together writers, editors, and cultural producers who challenge conventional modes of publishing to imagine new editorial and narrative possibilities within Black diasporic thought. Reflecting on their own practices, the speakers will explore how experimental writing, multilingual expression, and artist-led collaboration can nurture Black discourse. The discussion will examine how editors and authors sustain spaces for creative risk and experimentation across the Black Atlantic. This activity is part of the symposium <a href="https://www.nigraiuventa.com/symposium-ran" target="_blank">Black Atlantic Networks: Heritage, Knowledge and Solidarity</a>, taking place in Montréal from November 18 to 22, 2025. The symposium fosters transnational dialogue and creates a space for the co-construction of knowledge.Speakers<ul><li>Afi Venessa Appiah</li><li>Ethel Tawe</li><li>James Oscar</li></ul>Information<ul><li>Free activity in English, presented in hybrid format at the Goethe-Institut on Wednesday, November 19, from 3:00 to 4:00 p.m.</li><li>Duration: 60 minutes</li><li>Location: Goethe-Institut Montreal, 1626 Boulevard Saint-Laurent</li></ul>About the panelists Ethel-Ruth Tawe (b. Yaoundé, Cameroon) is an antidisciplinary artist and creative researcher exploring memory in Africa and its diaspora. Image-making, storytelling, and time-travelling compose the framework of her inquiry. From photography, collage, and text, to moving image, installation and other time-based media, Tawe examines culture and technology often from a speculative lens. Her burgeoning curatorial practice took form in an inaugural exhibition titled 'African Ancient Futures', and continues to expand in a myriad of audiovisual experiments. She is currently Editor-in-Chief at the arts and culture platform Contemporary And (C&amp;) Magazine. Afi Venessa Appiah (Afi/ Anteism Books/ NYU Tisch)I am a 29-year-old theorist who can remember being a 10-year old writer and who expects to someday be an 80-year old writer. I’m also comfortably reclusive – a hermit butterfly in the middle of New York – a latent sojourner, a reluctant cynic when I’m not careful, a questioning feminist, a Black African; an oil-and-water combination of zeal, lull, insecurity, certainty, and intensity.

Nigra Iuventa

Black Diasporic Publishing Practices

1626 Boul. Saint-Laurent Bureau 100

General admission (in person)

Gratuit

Virtual admission

Gratuit

Ajouter un don pour Nigra Iuventa