Nigra Iuventa

### Context Profile for Nigra Iuventa

1. **Organization Mission & Cause:**
   - **Mission:** Nigra Iuventa is dedicated to supporting and promoting artists from African, Caribbean, and diasporic communities. Their mission focuses on cultural representation and empowerment through art, aiming to create a platform for these artists to showcase their work and connect with broader audiences.
   - **Cause:** The organization emphasizes the importance of cultural heritage and aims to uplift marginalized voices in the arts. They engage in various initiatives that foster cultural exchange and appreciation.

2. **Type of Activities:**
   - **Cultural Initiatives:** Nigra Iuventa organizes exhibitions and residencies that feature artists from the targeted communities.
   - **Fundraising Campaigns:** They run campaigns such as the recent "La boutique de Nigra Iuventa," which sells exclusive tote bags to fund their initiatives.
   - **Community Engagement:** The organization actively seeks to involve the community in their events and initiatives, promoting a sense of belonging and participation.

3. **Tone of Voice:**
   - The tone of voice on the Nigra Iuventa website is **friendly, welcoming, and inspiring**. The language is inclusive and encourages community involvement, reflecting a sense of warmth and appreciation for supporters.
   - Phrases like "Bienvenue dans la boutique Nigra Iuventa!" and "Merci de faire partie du mouvement" convey a sense of gratitude and community spirit.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in informal communications or social media, the organization may opt to use emojis that resonate with their audience, such as art-related or community-focused emojis, to enhance engagement.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not provided on the website, but the organization appears to be relatively new, focusing on contemporary issues in the arts.
   - **Scale:** The organization has a limited number of forms (4 total) indicating a focused approach to their campaigns and outreach.
   - **Impact Metrics:** While specific metrics are not detailed, the impact is implied through the support of artists and cultural initiatives.
   - **Volunteer Info:** There is no specific information regarding volunteer opportunities on the website, but community involvement is encouraged.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inclusive tone that resonates with a diverse audience. 
   - **Language:** Incorporate both French and English where appropriate, reflecting the bilingual nature of their audience.
   - **Call to Action:** Encourage participation and support, using phrases that express gratitude and community involvement.
   - **Content Structure:** Use clear and engaging headings, bullet points for easy reading, and maintain a conversational style to foster connection with the audience.

### Summary
This context profile provides a comprehensive understanding of Nigra Iuventa's mission, activities, and communication style. It serves as a guide for creating personalized content that aligns with the organization's values and engages its audience effectively.

LXCL:This ticket grants access to the conversation Curating the Afrosonic, featuring Mark V. Campbell, Safia Siad, Edna Martínez, and Satch Hoyt, presented as part of the RAN Symposium at the Goethe-Institut. Seating is limited to encourage an intimate exchange between the speakers and the audience.

General admission

<h3 data-pm-slice="1 1 []" fr-original-style="white-space:pre-wrap;" id="isPasted" style="white-space: pre-wrap; width: 100%; box-sizing: inherit;">Curating the afrosonic</h3>With Satch Hoyt, Safia Siad, Mark V. Campbell and Edna Mart&iacute;nez.&nbsp;This discussion, held in English, is presented as part of&nbsp;<a fr-original-style="" href="/symposium-ran" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Black Atlantic Networks: Heritage, Knowledge and Solidarity,</a>&nbsp;taking place in Montr&eacute;al from November 18 to 22, 2025.As members of the Afrosonic Innovation Lab and in their own independent practices, curators Mark V. Campbell and Safia Siad work along the blurred lines of Black sonic and visual culture. Along with curator and DJ Edna&nbsp;Mart&iacute;nez and artist and researcher Satch Hoyt, panelists will discuss their practices that center the Afrosonic.The discussion will be held in English. Seating is limited, and advance registration is required.<p dir="ltr" fr-original-style="line-height:1.38;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; background-color: rgb(255, 255, 255); margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"> <p dir="ltr" fr-original-style="line-height:1.38;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; background-color: rgb(255, 255, 255); margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);">About the Panelists<p dir="ltr" fr-original-style="line-height:1.38;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; background-color: rgb(255, 255, 255); margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"> <p dir="ltr" fr-original-style="line-height:1.38;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; background-color: rgb(255, 255, 255); margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);">Satch Hoyt is a spiritualist, a believer in ritual and retention. A visual artist and a musician, his diverse and multifaceted body of work - whether sculpture, sound installation, painting, musical performance, or musical recording - is united in its investigation of the &ldquo;Eternal Afro-Sonic Signifier&rdquo; and its movement across and amid the cultures, peoples, places, and times of the African Diaspora. Those four evocative words (a term coined by Hoyt) refer to the &ldquo;mnemonic network of sound&rdquo; that was enslaved Africans&rsquo; &ldquo;sole companion during the forced migration of the Middle Passage.&rdquo;1 &nbsp;lt was, and is, a hard-won somatic tool kit for remembering where you come from and who you are - and maybe, where you&rsquo;re going - against all the many odds.<p dir="ltr" fr-original-style="line-height:1.38;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; background-color: rgb(255, 255, 255); margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"> <p dir="ltr" fr-original-style="line-height:1.38;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.38; background-color: rgb(255, 255, 255); margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);">Safia Siad&nbsp;is a curator, scholar, and DJ with a practice centered in deep listening. As a founding member of the Afrosonic Innovation Lab, Siad operates at the intersections of the visual and audio poetics of the African diaspora. Her deep listening sessions have taken place in Montr&eacute;al, Florence, Toronto, and Banff, while her writing has appeared in C Magazine and in multiple exhibition catalogues. She recently completed her SSHRC funded Master of Arts (Art History) at Concordia University and is currently a curatorial fellow with Gallery TPW. Edna Martinez is a DJ and curator from the Colombian Caribbean based in Berlin. She works at the intersection of electronic music, sound experimentation, and diasporic memory, engaging with Caribbean, Latin American, and Arabic musical narratives. Since 2018, she has developed curatorial projects that combine live music, DJ sets, gastronomy, and documentary audiovisual works, creating immersive experiences that connect communities, preserve memories, and foster intercultural exchange. Mark V. Campbell&nbsp;[aka DJ Grumps], founder at Northside Hip Hop Archive, is a DJ, curator and scholar. He has performed on multiple continents and has curated exhibitions globally. Mark has published several books including Afrosonic Life, We Still Here: Hip Hop North of the 49th Parallel and Hip-Hop Archives: The Politics and Poetics of Knowledge Production. He is founder of the Afrosonic Innovation Lab.

Dear <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom , Thank you for registering for the conversation Curating the Afrosonic, presented as part of the RAN Symposium &ndash; Black Atlantic Networks: Heritage, Knowledge, and Solidarities, organized by Nigra Iuventa in partnership with the Consulate General of France in Qu&eacute;bec and the Goethe-Institut Montr&eacute;al.📲 Follow Nigra Iuventa to discover the full program and upcoming news: &nbsp;:<a fr-original-style="background-color: transparent;" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="background-color: transparent; text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a>&nbsp;|&nbsp;<a fr-original-style="background-color: transparent;" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="background-color: transparent; text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a>&nbsp; &nbsp; 💛 As a non-profit organization, we strive to offer most of our activities free of charge. If you wish to support our mission, a donation &mdash; even symbolic &mdash; makes a real difference: <span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-a25db96d-0528-4b13-b868-c02559874671}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Support our mission}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; box-sizing: inherit; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none;">Support our mission&nbsp; We look forward to welcoming you, The RAN Symposium Team

Curating the afrosonicWith Satch Hoyt, Safia Siad, Mark V. Campbell and Edna Martínez. This discussion, held in English, is presented as part of <a href="/symposium-ran" target="_blank">Black Atlantic Networks: Heritage, Knowledge and Solidarity,</a> taking place in Montréal from November 18 to 22, 2025.As members of the Afrosonic Innovation Lab and in their own independent practices, curators Mark V. Campbell and Safia Siad work along the blurred lines of Black sonic and visual culture. Along with curator and DJ Edna Martínez and artist and researcher Satch Hoyt, panelists will discuss their practices that center the Afrosonic.The discussion will be held in English. Seating is limited, and advance registration is required. About the Panelists Satch Hoyt is a spiritualist, a believer in ritual and retention. A visual artist and a musician, his diverse and multifaceted body of work - whether sculpture, sound installation, painting, musical performance, or musical recording - is united in its investigation of the “Eternal Afro-Sonic Signifier” and its movement across and amid the cultures, peoples, places, and times of the African Diaspora. Those four evocative words (a term coined by Hoyt) refer to the “mnemonic network of sound” that was enslaved Africans’ “sole companion during the forced migration of the Middle Passage.”1  lt was, and is, a hard-won somatic tool kit for remembering where you come from and who you are - and maybe, where you’re going - against all the many odds. Safia Siad is a curator, scholar, and DJ with a practice centered in deep listening. As a founding member of the Afrosonic Innovation Lab, Siad operates at the intersections of the visual and audio poetics of the African diaspora. Her deep listening sessions have taken place in Montréal, Florence, Toronto, and Banff, while her writing has appeared in C Magazine and in multiple exhibition catalogues. She recently completed her SSHRC funded Master of Arts (Art History) at Concordia University and is currently a curatorial fellow with Gallery TPW. Edna Martinez is a DJ and curator from the Colombian Caribbean based in Berlin. She works at the intersection of electronic music, sound experimentation, and diasporic memory, engaging with Caribbean, Latin American, and Arabic musical narratives. Since 2018, she has developed curatorial projects that combine live music, DJ sets, gastronomy, and documentary audiovisual works, creating immersive experiences that connect communities, preserve memories, and foster intercultural exchange. Mark V. Campbell [aka DJ Grumps], founder at Northside Hip Hop Archive, is a DJ, curator and scholar. He has performed on multiple continents and has curated exhibitions globally. Mark has published several books including Afrosonic Life, We Still Here: Hip Hop North of the 49th Parallel and Hip-Hop Archives: The Politics and Poetics of Knowledge Production. He is founder of the Afrosonic Innovation Lab.

Nigra Iuventa

Curating the afrosonic

1626 Boul. Saint-Laurent Bureau 100

General admission

Gratuit

Ajouter un don pour Nigra Iuventa