Centre CLARK

### Context Profile for Centre CLARK

1. **Organization Mission & Cause**:
   - **Mission**: Centre CLARK is dedicated to supporting contemporary artists and fostering artistic creation. The organization aims to provide a platform for artists to showcase their work and engage with the community through various artistic initiatives and exhibitions.
   - **Cause**: The organization emphasizes the importance of art in community development and cultural expression, aiming to bridge the gap between artists and the public.

2. **Type of Activities**:
   - **Exhibitions**: Centre CLARK hosts various art exhibitions, including the "MAISON MODÈLE" series, which showcases works from multiple artists in a home-staging context.
   - **Fundraising Events**: They organize VIP events, such as the "SOIRÉE VIP - MAISON MODÈLE 6," which includes exclusive previews of artworks, performances, and gourmet dining experiences.
   - **Community Programs**: The center engages in community outreach, providing opportunities for local artists and promoting cultural activities.

3. **Tone of Voice**:
   - The tone is **friendly**, **inspiring**, and **professional**. The language used is accessible yet sophisticated, appealing to both art enthusiasts and the general public. The content often conveys a sense of urgency and excitement, especially around events and exhibitions.

4. **Emoji Usage**:
   - The website and communications do not prominently feature emojis. The tone remains formal and professional, focusing on clear and engaging language without the use of emojis.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not provided on the website, but the organization has established itself as a significant player in the contemporary art scene.
   - **Scale**: The organization has hosted multiple exhibitions and events, indicating a robust engagement with the local arts community.
   - **Impact Metrics**: While specific metrics are not listed, the organization emphasizes community involvement and support for artists, suggesting a positive impact on local culture.
   - **Volunteer Info**: The website does not provide explicit details about volunteer opportunities, but community engagement is a key aspect of their mission.

6. **Writing Guidelines**:
   - **Style**: Use a mix of formal and conversational language to maintain professionalism while being approachable. 
   - **Structure**: Content should be well-organized, with clear headings and sections to facilitate easy reading.
   - **Call to Action**: Encourage participation in events and support for artists, using inspiring language that highlights the importance of community involvement in the arts.
   - **Visuals**: Incorporate images of artworks and events to enhance engagement and provide a visual context for the written content.

This context profile serves as a foundational guide for generating personalized and relevant content for Centre CLARK, ensuring alignment with their mission, activities, and tone.

Porcelaine tournée et façonnée, décalque, 17 x 12 x 6 cm. Réalisé en collaboration avec le céramiste Marko Savard.

Dig In, 2023.

<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1675889855/uqtaaopghisaaam9qyvp.jpg" style="width:255px;display:inline-block;vertical-align:bottom;margin-right:5px;margin-left:5px;text-align:center;max-width:calc(100% - 10px);position:relative;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit" /><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1675889873/k2k8ge9hxely5lwltmfi.jpg" style="width:255px;display:inline-block;vertical-align:bottom;margin-right:5px;margin-left:5px;text-align:center;max-width:calc(100% - 10px);position:relative;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit" />Dig In, 2023 250$ Porcelaine tournée et façonnée, décalque, 17 x 12 x 6 cm. Réalisé en collaboration avec le céramiste Marko Savard. Édition de 10 <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Pour cette édition limitée de Maison modèle : Nitakinan, Nico Williams a créé <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Dig In<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">, dix « <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">feast bowls<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> » en porcelaine ornés d’un dessin unique de toile de jouy, créés à partir de motifs numérisés de perlage représentant des peyotes. Chaque élément illustre des objets domestiques coloniaux (poteaux de téléphones, rampes, escaliers, planchers et appuis de fenêtre) construits grâce à la transformation de vieux arbres indigènes. D’autres motifs, comme la feuille d’érable flamboyante et les papillons flottants, font un clin d'œil aux <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">tramp stamps<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> et accompagnent certaines dates tirées de la ressource en ligne « <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">How to Steal Land<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> » :  <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">1796: Treaty No. 2, London Township Treaty No. 6 & Treaty No. 7.<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">1807: Treaty of Detroit.<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">1827: 2,182,049 acres of land in exchange for an annuity of £1,100 of lawful money of the Province of Upper Canada forever.<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">1911: Oliver Act got approved, an amendment to the Indian Act, which allowed Indigenous people living on a reserve to be removed without consent or surrender if the reserve was next to a town of 8,000 people or more.<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">1979: In 1979, Aamjiwnaang First Nation found out that there was no documentation to support the formal surrender of their lands to the Crown. <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">BIOGRAPHIE<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Nico Williams, ᐅᑌᒥᐣ<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> (né en 1989) est Anishinaabe et membre de la communauté Première Nation Aamjiwnaang. Il travaille présentement à Tiohtià:ke<span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:italic;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> | <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Mooniyang | Montréal. En 2021, Williams obtient une maîtrise en arts à l’Université Concordia. Sa pratique est multidisciplinaire et souvent collaborative, axée sur l’avancement des techniques de recherche et sur la production de perlage.  <span style="font-size:10pt;font-family:Arial;color:rgb(0, 0, 0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">L’artiste souhaite remercier Virginie Fillion-Fecteau pour son aide à la modélisation numérique.

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-top-left-radius:4px;border-top-right-radius:4px;border-bottom-right-radius:4px;border-bottom-left-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;-webkit-user-select:none;box-sizing:inherit">Prénom <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-top-left-radius:4px;border-top-right-radius:4px;border-bottom-right-radius:4px;border-bottom-left-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;-webkit-user-select:none;box-sizing:inherit">Nom, Le Centre CLARK vous remercie chaleureusement pour l'acquisition de l'oeuvre de Nico Williams « Feast bowls ». Grâce à votre générosité, l'organisme peut poursuivre sa mission de soutien à la diffusion et à la production de l'art actuel. Veuillez, je vous prie, communiquer avec nous afin de récupérer l'oeuvre et son certificat d'authenticité. Merci, Hubert Bolduc-CloutierCo-directeur général · administrationadministration@centreclark.com514.288.4972

<img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1675889855/uqtaaopghisaaam9qyvp.jpg" style="width:255px;display:inline-block;vertical-align:bottom;margin-right:5px;margin-left:5px;text-align:center;position:relative;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit;max-width:100%" /><img src="https://res.cloudinary.com/hxn9dbuhd/image/upload/v1675889873/k2k8ge9hxely5lwltmfi.jpg" style="width:255px;display:inline-block;vertical-align:bottom;margin-right:5px;margin-left:5px;text-align:center;position:relative;cursor:pointer;padding:0px 1px;user-select:none;box-sizing:inherit;max-width:100%" />Dig In, 2023 250$ Porcelaine tournée et façonnée, décalque, 17 x 12 x 6 cm. Réalisé en collaboration avec le céramiste Marko Savard. Édition de 10 Pour cette édition limitée de Maison modèle : Nitakinan, Nico Williams a créé Dig In, dix « feast bowls » en porcelaine ornés d’un dessin unique de toile de jouy, créés à partir de motifs numérisés de perlage représentant des peyotes. Chaque élément illustre des objets domestiques coloniaux (poteaux de téléphones, rampes, escaliers, planchers et appuis de fenêtre) construits grâce à la transformation de vieux arbres indigènes. D’autres motifs, comme la feuille d’érable flamboyante et les papillons flottants, font un clin d'œil aux tramp stamps et accompagnent certaines dates tirées de la ressource en ligne « How to Steal Land » :  1796: Treaty No. 2, London Township Treaty No. 6 &amp; Treaty No. 7.1807: Treaty of Detroit.1827: 2,182,049 acres of land in exchange for an annuity of £1,100 of lawful money of the Province of Upper Canada forever.1911: Oliver Act got approved, an amendment to the Indian Act, which allowed Indigenous people living on a reserve to be removed without consent or surrender if the reserve was next to a town of 8,000 people or more.1979: In 1979, Aamjiwnaang First Nation found out that there was no documentation to support the formal surrender of their lands to the Crown. BIOGRAPHIENico Williams, ᐅᑌᒥᐣ (né en 1989) est Anishinaabe et membre de la communauté Première Nation Aamjiwnaang. Il travaille présentement à Tiohtià:ke | Mooniyang | Montréal. En 2021, Williams obtient une maîtrise en arts à l’Université Concordia. Sa pratique est multidisciplinaire et souvent collaborative, axée sur l’avancement des techniques de recherche et sur la production de perlage.  L’artiste souhaite remercier Virginie Fillion-Fecteau pour son aide à la modélisation numérique.

Centre CLARK

Ajouter un don pour Centre CLARK

NICO WILLIAMS

Dig In, 2023.

250 $