Kinonik

### Context Profile for Kinonik

1. **Organization Mission & Cause:**
   - **Mission:** Kinonik is dedicated to the preservation and promotion of independent and experimental film. They aim to create a platform for filmmakers to showcase their work and foster a community that appreciates and engages with unique cinematic experiences.
   - **Cause:** The organization focuses on the artistic and cultural significance of handmade films, emphasizing the importance of preserving historical film techniques and supporting contemporary artists.

2. **Type of Activities:**
   - **Events:** Kinonik regularly hosts film screenings, workshops, and collaborative events with other organizations like The Bakery Photo Collective. Their recent event featured a selection of handmade films, showcasing both historical and contemporary works.
   - **Fundraising Campaigns:** They engage in fundraising through ticket sales for events and donations to support their programming and preservation efforts.
   - **Community Programs:** Kinonik likely offers educational programs and community engagement initiatives to promote film literacy and appreciation.

3. **Tone of Voice:**
   - The tone of Kinonik's communications is **friendly**, **inspiring**, and **informative**. They use accessible language that invites participation and fosters a sense of community among film enthusiasts. Their content is engaging and encourages a shared appreciation for the art of filmmaking.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in email communications, emojis may be used sparingly to add a friendly touch, but they are not a central aspect of their messaging.

5. **Key Facts:**
   - **Founding Info:** Specific founding details were not available on the website, but Kinonik is positioned as a grassroots organization focused on independent film.
   - **Scale:** Kinonik has a total of 128 forms and has conducted 92 email campaigns, indicating an active engagement with their audience.
   - **Impact Metrics:** While specific metrics were not detailed, the organization’s impact can be inferred through community engagement and the successful hosting of events.
   - **Volunteer Info:** Information on volunteer opportunities was not explicitly mentioned, but given the nature of nonprofit organizations, there may be opportunities for community involvement.

6. **Writing Guidelines:**
   - **Style:** Use a conversational and engaging style that reflects the friendly and inspiring tone of the organization. 
   - **Language:** Avoid overly formal language; instead, opt for approachable and inclusive wording that resonates with a diverse audience.
   - **Content Structure:** Use clear headings and bullet points for easy readability, especially in event announcements and fundraising appeals.
   - **Call to Action:** Encourage audience participation with clear and compelling calls to action, inviting them to attend events, support fundraising efforts, or engage with the community.

This context profile should serve as a foundational guide for creating personalized and effective content for Kinonik, ensuring alignment with their mission, tone, and audience engagement strategies.

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Admission (Kinonik Members)

Admission (Non-Members)

“I no longer have ideas. Only memories.” A day and a night in the life of a troubled marriage, set against Milan’s gleaming modern buildings, its gone-to-seed older quarters, and a sleek modern estate, all shot in razor-sharp b&w crispness by the great Gianni di Venanzo. Writer Marcello Mastroianni and his wife Jeanne Moreau visit a dying friend; drop by a night club with an amazing Black contortionist dancer; then wind up at an all-night party at a suburban villa, where Mastroianni flirts with seeming playgirl Monica Vitti, while Moreau tries for a sports car affair of her own, until a tormented dawn encounter at a deserted golf course. Perhaps Antonioni’s most compassionate examination of the emptiness of the rich and the difficulties of modern relationships (minority naysayer Pauline Kael’s review was headlined “The Come-Dressed-As-the-Sick-Soul-of-Europe Parties”); while its tour-de-force, Moreau’s walk through the streets of Milan, “has its place in any film anthology” (Mira Liehm).

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Last name, Kinonik thanks you... 📭   at Kinonik 121 Cassidy Point Dr. Portland, ME 04102⌚   On <span contenteditable="false" data-custom-variable="{{date-variable-5c8808e3-e40e-47d7-bde8-24337f18c2ee}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Date Questions or concerns: info@kinonik.org2076505535

“I no longer have ideas. Only memories.” A day and a night in the life of a troubled marriage, set against Milan’s gleaming modern buildings, its gone-to-seed older quarters, and a sleek modern estate, all shot in razor-sharp b&amp;w crispness by the great Gianni di Venanzo. Writer Marcello Mastroianni and his wife Jeanne Moreau visit a dying friend; drop by a night club with an amazing Black contortionist dancer; then wind up at an all-night party at a suburban villa, where Mastroianni flirts with seeming playgirl Monica Vitti, while Moreau tries for a sports car affair of her own, until a tormented dawn encounter at a deserted golf course. Perhaps Antonioni’s most compassionate examination of the emptiness of the rich and the difficulties of modern relationships (minority naysayer Pauline Kael’s review was headlined “The Come-Dressed-As-the-Sick-Soul-of-Europe Parties”); while its tour-de-force, Moreau’s walk through the streets of Milan, “has its place in any film anthology” (Mira Liehm).

Kinonik

La Notte (1961) directed by Michelangelo Antonioni

Kinonik 121 Cassidy Point Dr. Portland

Admission (Kinonik Members)

8 $ US

Admission (Non-Members)

10 $ US

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