Espace Perreault Transmissions chorégraphiques

### Context Profile for Espace Perreault Transmissions chorégraphiques

1. **Organization Mission & Cause:**
   Espace Perreault Transmissions chorégraphiques is dedicated to the preservation, documentation, and transmission of choreographic works, particularly those that explore African aesthetics in contemporary dance. Their mission emphasizes the importance of cultural heritage and the connection between the living and the deceased through dance, as highlighted in their recent project "Mozongi Traces et mémoires." This initiative aims to create a choreographic toolkit that encapsulates the essence and creative process of the work, ensuring its longevity and accessibility.

2. **Type of Activities:**
   - **Choreographic Toolkit Launches:** The organization hosts events like the launch of the "Mozongi Traces et mémoires" toolkit, which includes performances, discussions, and the distribution of both digital and physical resources.
   - **Community Engagement:** They provide free access to excerpts, interviews, and videos related to their projects on their website, fostering community involvement and education.
   - **Collaborative Projects:** Espace Perreault collaborates with artists and cultural institutions to enhance the richness of their offerings.

3. **Tone of Voice:**
   The tone of the website and communications is **inspiring**, **reflective**, and **professional**. The language used is evocative and poetic, particularly in describing the emotional and cultural significance of their work. They aim to engage audiences not just intellectually but also emotionally, inviting them to explore the deeper narratives behind the performances.

4. **Emoji Usage:**
   The organization does not appear to use emojis in their communications, maintaining a more formal and professional tone in their written content.

5. **Key Facts:**
   - **Founding Information:** Specific founding information is not detailed on the website.
   - **Scale:** The organization has conducted a total of 14 forms and 5 email campaigns, indicating an active engagement with their audience.
   - **Impact Metrics:** While specific metrics are not provided, the emphasis on community access to choreographic resources suggests a commitment to broadening the impact of their work.
   - **Volunteer Information:** There is no specific mention of volunteer opportunities on the website.

6. **Writing Guidelines:**
   - Use **evocative and descriptive language** that reflects the emotional depth of dance and choreography.
   - Maintain a **professional yet inspiring tone** that invites readers to connect with the cultural significance of the work.
   - Focus on **storytelling** that highlights personal narratives and collective memories associated with the performances.
   - Avoid the use of emojis to keep communications formal and aligned with the organization's tone.

This context profile provides a comprehensive understanding of Espace Perreault Transmissions chorégraphiques, enabling AI assistants to generate personalized and relevant content that resonates with the organization’s mission and audience.

General Admission

Admission générale

C&rsquo;est avec une vive joie et un grand honneur qu&rsquo;Espace Perreault Transmissions chor&eacute;graphiques et Zab Maboungou / Compagnie Danse Nyata Nyata vous invitent &agrave; c&eacute;l&eacute;brer le lancement de la bo&icirc;te chor&eacute;graphique Mozongi Traces et m&eacute;moires le&nbsp;jeudi 2 octobre au Studio Nyata Nyata. Une bo&icirc;te chorégraphique rassemble les éléments porteurs de sens nécessaires à la recr&eacute;ation et à la compréhension d&rsquo;une &oelig;uvre ; elle la documente, la préserve et en pérennise la transmission. &nbsp; Po&eacute;tique&nbsp;de Zab Maboungou pour interpr&egrave;tes et musiciens,&nbsp;Mozongi, en lingala (langue parl&eacute;e dans les deux Congo) veut dire &laquo; Ceux qui reviennent &raquo;. Une fa&ccedil;on de dire que ceux qui sont morts ne sont jamais partis, et que nous les vivants sommes t&eacute;moins des morts. Mozongi, c&rsquo;est la relation qui lie les vivants et les morts. Mozongi, c&rsquo;est une danse du temps o&ugrave; les danseurs et danseuses cherchent &agrave; durer. L&rsquo;espace de l&rsquo;&oelig;uvre, c&rsquo;est celui que projette le son et le silence, un espace qui se dilate ou se contracte alors que la musique se d&eacute;ploie. Cette &oelig;uvre ma&icirc;tresse du r&eacute;pertoire de Nyata Nyata&nbsp;explore les esth&eacute;tiques africaines de la musique et de la danse dans le monde contemporain. Cette bo&icirc;te, plurielle, se veut au plus pr&egrave;s du processus de cr&eacute;ation de l&rsquo;&oelig;uvre, de son sens, de son essence. Elle propose des textes de Zab Maboungou et de Katya Montaignac, ainsi que des t&eacute;moignages de douze danseur&middot;euses et de deux tambourinaires.&nbsp; &laquo; Comment introduire ce qui tient d&rsquo;un imprévu se renouvelant sans cesse, élucidant chaque fois ces moments de ma vie occupés à danser ? Et quand donc sont apparues les danses imaginées ? De quel monde provenaient-elles en réalité?&nbsp;Mozongi, je crois, est né de cet engouement qui n&rsquo;avait de cesse de prendre forme... et dont j&rsquo;avais perçu distinctement, déjà, la mise en espace. &raquo; Zab Maboungou &laquo; J&rsquo;ai toujours aimé entrer dans la danse par des récits subjectifs et sensoriels plutôt que par le biais d&rsquo;une description formelle. J&rsquo;invite le&middot;la lecteur&middot;rice &agrave; s&rsquo;aventurer dans la boîte chorégraphique documentant Mozongi &agrave; travers une polyphonie de voix. Tel un kaléidoscope rassemblant différents points de vue sur la pièce, chacun en porte une vision spécifique et la colore par sa sensibilité, ouvrant ainsi (sur) une part de fiction(s) partagée(s). &raquo; &nbsp;Katya Montaignac Il en r&eacute;sulte une magnifique publication qui permet de plonger litt&eacute;ralement dans l&rsquo;&oelig;uvre et d&rsquo;en appr&eacute;hender l&#39;impact sur les artistes qui l&rsquo;ont interpr&eacute;t&eacute;e. La Bo&icirc;te se d&eacute;cline en format papier et num&eacute;rique, cette derni&egrave;re version donnant aussi acc&egrave;s &agrave; des vid&eacute;os de r&eacute;p&eacute;tition, &agrave; l&rsquo;int&eacute;grale de la pi&egrave;ce, et aux documents techniques du spectacle. Ajoutons qu&rsquo;Espace Perreault diffuse gratuitement sur son site web plusieurs extraits de la bo&icirc;te dans une interface dynamique et invitante. Vin et bouch&eacute;es seront servis &nbsp;&nbsp; ----------------------------------------------------------------------------&nbsp;Ce travail colossal n&rsquo;aurait pas &eacute;t&eacute; possible sans l&rsquo;engagement ind&eacute;fectible de ces pr&eacute;cieux et pr&eacute;cieuses artistes et collaborateur&middot;rices : Rédaction: Zab Maboungou, Katya Montaignac Témoignages : Marie-Denise Bettez, Kristina Brown, Reena Almoneda Chang, Daniel Diaz, A&iuml;chatou Erna Labarang, Mona El Husseini, Marie-Claude Gervais, Maryse Jeanneau, Marion Landers,&nbsp;Thierry Liverpol,&nbsp;Claudine Malard, Bruno Martinez, Elli Miller-Maboungou, Jeanne Maugenest, Raphaelle Perreault, George Stamos Idéation et recherche : Katya Montaignac Révision et correction : Romy Snauwaert Relecture : Ariane Dessaulles, Lise Gagnon Coordination générale : Ariane Dessaulles Constitution de la revue de presse et des références : Katya Montaignac Conception graphique et mise en page : Anne-Laure Jean Webmestre : Guillaume Sanfa&ccedil;on (Viande &amp; Substituts enr.) Captation et montage des entrevues vid&eacute;os pour la bo&icirc;te num&eacute;rique : Studio SIT Enfin, nous remercions vivement le Conseil des arts et des lettres du Qu&eacute;bec dont le programme Exploration et d&eacute;ploiement num&eacute;rique a soutenu le projet, ainsi que la Caisse Desjardins de la culture de son pr&eacute;cieux soutien.

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit;" style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit;">Pr&eacute;nom <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit;" style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit;">Nom, Merci pour votre int&eacute;r&ecirc;t pour le lancement de Mozongi Traces et m&eacute;moires Bo&icirc;te chor&eacute;graphique. &nbsp;&nbsp; 📭 &nbsp; Au 4231, boul St-Laurent, Montr&eacute;al, H2W 1Z4 ⌚️ &nbsp; Le jeudi 2 octobre 2025 &agrave; 17 h 30 Au plaisir, L&#39;&eacute;quipe de Nyata Nyata et d&#39;Espace Perreault,info@espaceperreault.ca

C’est avec une vive joie et un grand honneur qu’Espace Perreault Transmissions chorégraphiques et Zab Maboungou / Compagnie Danse Nyata Nyata vous invitent à célébrer le lancement de la boîte chorégraphique Mozongi Traces et mémoires le jeudi 2 octobre au Studio Nyata Nyata. Une boîte chorégraphique rassemble les éléments porteurs de sens nécessaires à la recréation et à la compréhension d’une œuvre ; elle la documente, la préserve et en pérennise la transmission.   Poétique de Zab Maboungou pour interprètes et musiciens, Mozongi, en lingala (langue parlée dans les deux Congo) veut dire « Ceux qui reviennent ». Une façon de dire que ceux qui sont morts ne sont jamais partis, et que nous les vivants sommes témoins des morts. Mozongi, c’est la relation qui lie les vivants et les morts. Mozongi, c’est une danse du temps où les danseurs et danseuses cherchent à durer. L’espace de l’œuvre, c’est celui que projette le son et le silence, un espace qui se dilate ou se contracte alors que la musique se déploie. Cette œuvre maîtresse du répertoire de Nyata Nyata explore les esthétiques africaines de la musique et de la danse dans le monde contemporain. Cette boîte, plurielle, se veut au plus près du processus de création de l’œuvre, de son sens, de son essence. Elle propose des textes de Zab Maboungou et de Katya Montaignac, ainsi que des témoignages de douze danseur·euses et de deux tambourinaires.  « Comment introduire ce qui tient d’un imprévu se renouvelant sans cesse, élucidant chaque fois ces moments de ma vie occupés à danser ? Et quand donc sont apparues les danses imaginées ? De quel monde provenaient-elles en réalité? Mozongi, je crois, est né de cet engouement qui n’avait de cesse de prendre forme... et dont j’avais perçu distinctement, déjà, la mise en espace. » Zab Maboungou « J’ai toujours aimé entrer dans la danse par des récits subjectifs et sensoriels plutôt que par le biais d’une description formelle. J’invite le·la lecteur·rice à s’aventurer dans la boîte chorégraphique documentant Mozongi à travers une polyphonie de voix. Tel un kaléidoscope rassemblant différents points de vue sur la pièce, chacun en porte une vision spécifique et la colore par sa sensibilité, ouvrant ainsi (sur) une part de fiction(s) partagée(s). »  Katya Montaignac Il en résulte une magnifique publication qui permet de plonger littéralement dans l’œuvre et d’en appréhender l'impact sur les artistes qui l’ont interprétée. La Boîte se décline en format papier et numérique, cette dernière version donnant aussi accès à des vidéos de répétition, à l’intégrale de la pièce, et aux documents techniques du spectacle. Ajoutons qu’Espace Perreault diffuse gratuitement sur son site web plusieurs extraits de la boîte dans une interface dynamique et invitante. Vin et bouchées seront servis    ---------------------------------------------------------------------------- Ce travail colossal n’aurait pas été possible sans l’engagement indéfectible de ces précieux et précieuses artistes et collaborateur·rices : Rédaction: Zab Maboungou, Katya Montaignac Témoignages : Marie-Denise Bettez, Kristina Brown, Reena Almoneda Chang, Daniel Diaz, Aïchatou Erna Labarang, Mona El Husseini, Marie-Claude Gervais, Maryse Jeanneau, Marion Landers, Thierry Liverpol, Claudine Malard, Bruno Martinez, Elli Miller-Maboungou, Jeanne Maugenest, Raphaelle Perreault, George Stamos Idéation et recherche : Katya Montaignac Révision et correction : Romy Snauwaert Relecture : Ariane Dessaulles, Lise Gagnon Coordination générale : Ariane Dessaulles Constitution de la revue de presse et des références : Katya Montaignac Conception graphique et mise en page : Anne-Laure Jean Webmestre : Guillaume Sanfaçon (Viande &amp; Substituts enr.) Captation et montage des entrevues vidéos pour la boîte numérique : Studio SIT Enfin, nous remercions vivement le Conseil des arts et des lettres du Québec dont le programme Exploration et déploiement numérique a soutenu le projet, ainsi que la Caisse Desjardins de la culture de son précieux soutien.

Lancement de Mozongi Traces et mémoires Boîte chorégraphique

Espace Perreault Choreographic Transmission and Zab Maboungou / Compagnie Danse Nyata Nyata are thrilled to invite you to celebrate the launch of the Choreographic Toolkit Mozongi Traces et M&eacute;moires on&nbsp;Thursday, October 2 at Studio Nyata Nyata. A choreographic toolkit brings together the meaningful elements needed to recreate and understand a piece of work; it documents it, preserves it and ensures its transmission over time.&nbsp; The poetics of Zab Maboungou for performers and musicians, Mozongi,&nbsp;means &ldquo;Those who return&rdquo; in Lingala, a language spoken in both Congos. It&rsquo;s a way of saying that the dead are never gone, and that we, the living, become witnesses for the dead.&nbsp;Mozongi is about the bond between the living and the dead. It is a dance of time, in which dancers seek to endure. The space of the work is shaped by sound and silence, a space that dilates and contracts as the music unfolds. This masterpiece of the Nyata Nyata repertoire explores African aesthetics in music and dance in the contemporary world. The multifaceted toolkit stays as close as possible to the creative process for the work, its meaning, its essence. It features writing by Zab Maboungou and Katya Montaignac, along with reflections from 12 dancers and two drummers. &ldquo;How do you introduce something born of the unexpected that keeps renewing itself, each time shedding light on moments of my life spent dancing? And when did the imagined dances first appear? What world did they truly emerge from?&nbsp;Mozongi, I believe, was born from that persistent passion taking shape... a passion whose spatial unfolding I had already imagined separately.&rdquo; &nbsp;Zab Maboungou &nbsp; &ldquo;I&rsquo;ve always preferred to approach dance through subjective and sensory narratives, rather than through formal description. I invite readers to venture into the Mozongi Choreographic Toolkit through a polyphony of voices. Like a kaleidoscope gathering different perspectives on the piece, each one offers its own vision, colouring it with its own sensibilities, working on one part of a shared fiction.&rdquo; Katya Montaignac The result is a stunning publication that takes a deep dive into the work and understands its impact on the artists who performed it. The toolkit is available in paper and digital formats, and the latest version also offers access to rehearsal videos, the full performance and the show&rsquo;s technical documents. Espace Perreault is also making excerpts from the toolkit, interviews and videos available for free on its website, using a dynamic, engaging interface. Wine and snacks will be served ---------------------------------------------------------------------------- This monumental work would not have been possible without the tireless commitment of invaluable artists and partners: Text: Zab Maboungou, Katya Montaignac Testimonials: Marie-Denise Bettez, Kristina Brown, Reena Almoneda Chang, Daniel Diaz, A&iuml;chatou Erna Labarang, Mona El Husseini, Maryse Jeanneau, Marion Landers, Claudine Malard, Bruno Martinez, Elli Miller-Maboungou, Jeanne Maugenest, Raphaelle Perreault, George Stamos Ideation and research: Katya Montaignac Copyediting: Romy Snauwaert Proofreading: Ariane Dessaulles, Lise Gagnon General coordination: Ariane Dessaulles Creation of the press kit and references: Katya Montaignac Graphic design and page layout: Anne-Laure Jean Webmaster: Guillaume Sanfa&ccedil;on (Viande &amp; Substituts) Recording and editing of video interviews for the digital toolkit: Studio SIT Finally, we extend our heartfelt thanks to the Conseil des arts et des lettres du Qu&eacute;bec and its Exploration and Digital Deployment program, which supported the project, and to the Caisse Desjardins de la Culture for its invaluable support.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit;" style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit;">Pr&eacute;nom <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit;" style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit;">Nom&nbsp; ,<p fr-original-style="box-sizing:inherit;width:558px;margin-top:0px !important;margin-bottom:0px !important;color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;background-color:rgb(255, 255, 255);" style="box-sizing: inherit; width: 558px; color: rgb(65, 65, 65); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; background-color: rgb(255, 255, 255); margin: 0px; line-height: 1.5;"> Thank you for you interest in the Mozongi Traces et m&eacute;moires Bo&icirc;te chor&eacute;graphique Launch. &nbsp;&nbsp;<p fr-original-style="box-sizing:inherit;width:558px;margin-top:0px !important;margin-bottom:0px !important;color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;background-color:rgb(255, 255, 255);" style="box-sizing: inherit; width: 558px; color: rgb(65, 65, 65); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; background-color: rgb(255, 255, 255); margin: 0px; line-height: 1.5;"> 📭 &nbsp; Au 4231, boul St-Laurent, Montr&eacute;al, H2W 1Z4<p fr-original-style="box-sizing:inherit;width:558px;margin-top:0px !important;margin-bottom:0px !important;color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;background-color:rgb(255, 255, 255);" style="box-sizing: inherit; width: 558px; color: rgb(65, 65, 65); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; background-color: rgb(255, 255, 255); margin: 0px; line-height: 1.5;"> ⌚️ &nbsp; Thursday, October 2 at 5:30 p.m<p fr-original-style="box-sizing:inherit;width:558px;margin-top:0px !important;margin-bottom:0px !important;color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;background-color:rgb(255, 255, 255);" style="box-sizing: inherit; width: 558px; color: rgb(65, 65, 65); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; background-color: rgb(255, 255, 255); margin: 0px; line-height: 1.5;"> Best regards,<p fr-original-style="box-sizing:inherit;width:558px;margin-top:0px !important;margin-bottom:0px !important;color:rgb(65, 65, 65);font-family:Roboto;font-size:14px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:0.25px;orphans:2;text-align:left;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;background-color:rgb(255, 255, 255);" style="box-sizing: inherit; width: 558px; color: rgb(65, 65, 65); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; background-color: rgb(255, 255, 255); margin: 0px; line-height: 1.5;"> The Nyata Nyata and Espace Perreault teams,info@espaceperreault.ca

Espace Perreault Choreographic Transmission and Zab Maboungou / Compagnie Danse Nyata Nyata are thrilled to invite you to celebrate the launch of the Choreographic Toolkit Mozongi Traces et Mémoires on Thursday, October 2 at Studio Nyata Nyata. A choreographic toolkit brings together the meaningful elements needed to recreate and understand a piece of work; it documents it, preserves it and ensures its transmission over time.  The poetics of Zab Maboungou for performers and musicians, Mozongi, means “Those who return” in Lingala, a language spoken in both Congos. It’s a way of saying that the dead are never gone, and that we, the living, become witnesses for the dead. Mozongi is about the bond between the living and the dead. It is a dance of time, in which dancers seek to endure. The space of the work is shaped by sound and silence, a space that dilates and contracts as the music unfolds. This masterpiece of the Nyata Nyata repertoire explores African aesthetics in music and dance in the contemporary world. The multifaceted toolkit stays as close as possible to the creative process for the work, its meaning, its essence. It features writing by Zab Maboungou and Katya Montaignac, along with reflections from 12 dancers and two drummers. “How do you introduce something born of the unexpected that keeps renewing itself, each time shedding light on moments of my life spent dancing? And when did the imagined dances first appear? What world did they truly emerge from? Mozongi, I believe, was born from that persistent passion taking shape... a passion whose spatial unfolding I had already imagined separately.”  Zab Maboungou   “I’ve always preferred to approach dance through subjective and sensory narratives, rather than through formal description. I invite readers to venture into the Mozongi Choreographic Toolkit through a polyphony of voices. Like a kaleidoscope gathering different perspectives on the piece, each one offers its own vision, colouring it with its own sensibilities, working on one part of a shared fiction.” Katya Montaignac The result is a stunning publication that takes a deep dive into the work and understands its impact on the artists who performed it. The toolkit is available in paper and digital formats, and the latest version also offers access to rehearsal videos, the full performance and the show’s technical documents. Espace Perreault is also making excerpts from the toolkit, interviews and videos available for free on its website, using a dynamic, engaging interface. Wine and snacks will be served ---------------------------------------------------------------------------- This monumental work would not have been possible without the tireless commitment of invaluable artists and partners: Text: Zab Maboungou, Katya Montaignac Testimonials: Marie-Denise Bettez, Kristina Brown, Reena Almoneda Chang, Daniel Diaz, Aïchatou Erna Labarang, Mona El Husseini, Maryse Jeanneau, Marion Landers, Claudine Malard, Bruno Martinez, Elli Miller-Maboungou, Jeanne Maugenest, Raphaelle Perreault, George Stamos Ideation and research: Katya Montaignac Copyediting: Romy Snauwaert Proofreading: Ariane Dessaulles, Lise Gagnon General coordination: Ariane Dessaulles Creation of the press kit and references: Katya Montaignac Graphic design and page layout: Anne-Laure Jean Webmaster: Guillaume Sanfaçon (Viande &amp; Substituts) Recording and editing of video interviews for the digital toolkit: Studio SIT Finally, we extend our heartfelt thanks to the Conseil des arts et des lettres du Québec and its Exploration and Digital Deployment program, which supported the project, and to the Caisse Desjardins de la Culture for its invaluable support.

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Espace Perreault Transmissions chorégraphiques

Lancement de Mozongi Traces et mémoires Boîte chorégraphique

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