A green background frames a colorful, abstract sphere in the foreground, with text indicating "Rentrée 2026" and "Les sessions" above and "À la lisière des savoirs : la forêt comme atelier" below.

Musée d'art contemporain des Laurentides

**Context Profile for Musée d'art contemporain des Laurentides**

1. **Organization Mission & Cause:**
   - The Musée d'art contemporain des Laurentides (MAC LAU) is dedicated to the promotion and dissemination of contemporary art. Their mission is to foster an appreciation for contemporary art through exhibitions, educational programs, and community engagement. They aim to support artists and provide a platform for innovative and thought-provoking art that resonates with both local and broader audiences.

2. **Type of Activities:**
   - **Exhibitions:** Regularly hosts contemporary art exhibitions featuring both established and emerging artists.
   - **Educational Programs:** Offers workshops, lectures, and guided tours to educate the public about contemporary art.
   - **Community Engagement:** Organizes events and activities to engage the local community and encourage participation in the arts.
   - **Membership Campaigns:** Conducts membership drives to build a community of art enthusiasts and supporters.

3. **Tone of Voice:**
   - The tone is professional yet approachable, aiming to inspire and engage a diverse audience. The language used is clear and inviting, often with a touch of enthusiasm to encourage participation and support.

4. **Emoji Usage:**
   - The organization uses emojis sparingly but effectively to add warmth and a personal touch to their communications. Examples include stars (🌟) and sparkles (✨) to convey excitement and special events.

5. **Key Facts:**
   - **Founding Info:** Established as a key cultural institution in the Laurentides region, focusing on contemporary art.
   - **Scale & Impact:** The museum plays a significant role in the cultural landscape of the region, attracting visitors and engaging the community through its diverse programs.
   - **Volunteer Info:** Likely relies on volunteers for various events and programs, though specific details are not highlighted on the website.

6. **Writing Guidelines:**
   - **Style:** Maintain a balance between professionalism and accessibility. Use clear, concise language that is engaging and informative.
   - **Structure:** Utilize short paragraphs and bullet points for clarity. Incorporate calls to action to encourage participation and membership.
   - **Visuals:** When applicable, include visuals or references to current exhibitions and events to enhance engagement.
   - **Cultural Sensitivity:** Be mindful of the diverse audience and ensure inclusivity in language and content.

By adhering to these guidelines and insights, AI-generated content can effectively reflect the values and mission of the Musée d'art contemporain des Laurentides, fostering a deeper connection with their audience.

LXCL:Enjoy a moment of transfer with the Nolett family and Sonia Roberston in a small group of 25 people.

General Admission

LXCL:Profitez en petit groupe de 25 personnes d'un moment de transfert avec la famille Nolett et Sonia Roberston.

Admission générale

Autour de la vannerie avec la famille Nolett et Sonia Robertson, en collaboration avec le Coll&egrave;ge Kiuna&nbsp; Les personnes qui participent pourront s&rsquo;initier &agrave; une pratique culturelle ancestrale, soit la technique de la vannerie, port&eacute;e et transmise par des membres de la famille Nolett, et r&eacute;activer la contribution &agrave; une oeuvre de l&rsquo;artiste ilnu Sonia Robertson, en réalisant des éléments tressés, des dessins ou des notes inscrites sur des éclisses de frêne noir, &agrave; Odanak au Coll&egrave;ge Kiuna. La vannerie est au c&oelig;ur de l&#39;&oelig;uvre Qui sommes nous?&nbsp;(2018) de Robertson. Dans le cadre de sa d&eacute;marche artistique, l&rsquo;artiste a &eacute;t&eacute; initi&eacute; &agrave; cette technique par le passeur mi&rsquo;kmaq Stephen J&eacute;r&ocirc;me ainsi qu&rsquo;un groupe de jeunes adolescents de cette communaut&eacute;, avec lequel elle a engag&eacute; une réflexion sur la question de l&rsquo;identité liée aux savoir-faire traditionnels et &agrave; leur transmission. Ces sujets composent l&rsquo;approche relationnelle et artistique de Robertson &agrave; travers des installations sculpturales in situ ou en galerie. Le mat&eacute;riaux utilis&eacute;e dans la vannerie, le freine noir, repr&eacute;sente la trame qui lie ensemble plusieurs gestes de cueillette, de confection de panier ou d&rsquo;ornement et de pratiques culturelles et identitaires.&nbsp; &Agrave; propos des SESSIONS du MAC LAULES SESSIONS du MAC LAU sont des lieux d&rsquo;exp&eacute;rimentation interdisciplinaires dont l&rsquo;objectif est de conserver et de garder vivants les savoirs attach&eacute;s aux &oelig;uvres et techniques de l&rsquo;art. Les SESSIONS sont aliment&eacute;es par les artistes qui collaborent avec le Mus&eacute;e (programmation, collection, m&eacute;diation) ou s&rsquo;inscrivent dans ses communaut&eacute;s de proximit&eacute;. Entre laboratoire et acad&eacute;mie, il s&rsquo;agit d&rsquo;un projet de p&eacute;dagogies ax&eacute; sur l&rsquo;acquisition et la transmission de comp&eacute;tences en art destin&eacute;es aux artistes et aux personnes d&eacute;sirant cultiver leur int&eacute;r&ecirc;t pour l&rsquo;art contemporain.&nbsp;Des SESSIONS d&eacute;coule &eacute;galement un programme de m&eacute;diation culturelle grand public. Les retomb&eacute;es visent autant le soutien aux pratiques artistiques par une formation que l&rsquo;accessibilit&eacute; &agrave; l&rsquo;art contemporain par la m&eacute;diation culturelle.&nbsp;

Vous &ecirc;tes parmi les 25 personnes qui pourront participer &agrave; la session de transfert de savoir avec la famille Nolett et Sonia Robertson. Au plaisir de vous rencontrer! Gabrielle Larocqueglarocque@maclau.ca

Autour de la vannerie avec la famille Nolett et Sonia Robertson, en collaboration avec le Collège Kiuna  Les personnes qui participent pourront s’initier à une pratique culturelle ancestrale, soit la technique de la vannerie, portée et transmise par des membres de la famille Nolett, et réactiver la contribution à une oeuvre de l’artiste ilnu Sonia Robertson, en réalisant des éléments tressés, des dessins ou des notes inscrites sur des éclisses de frêne noir, à Odanak au Collège Kiuna. La vannerie est au cœur de l'œuvre Qui sommes nous? (2018) de Robertson. Dans le cadre de sa démarche artistique, l’artiste a été initié à cette technique par le passeur mi’kmaq Stephen Jérôme ainsi qu’un groupe de jeunes adolescents de cette communauté, avec lequel elle a engagé une réflexion sur la question de l’identité liée aux savoir-faire traditionnels et à leur transmission. Ces sujets composent l’approche relationnelle et artistique de Robertson à travers des installations sculpturales in situ ou en galerie. Le matériaux utilisée dans la vannerie, le freine noir, représente la trame qui lie ensemble plusieurs gestes de cueillette, de confection de panier ou d’ornement et de pratiques culturelles et identitaires.  À propos des SESSIONS du MAC LAULES SESSIONS du MAC LAU sont des lieux d’expérimentation interdisciplinaires dont l’objectif est de conserver et de garder vivants les savoirs attachés aux œuvres et techniques de l’art. Les SESSIONS sont alimentées par les artistes qui collaborent avec le Musée (programmation, collection, médiation) ou s’inscrivent dans ses communautés de proximité. Entre laboratoire et académie, il s’agit d’un projet de pédagogies axé sur l’acquisition et la transmission de compétences en art destinées aux artistes et aux personnes désirant cultiver leur intérêt pour l’art contemporain. Des SESSIONS découle également un programme de médiation culturelle grand public. Les retombées visent autant le soutien aux pratiques artistiques par une formation que l’accessibilité à l’art contemporain par la médiation culturelle.

Les sessions du MAC LAU : rentrée 2026 // La forêt comme atelier autour de la vannerie avec la famille Nolett et Sonia Robertson

Around basketry with the Nolett family and Sonia Robertson, in collaboration with Kiuna College&nbsp; Participants will be able to engage in an ancestral cultural practice, specifically the technique of basketry, carried on and transmitted by members of the Nolett family, and further contribute to a work by ilnu artist Sonia Robertson by creating woven elements, drawings, or notes inscribed on black ash splints, in Odanak at Kiuna College. Basketry is at the heart of Robertson&#39;s Who Are We?&nbsp;(2018) work. As part of her artistic approach, the artist was introduced to this technique by mi&rsquo;kmaq guide Stephen Jerome and a group of young adolescents from this community, with whom she engaged in a reflection on the question of identity related to traditional know-how and its transmission. These subjects form the relational and artistic approach of Robertson through sculptural installations in situ or in galleries. The materials used in basketry, black ash, represent the thread that weaves together various gestures of gathering, basket making or ornamentation, and cultural and identity practices.&nbsp; About the MAC LAU SESSIONSTHE MAC LAU SESSIONS are interdisciplinary experimentation spaces aimed at preserving and keeping alive the knowledge attached to works and techniques of art. The SESSIONS are fueled by artists who collaborate with the Museum (programming, collection, mediation) or who are part of its surrounding communities. Between laboratory and academy, this is a pedagogy-focused project aimed at acquiring and transmitting skills in art intended for artists and individuals wishing to cultivate their interest in contemporary art.&nbsp;The SESSIONS also yield a program of public cultural mediation. The outcomes aim to support artistic practices through training as well as accessibility to contemporary art through cultural mediation.&nbsp;

You are among the 25 people who will be able to participate in the knowledge transfer session with the Nolett family and Sonia Robertson. Looking forward to meeting you! Gabrielle Larocqueglarocque@maclau.ca

Around basketry with the Nolett family and Sonia Robertson, in collaboration with Kiuna College  Participants will be able to engage in an ancestral cultural practice, specifically the technique of basketry, carried on and transmitted by members of the Nolett family, and further contribute to a work by ilnu artist Sonia Robertson by creating woven elements, drawings, or notes inscribed on black ash splints, in Odanak at Kiuna College. Basketry is at the heart of Robertson's Who Are We? (2018) work. As part of her artistic approach, the artist was introduced to this technique by mi’kmaq guide Stephen Jerome and a group of young adolescents from this community, with whom she engaged in a reflection on the question of identity related to traditional know-how and its transmission. These subjects form the relational and artistic approach of Robertson through sculptural installations in situ or in galleries. The materials used in basketry, black ash, represent the thread that weaves together various gestures of gathering, basket making or ornamentation, and cultural and identity practices.  About the MAC LAU SESSIONSTHE MAC LAU SESSIONS are interdisciplinary experimentation spaces aimed at preserving and keeping alive the knowledge attached to works and techniques of art. The SESSIONS are fueled by artists who collaborate with the Museum (programming, collection, mediation) or who are part of its surrounding communities. Between laboratory and academy, this is a pedagogy-focused project aimed at acquiring and transmitting skills in art intended for artists and individuals wishing to cultivate their interest in contemporary art. The SESSIONS also yield a program of public cultural mediation. The outcomes aim to support artistic practices through training as well as accessibility to contemporary art through cultural mediation.

EN

Musée d'art contemporain des Laurentides

Les sessions du MAC LAU : rentrée 2026 // La forêt comme atelier autour de la vannerie avec la famille Nolett et Sonia Robertson

1205 QC-132

Admission générale

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