1001 Pots

### Context Profile for 1001 Pots

1. **Organization Mission & Cause**:
   - **Mission**: 1001 Pots is dedicated to providing pottery workshops and educational experiences, particularly for children. Their mission emphasizes fostering creativity, self-expression, and hands-on learning through the art of pottery.
   - **Cause**: The organization aims to make pottery accessible to children, encouraging them to explore their artistic potential in a supportive environment.

2. **Type of Activities**:
   - **Workshops**: They offer various pottery workshops, such as the "Ateliers Tournage Enfants," where children learn to use a potter's wheel in small groups.
   - **Community Engagement**: The workshops are designed for children aged 6 to 14, promoting independent participation under professional guidance.
   - **Events**: The organization hosts events that allow children to engage with pottery in a calm and focused setting.

3. **Tone of Voice**:
   - The tone of the website is **friendly**, **encouraging**, and **informative**. It uses simple language to make the content accessible, particularly for parents and children.
   - The communications are designed to inspire excitement about pottery and emphasize the joy of creativity.

4. **Emoji Usage**:
   - The website does not prominently feature emojis in its content or communications. The tone remains professional and approachable without the use of emojis.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not provided on the website.
   - **Scale**: The organization has conducted 12 forms and sent out 205 email campaigns, indicating a robust engagement with their audience.
   - **Impact Metrics**: While specific impact metrics are not detailed, the focus on children's workshops suggests a commitment to community enrichment and youth development.
   - **Volunteer Info**: There is no explicit mention of volunteer opportunities on the website.

6. **Writing Guidelines**:
   - **Style**: Use a friendly and inviting tone that resonates with both children and parents. The language should remain simple and clear, avoiding jargon.
   - **Content Structure**: Organize information in a straightforward manner, using headings and bullet points for clarity. Ensure that all communications are engaging and emphasize the benefits of participation in workshops.
   - **Call to Action**: Encourage sign-ups for workshops and events with clear, enthusiastic calls to action, highlighting the fun and learning opportunities available.

This context profile provides a comprehensive understanding of 1001 Pots, allowing AI assistants to generate tailored and effective content that aligns with the organization's mission and values.

Admission générale

&Agrave; l&rsquo;image du mouvement en faveur de l&rsquo;alimentation locale, de nombreux artistes et designers choisissent de travailler avec de l&rsquo;argile d&rsquo;origine locale afin de d&eacute;velopper une relation plus profonde avec leurs mat&eacute;riaux tout en r&eacute;duisant leur impact environnemental.&nbsp; Utiliser des argiles locales pr&eacute;sente de nombreux avantages, notamment des r&eacute;sultats esth&eacute;tiques uniques li&eacute;s aux propri&eacute;t&eacute;s sp&eacute;cifiques de chaque sol. Toutefois, comprendre et ma&icirc;triser ces mat&eacute;riaux repr&eacute;sente aussi un d&eacute;fi technique.&nbsp; Cet atelier propose d&rsquo;explorer l&rsquo;argile locale comme une surface offrant un grand potentiel expressif, m&ecirc;me en petites quantit&eacute;s. Les participants apprendront &agrave; transformer cette mati&egrave;re en un composant cl&eacute; dans la fabrication d&rsquo;engobes et de gla&ccedil;ures. Ils exp&eacute;rimenteront de nouvelles recettes, analyseront des &eacute;chantillons cuits, et approfondiront leur compr&eacute;hension des compositions c&eacute;ramiques.&nbsp; Linda Swanson est une artiste dont les int&eacute;r&ecirc;ts sont ancr&eacute;s dans la nature m&eacute;tamorphique des mat&eacute;riaux et des processus c&eacute;ramiques.&nbsp;Son travail explore les propri&eacute;t&eacute;s &eacute;nigmatiques de la mati&egrave;re &agrave; un niveau &eacute;l&eacute;mentaire ainsi que la capacit&eacute; de l&rsquo;&eacute;merveillement &agrave; remettre en question ce que nous savons et la mani&egrave;re dont nous le savons.&nbsp; Ses &oelig;uvres en c&eacute;ramique, tant &agrave; l&rsquo;&eacute;tat brut que cuites au four, ont &eacute;t&eacute; expos&eacute;es au Canada, aux &Eacute;tats-Unis, en Europe et en Asie. Elle enseigne actuellement &agrave; l&rsquo;Universit&eacute; Concordia, o&ugrave; elle coordonne le programme de c&eacute;ramique.&nbsp; ***** Similar to the local food movement, many artists and designers are turning to locally sourced clay in order to develop a deeper relationship to their materials and to lower their environmental impact. The benefits of local clay also include unique results related to the characteristics of particular materials yet there are challenges associated with understanding and working with such materials.&nbsp; While harvesting clay is laborious, this workshop will examine local clay as a surface to extend small amounts of it with maximum impact. Participants will delve into the processing of local clay as a primary component in slips and glazes, mix new recipes and consult fired examples while either beginning or refining their understanding of clay slip and glaze composition. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Linda Swanson is an artist whose interests are grounded in the metamorphic nature of ceramic materials and processes. Her work engages the enigmatic properties of matter at an elemental level and the capacity of wonder to question how and what we know. Her raw and kiln fired ceramic works have been exhibited in Canada the US, Europe and Asia. She currently teaches and coordinates the Ceramics Program at Concordia University.&nbsp;

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom , Nous vous remercions du fond du c&oelig;ur de vous &ecirc;tre inscrit &agrave; notre &eacute;v&eacute;nement. Pour toutes questions, n&rsquo;h&eacute;sitez pas &agrave; communiquer avec nous via projets@1001pots.com. Cordialement,L&rsquo;&eacute;quipe de 1001 Pots

À l’image du mouvement en faveur de l’alimentation locale, de nombreux artistes et designers choisissent de travailler avec de l’argile d’origine locale afin de développer une relation plus profonde avec leurs matériaux tout en réduisant leur impact environnemental.  Utiliser des argiles locales présente de nombreux avantages, notamment des résultats esthétiques uniques liés aux propriétés spécifiques de chaque sol. Toutefois, comprendre et maîtriser ces matériaux représente aussi un défi technique.  Cet atelier propose d’explorer l’argile locale comme une surface offrant un grand potentiel expressif, même en petites quantités. Les participants apprendront à transformer cette matière en un composant clé dans la fabrication d’engobes et de glaçures. Ils expérimenteront de nouvelles recettes, analyseront des échantillons cuits, et approfondiront leur compréhension des compositions céramiques.  Linda Swanson est une artiste dont les intérêts sont ancrés dans la nature métamorphique des matériaux et des processus céramiques. Son travail explore les propriétés énigmatiques de la matière à un niveau élémentaire ainsi que la capacité de l’émerveillement à remettre en question ce que nous savons et la manière dont nous le savons.  Ses œuvres en céramique, tant à l’état brut que cuites au four, ont été exposées au Canada, aux États-Unis, en Europe et en Asie. Elle enseigne actuellement à l’Université Concordia, où elle coordonne le programme de céramique.  ***** Similar to the local food movement, many artists and designers are turning to locally sourced clay in order to develop a deeper relationship to their materials and to lower their environmental impact. The benefits of local clay also include unique results related to the characteristics of particular materials yet there are challenges associated with understanding and working with such materials.  While harvesting clay is laborious, this workshop will examine local clay as a surface to extend small amounts of it with maximum impact. Participants will delve into the processing of local clay as a primary component in slips and glazes, mix new recipes and consult fired examples while either beginning or refining their understanding of clay slip and glaze composition.      Linda Swanson is an artist whose interests are grounded in the metamorphic nature of ceramic materials and processes. Her work engages the enigmatic properties of matter at an elemental level and the capacity of wonder to question how and what we know. Her raw and kiln fired ceramic works have been exhibited in Canada the US, Europe and Asia. She currently teaches and coordinates the Ceramics Program at Concordia University.

1001 Pots

MASTERCLASS | Argiles locales avec Linda Swanson

2435 Rue de l'Église

Admission générale

68,99 $