Nigra Iuventa

### Context Profile for Nigra Iuventa

1. **Organization Mission & Cause:**
   - **Mission:** Nigra Iuventa is dedicated to supporting and promoting artists from African, Caribbean, and diasporic communities. Their mission focuses on cultural representation and empowerment through art, aiming to create a platform for these artists to showcase their work and connect with broader audiences.
   - **Cause:** The organization emphasizes the importance of cultural heritage and aims to uplift marginalized voices in the arts. They engage in various initiatives that foster cultural exchange and appreciation.

2. **Type of Activities:**
   - **Cultural Initiatives:** Nigra Iuventa organizes exhibitions and residencies that feature artists from the targeted communities.
   - **Fundraising Campaigns:** They run campaigns such as the recent "La boutique de Nigra Iuventa," which sells exclusive tote bags to fund their initiatives.
   - **Community Engagement:** The organization actively seeks to involve the community in their events and initiatives, promoting a sense of belonging and participation.

3. **Tone of Voice:**
   - The tone of voice on the Nigra Iuventa website is **friendly, welcoming, and inspiring**. The language is inclusive and encourages community involvement, reflecting a sense of warmth and appreciation for supporters.
   - Phrases like "Bienvenue dans la boutique Nigra Iuventa!" and "Merci de faire partie du mouvement" convey a sense of gratitude and community spirit.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in informal communications or social media, the organization may opt to use emojis that resonate with their audience, such as art-related or community-focused emojis, to enhance engagement.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not provided on the website, but the organization appears to be relatively new, focusing on contemporary issues in the arts.
   - **Scale:** The organization has a limited number of forms (4 total) indicating a focused approach to their campaigns and outreach.
   - **Impact Metrics:** While specific metrics are not detailed, the impact is implied through the support of artists and cultural initiatives.
   - **Volunteer Info:** There is no specific information regarding volunteer opportunities on the website, but community involvement is encouraged.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inclusive tone that resonates with a diverse audience. 
   - **Language:** Incorporate both French and English where appropriate, reflecting the bilingual nature of their audience.
   - **Call to Action:** Encourage participation and support, using phrases that express gratitude and community involvement.
   - **Content Structure:** Use clear and engaging headings, bullet points for easy reading, and maintain a conversational style to foster connection with the audience.

### Summary
This context profile provides a comprehensive understanding of Nigra Iuventa's mission, activities, and communication style. It serves as a guide for creating personalized content that aligns with the organization's values and engages its audience effectively.

This ticket grants access to the screening presented as part of the RAN symposium at Cinéma Public in partnership with FIFA

General admission (in person)

LXCL:Ce billet donne accès à la projection présentée dans le cadre du symposium RAN au Cinéma Public en partenariat avec le FIFA

So Surreal : Behind the Masks is a documentary that uncovers the untold story of the ceremonial masks of the Yup&rsquo;ik people (Alaska) and the Kwakwaka&rsquo;wakw people (Northwest Coast). Filmmaker Neil Diamond, a member of the Cree Nation (one of the major Indigenous nations of North America) and known for his impactful documentaries such as Reel Injun and Red Fever, brings a unique perspective deeply rooted in his culture and his commitment to preserving Indigenous narratives. Both an expedition and a spiritual quest, this investigation delves into the history of cultural objects appropriated by Western museums and collectors, from the distant lands of Turtle Island (North America) to the hands of European surrealists. These masks have influenced some of the most renowned modern artists and writers, such as Max Ernst (German painter and sculptor), Andr&eacute; Breton (French poet), Roberto Matta (Chilean painter and sculptor), and Joan Mir&oacute; (Catalan artist). Through this journey, Neil Diamond reveals the lesser-known influence of Indigenous cultures on modern art and follows the quest for the restitution of a mask stolen over a century ago from the Kwakwaka&rsquo;wakw people. Presented in partnership with FIFA, this activity is part of the symposium &ldquo;Black Atlantic Networks: Heritage, Knowledge, and Solidarity,&rdquo; organized by Nigra Iuventa in partnership with the Consulat g&eacute;n&eacute;ral de France &agrave; Qu&eacute;bec and the Goethe-Institut. The event will be held in Montreal from November 18 to 22, 2025. The screening will be followed by a short discussion with Rebecca Lessard (editor and archive researcher for the film), moderated by Paul Roth&eacute; from FIFA. Practical Information<ul fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="" style="box-sizing: inherit;">Duration: 1 hour 28 minutes</li><li fr-original-style="" style="box-sizing: inherit;">Location: Public Cinema at 6 p.m.&nbsp;</li></ul>.Neil Diamond is a Cree filmmaker from Waskaganish, Quebec, on the coast of James Bay. Neil co-directed the award-winning feature documentaries, &ldquo;Reel Injun&rdquo; and the more recent &ldquo;Red Fever&rdquo; along with &ldquo;One More River&rdquo;, &ldquo;Cree Spoken Here&rdquo;, and &ldquo;Heavy Metal: A Mining Disaster in Northern Quebec&rdquo;. His credits also include &ldquo;Inuit Cree Reconciliation&rdquo;, &ldquo;The Last Explorer&rdquo;, and &ldquo;Dab Iyiyuu&rdquo;. He is an award-winning photographer, and co-founder of The Nation, the first news magazine to serve the Cree of northern Quebec and Ontario. Biographical notes provided by the film production team and edited by Le FIFA&rsquo;s team Joanne Robertson grew up as a settler on the west coast on the lands of the Skwxw&uacute;7mesh (Squamish). Today she is a director, researcher and creative producer. She first began her work with Rezolution Pictures over 25 years ago, collaborating with Cree co-director Neil Diamond on such documentary projects as Cree Spoken Here, Dab Iyiyuu and One More River. Since then she has honed her research, directing and story producing skills on diverse doc projects including the NFB&rsquo;s Making Movie History, Ports d&rsquo;attache, Chacun son &icirc;le and as story producer on APTN&rsquo;s Lands Enchanted and the award-winning documentary Red Fever. Joanne was co-producer on Kara Blake&rsquo;s installation Lasciare Suonore at Montreal&rsquo;s Place des Arts and Todd Stewart&rsquo;s award-winning short animation The Wind and the Trees.

Thank you for registering for&nbsp;So Surreal : Behind the Masks (film screening) as part of the RAN Symposium &ndash; Black Atlantic Networks: Heritage, Knowledge, and Solidarities, organized by Nigra Iuventa in partnership with the Consulate General of France in Qu&eacute;bec and the Goethe-Institut Montr&eacute;al.📲 Follow Nigra Iuventa to discover the full program and upcoming news: Instagram | LinkedIn &nbsp;&nbsp;<p fr-original-style="box-sizing: inherit; width: 702px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 702px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> We look forward to welcoming you,The RAN Symposium Team

So Surreal : Behind the Masks is a documentary that uncovers the untold story of the ceremonial masks of the Yup’ik people (Alaska) and the Kwakwaka’wakw people (Northwest Coast). Filmmaker Neil Diamond, a member of the Cree Nation (one of the major Indigenous nations of North America) and known for his impactful documentaries such as Reel Injun and Red Fever, brings a unique perspective deeply rooted in his culture and his commitment to preserving Indigenous narratives. Both an expedition and a spiritual quest, this investigation delves into the history of cultural objects appropriated by Western museums and collectors, from the distant lands of Turtle Island (North America) to the hands of European surrealists. These masks have influenced some of the most renowned modern artists and writers, such as Max Ernst (German painter and sculptor), André Breton (French poet), Roberto Matta (Chilean painter and sculptor), and Joan Miró (Catalan artist). Through this journey, Neil Diamond reveals the lesser-known influence of Indigenous cultures on modern art and follows the quest for the restitution of a mask stolen over a century ago from the Kwakwaka’wakw people. Presented in partnership with FIFA, this activity is part of the symposium “Black Atlantic Networks: Heritage, Knowledge, and Solidarity,” organized by Nigra Iuventa in partnership with the Consulat général de France à Québec and the Goethe-Institut. The event will be held in Montreal from November 18 to 22, 2025. The screening will be followed by a short discussion with Rebecca Lessard (editor and archive researcher for the film), moderated by Paul Rothé from FIFA. Practical Information<ul><li>Duration: 1 hour 28 minutes</li><li>Location: Public Cinema at 6 p.m. </li></ul>.Neil Diamond is a Cree filmmaker from Waskaganish, Quebec, on the coast of James Bay. Neil co-directed the award-winning feature documentaries, “Reel Injun” and the more recent “Red Fever” along with “One More River”, “Cree Spoken Here”, and “Heavy Metal: A Mining Disaster in Northern Quebec”. His credits also include “Inuit Cree Reconciliation”, “The Last Explorer”, and “Dab Iyiyuu”. He is an award-winning photographer, and co-founder of The Nation, the first news magazine to serve the Cree of northern Quebec and Ontario. Biographical notes provided by the film production team and edited by Le FIFA’s team Joanne Robertson grew up as a settler on the west coast on the lands of the Skwxwú7mesh (Squamish). Today she is a director, researcher and creative producer. She first began her work with Rezolution Pictures over 25 years ago, collaborating with Cree co-director Neil Diamond on such documentary projects as Cree Spoken Here, Dab Iyiyuu and One More River. Since then she has honed her research, directing and story producing skills on diverse doc projects including the NFB’s Making Movie History, Ports d’attache, Chacun son île and as story producer on APTN’s Lands Enchanted and the award-winning documentary Red Fever. Joanne was co-producer on Kara Blake’s installation Lasciare Suonore at Montreal’s Place des Arts and Todd Stewart’s award-winning short animation The Wind and the Trees.

Projection - So Surreal: Behind the Masks

So Surreal : Behind the Masks est un documentaire qui raconte l&rsquo;histoire m&eacute;connue des masques c&eacute;r&eacute;moniels des peuples Yup&rsquo;ik (Alaska) et Kwakwaka&rsquo;wakw (c&ocirc;te nord-ouest). Le cin&eacute;aste Neil Diamond, originaire de la nation crie (une des grandes nations autochtones d&rsquo;Am&eacute;rique du Nord) et reconnu pour ses documentaires engag&eacute;s comme Reel Injun et Red Fever, apporte une perspective unique, enracin&eacute;e dans sa culture et son engagement pour la pr&eacute;servation des r&eacute;cits autochtones. &Agrave; la fois exp&eacute;dition et qu&ecirc;te spirituelle, cette investigation nous plonge dans l&rsquo;histoire de ces objets culturels d&eacute;tourn&eacute;s par les mus&eacute;es et collectionneurs occidentaux, depuis les lointaines terres de Turtle Island (Am&eacute;rique du Nord) jusqu&rsquo;aux mains des surr&eacute;alistes europ&eacute;ens. Ces masques ont influenc&eacute; des artistes et &eacute;crivains modernes parmi les plus c&eacute;l&egrave;bres, tels que Max Ernst (peintre et sculpteur allemand), Andr&eacute; Breton (po&egrave;te fran&ccedil;ais), Roberto Matta (peintre et sculpteur chilien) et Joan Mir&oacute; (artiste catalan). &Agrave; travers ce voyage, Neil Diamond r&eacute;v&egrave;le l&rsquo;influence m&eacute;connue des cultures autochtones sur l&rsquo;art moderne et suit la qu&ecirc;te de restitution d&rsquo;un masque vol&eacute; il y a plus d&rsquo;un si&egrave;cle au peuple Kwakwaka&rsquo;wakw. R&eacute;alisation:&nbsp;Neil Diamond, Joanne RobertsonDirection de la photographie:&nbsp;Glauco Bermudez, Yoan CartMontage:&nbsp;Rebecca LessardMise en sc&egrave;ne:&nbsp;Neil Diamond, Joanne RobertsonMusique:&nbsp;Ana&iuml;s Larocque Pr&eacute;sent&eacute;e en partenariat avec <a fr-original-style="" href="https://lefifa.com/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">le FIFA</a>, &nbsp;cette activit&eacute; s&rsquo;inscrit dans le cadre du <a fr-original-style="" href="https://www.nigraiuventa.com/symposium-ran" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Symposium international RAN &ndash; R&eacute;seaux de l&rsquo;Atlantique noir : patrimoines, savoirs et solidarit&eacute;s,</a> qui se tiendra &agrave; Montr&eacute;al du 18 au 22 novembre 2025 et qui favorise un dialogue transnational et offre un espace pour la coconstruction des savoirs. <div fr-original-style="font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-family: Verdana, Geneva, sans-serif; font-size: 10pt; color: rgb(0, 0, 0);" id="isPasted" style="font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; font-family: Verdana, Geneva, sans-serif; font-size: 10pt; color: rgb(0, 0, 0); line-height: 1.5; box-sizing: inherit;">La projection sera suivie d&#39;une courte discussion avec <span fr-original-style="color: rgb(0, 0, 0); font-family: Verdana, Geneva, sans-serif; font-size: 13.3333px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" style="color: rgb(0, 0, 0); font-family: Verdana, Geneva, sans-serif; font-size: 13.3333px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important; box-sizing: inherit;">Rebecca Lessard (m<span fr-original-style="color: rgb(0, 0, 0); font-family: Verdana, Geneva, sans-serif; font-size: 13.3333px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" id="isPasted" style="color: rgb(0, 0, 0); font-family: Verdana, Geneva, sans-serif; font-size: 13.3333px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important; box-sizing: inherit;">onteuse et recherchiste d&#39;archives du film) anim&eacute;e par Paul Roth&eacute; du FIFA. &nbsp;</div> Informations pratiques<ul data-rte-list="default" fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="" style="box-sizing: inherit;">Dur&eacute;e : 1h 28 min</li><li fr-original-style="" style="box-sizing: inherit;">Lieu : Cin&eacute;ma Public &agrave; 18h&nbsp;</li></ul> &Agrave; propos des r&eacute;alisateurs&middot;trices Neil Diamond&nbsp;est un cin&eacute;aste cri de Waskaganish, Qu&eacute;bec situ&eacute; sur la c&ocirc;te de la Baie James au Canada. Neil a co-r&eacute;alis&eacute; les longs m&eacute;trages documentaires prim&eacute;s &ldquo;Reel Injun&rdquo; et le plus r&eacute;cent &ldquo;Red Fever&rdquo;, ainsi que &ldquo;One More River&rdquo;, &ldquo;Cree Spoken Here&rdquo; et &ldquo;Heavy Metal : A Mining Disaster in Northern Quebec&rdquo;. Il a co-r&eacute;alis&eacute; &eacute;galement &ldquo;Inuit Cree Reconciliation&rdquo;, &ldquo;The Last Explorer&rdquo; et la s&eacute;rie documentaire &ldquo;Dab Iyiyuu&rdquo;. Il est un photographe prim&eacute; et cofondateur du magazine The Nation, le premier magazine d&rsquo;information au service des Cris du nord du Qu&eacute;bec et de l&rsquo;Ontario. En 2024 il a co-r&eacute;alis&eacute; le documentaire long m&eacute;trage &ldquo;So Surreal : Behind the Masks&rdquo;. Joanne Robertson est une r&eacute;alisatrice, chercheuse et productrice au contenu bas&eacute;e &agrave; Montr&eacute;al. Elle a commenc&eacute; son travail avec Rezolution Pictures il y a plus de 25 ans, en collaborant avec son co-r&eacute;alisateur Neil Diamond (cri) sur des projets documentaires tels que Cree Spoken Here, Dab Iyiyuu et One More River. Depuis, elle a continu&eacute; &agrave; travailler ses comp&eacute;tences en recherche, en r&eacute;alisation et en production du contenu sur divers projets documentaires, dont Making Movie History de l&rsquo;Office national du film (ONF), Ports d&rsquo;attache et Chacun son &icirc;le pour lequel elle a &eacute;t&eacute; nomin&eacute;e aux G&eacute;meaux pour la meilleure recherche, et plus r&eacute;cemment comme productrice au contenu sur Lands Enchanted, Spirit of Birth et le long m&eacute;trage documentaire Red Fever. Joanne a &eacute;galement &eacute;t&eacute; productrice sur l&rsquo;installation Lasciare Suonore de l&rsquo;artiste Kara Blake &agrave; la Place des Arts &agrave; Montr&eacute;al et du court m&eacute;trage d&rsquo;animation de Todd Stewart, The Wind and the Trees. Elle est co-r&eacute;alisatrice avec Neil Diamond de So Surreal : Behind the Masks, le long m&eacute;trage documentaire sur l&rsquo;influence profonde des masques autochtones sur les artistes surr&eacute;alistes.

Dear <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom , Thank you for registering for So Surreal : Behind the Masks (film screening) as part of the RAN Symposium &ndash; Black Atlantic Networks: Heritage, Knowledge, and Solidarities, organized by Nigra Iuventa in partnership with the Consulate General of France in Qu&eacute;bec and the Goethe-Institut Montr&eacute;al.📲 Follow Nigra Iuventa to discover the full program and upcoming news: <a fr-original-style="background-color: transparent;" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="background-color: transparent; text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a>&nbsp;|&nbsp;<a fr-original-style="background-color: transparent;" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="background-color: transparent; text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a>&nbsp; &nbsp; 💛 As a non-profit organization, we strive to offer most of our activities free of charge. If you wish to support our mission, a donation &mdash; even symbolic &mdash; makes a real difference: <span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-a25db96d-0528-4b13-b868-c02559874671}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Support our mission}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Support our mission&nbsp; We look forward to welcoming you, The RAN Symposium Team___ Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom , Merci de votre inscription &agrave;&nbsp;la projection du film So Surreal : Behind the Masks&nbsp;, une activit&eacute; pr&eacute;sent&eacute;e dans le cadre du Symposium RAN &ndash; R&eacute;seaux de l&rsquo;Atlantique noir : patrimoines, savoirs et solidarit&eacute;s, organis&eacute; par Nigra Iuventa en partenariat avec le Consulat g&eacute;n&eacute;ral de France &agrave; Qu&eacute;bec et le Goethe-Institut Montr&eacute;al. 📲 Suivez Nigra Iuventa pour d&eacute;couvrir l&rsquo;ensemble de la programmation et les prochaines actualit&eacute;s : <a fr-original-style="" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">&nbsp;Instagram</a> | <a fr-original-style="" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn&nbsp;</a> &nbsp;💛 En tant qu&rsquo;organisme &agrave; but non lucratif, nous avons &agrave; c&oelig;ur d&rsquo;offrir la majorit&eacute; de nos activit&eacute;s gratuitement. Si vous souhaitez soutenir notre mission, un don &mdash; m&ecirc;me symbolique &mdash; fait une r&eacute;elle diff&eacute;rence : <span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-5c88b527-9a00-41b0-baaf-d4be650c07d6}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Soutenir Nigra Iuventa}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Soutenir Nigra Iuventa&nbsp; Nous avons h&acirc;te de vous accueillir,L&rsquo;&eacute;quipe du Symposium RAN

So Surreal : Behind the Masks est un documentaire qui raconte l’histoire méconnue des masques cérémoniels des peuples Yup’ik (Alaska) et Kwakwaka’wakw (côte nord-ouest). Le cinéaste Neil Diamond, originaire de la nation crie (une des grandes nations autochtones d’Amérique du Nord) et reconnu pour ses documentaires engagés comme Reel Injun et Red Fever, apporte une perspective unique, enracinée dans sa culture et son engagement pour la préservation des récits autochtones. À la fois expédition et quête spirituelle, cette investigation nous plonge dans l’histoire de ces objets culturels détournés par les musées et collectionneurs occidentaux, depuis les lointaines terres de Turtle Island (Amérique du Nord) jusqu’aux mains des surréalistes européens. Ces masques ont influencé des artistes et écrivains modernes parmi les plus célèbres, tels que Max Ernst (peintre et sculpteur allemand), André Breton (poète français), Roberto Matta (peintre et sculpteur chilien) et Joan Miró (artiste catalan). À travers ce voyage, Neil Diamond révèle l’influence méconnue des cultures autochtones sur l’art moderne et suit la quête de restitution d’un masque volé il y a plus d’un siècle au peuple Kwakwaka’wakw. Réalisation: Neil Diamond, Joanne RobertsonDirection de la photographie: Glauco Bermudez, Yoan CartMontage: Rebecca LessardMise en scène: Neil Diamond, Joanne RobertsonMusique: Anaïs Larocque Présentée en partenariat avec <a href="https://lefifa.com/" target="_blank">le FIFA</a>,  cette activité s’inscrit dans le cadre du <a href="https://www.nigraiuventa.com/symposium-ran" target="_blank">Symposium international RAN – Réseaux de l’Atlantique noir : patrimoines, savoirs et solidarités,</a> qui se tiendra à Montréal du 18 au 22 novembre 2025 et qui favorise un dialogue transnational et offre un espace pour la coconstruction des savoirs. <div>La projection sera suivie d'une courte discussion avec Rebecca Lessard (monteuse et recherchiste d'archives du film) animée par Paul Rothé du FIFA.  </div> Informations pratiques<ul><li>Durée : 1h 28 min</li><li>Lieu : Cinéma Public à 18h </li></ul> À propos des réalisateurs·trices Neil Diamond est un cinéaste cri de Waskaganish, Québec situé sur la côte de la Baie James au Canada. Neil a co-réalisé les longs métrages documentaires primés “Reel Injun” et le plus récent “Red Fever”, ainsi que “One More River”, “Cree Spoken Here” et “Heavy Metal : A Mining Disaster in Northern Quebec”. Il a co-réalisé également “Inuit Cree Reconciliation”, “The Last Explorer” et la série documentaire “Dab Iyiyuu”. Il est un photographe primé et cofondateur du magazine The Nation, le premier magazine d’information au service des Cris du nord du Québec et de l’Ontario. En 2024 il a co-réalisé le documentaire long métrage “So Surreal : Behind the Masks”. Joanne Robertson est une réalisatrice, chercheuse et productrice au contenu basée à Montréal. Elle a commencé son travail avec Rezolution Pictures il y a plus de 25 ans, en collaborant avec son co-réalisateur Neil Diamond (cri) sur des projets documentaires tels que Cree Spoken Here, Dab Iyiyuu et One More River. Depuis, elle a continué à travailler ses compétences en recherche, en réalisation et en production du contenu sur divers projets documentaires, dont Making Movie History de l’Office national du film (ONF), Ports d’attache et Chacun son île pour lequel elle a été nominée aux Gémeaux pour la meilleure recherche, et plus récemment comme productrice au contenu sur Lands Enchanted, Spirit of Birth et le long métrage documentaire Red Fever. Joanne a également été productrice sur l’installation Lasciare Suonore de l’artiste Kara Blake à la Place des Arts à Montréal et du court métrage d’animation de Todd Stewart, The Wind and the Trees. Elle est co-réalisatrice avec Neil Diamond de So Surreal : Behind the Masks, le long métrage documentaire sur l’influence profonde des masques autochtones sur les artistes surréalistes.

EN

Nigra Iuventa

So Surreal: Behind the Masks - projection / film screening

505 Rue Jean-Talon E

General admission (in person)

5 $

Ajouter un don pour Nigra Iuventa