daphne

### Context Profile for daphne

1. **Organization Mission & Cause:**
   - **Mission:** daphne is a self-managed nonprofit Indigenous art center dedicated to promoting emerging, mid-career, and established Indigenous artists through exhibitions, related programming, workshops, residencies, and curatorial projects. The organization fosters a culture of peace that thrives on critical and respectful exchanges with peers and audiences, both Indigenous and non-Indigenous.
   - **Cause:** The organization aims to elevate Indigenous voices in the arts, providing a platform for artists to showcase their work and engage with the community.

2. **Type of Activities:**
   - **Exhibitions:** Regular showcases of Indigenous artists' work.
   - **Workshops:** Educational programs aimed at skill development and cultural exchange.
   - **Residencies:** Opportunities for artists to create and develop their work in a supportive environment.
   - **Curatorial Projects:** Initiatives that involve the selection and organization of art exhibitions.
   - **Fundraising Campaigns:** Such as the "Vente aux enchères silencieuse Naabidoo'igan," which supports their mission through silent auctions.

3. **Tone of Voice:**
   - The tone of the website and communications is **friendly**, **inclusive**, and **inspiring**. The language is accessible and encourages participation and engagement from a diverse audience. The use of French indicates a bilingual approach, catering to both French and English-speaking communities.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, the tone remains warm and inviting without the need for emojis, focusing on clear communication and artistic expression.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not provided on the website, but it is established as a nonprofit organization.
   - **Scale:** The organization has a total of 4 forms and has conducted 1 email campaign.
   - **Impact Metrics:** While specific metrics are not detailed, the focus on promoting Indigenous artists suggests a commitment to cultural impact and community engagement.
   - **Volunteer Info:** There is no specific information about volunteer opportunities on the website, but the community-oriented nature of the organization implies potential for volunteer involvement.

6. **Writing Guidelines:**
   - **Style:** Use clear, concise language that is accessible to a broad audience. Incorporate inclusive language that resonates with both Indigenous and non-Indigenous communities.
   - **Engagement:** Encourage participation and foster a sense of community in all communications. Use a friendly and inviting tone.
   - **Bilingual Content:** Ensure that content is available in both French and English to cater to the diverse audience.
   - **Call to Action:** Include clear calls to action in fundraising and event-related content to encourage participation and support.

This context profile provides a comprehensive understanding of daphne's mission, activities, and communication style, enabling AI assistants to generate personalized and relevant content for the organization.

General Admission

Admission générale

* WORKSHOP POSTPONED * new date coming soon! In consideration of the theme of Jobena Petonoquot&rsquo;s solo exhibition My Souvenir Ceremony at daphne, workshop participants will make clothing for Indian Souvenir dolls. The focus will be for participants to consider more appropriate clothing for these dolls to communicate a redressing of history. Using Kokum scarves, one of the materials utilizes in Petonoquot&rsquo;s exhibition, will help to help establish a sort of revision of stereotypical representation of Indigenous people. Kokum scarves or more accurately Ukrainian scarves became on of the objects Indigenous folks adopted from the Ukrainian settlers in Manitoba. More recently, these scarves have trickled into powwow culture becoming a cultural symbol for Indigenous people throughout Canada. Other materials could include, beads another cross-cultural material adopted by Indigenous people; and cotton, lace, satin and other fabrics will be available. As these fine fabrics became a staple for Indigenous women who wished to personalize their woolen dresses during the Victorian period. This workshop will introduce the fabrication of garments to deconstruct the doll as symbols of colonial representation. Participants will construct clothing using the above-mentioned and a variety of materials and media will be provided. Participants will learn various hand-sewing techniques, such as the rolled-up hem stitch and the backstitch but will also be given space to create their own representations of clothing for the souvenir dolls. Participants are encouraged to bring their own dolls, if they have them if not they will be provided. Lunch provided.Priority will be given to Indigenous participants.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for &ldquo;Redressing History&rdquo;, a workshop with artist Jobena Petonoquot. Presented by daphne &amp; Native Montreal on February 21 from 1-5pm. <span contenteditable="false" data-custom-variable="{{location-variable-8244bb57-e8b5-4749-9ebb-2437e5d1e3d7}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Location&nbsp; If you need to cancel please notify us as soon as possible in order to allow for another person to join. Amanda Ibarra &amp; Carina Torre<a fr-original-style="" href="mailto:info@daphne.art" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">info@daphne.art</a>&nbsp; <a fr-original-style="" href="mailto:ctorre@nativemontreal.com" rel="noopener noreferrer noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">ctorre@nativemontreal.com</a> &nbsp;

* WORKSHOP POSTPONED * new date coming soon! In consideration of the theme of Jobena Petonoquot’s solo exhibition My Souvenir Ceremony at daphne, workshop participants will make clothing for Indian Souvenir dolls. The focus will be for participants to consider more appropriate clothing for these dolls to communicate a redressing of history. Using Kokum scarves, one of the materials utilizes in Petonoquot’s exhibition, will help to help establish a sort of revision of stereotypical representation of Indigenous people. Kokum scarves or more accurately Ukrainian scarves became on of the objects Indigenous folks adopted from the Ukrainian settlers in Manitoba. More recently, these scarves have trickled into powwow culture becoming a cultural symbol for Indigenous people throughout Canada. Other materials could include, beads another cross-cultural material adopted by Indigenous people; and cotton, lace, satin and other fabrics will be available. As these fine fabrics became a staple for Indigenous women who wished to personalize their woolen dresses during the Victorian period. This workshop will introduce the fabrication of garments to deconstruct the doll as symbols of colonial representation. Participants will construct clothing using the above-mentioned and a variety of materials and media will be provided. Participants will learn various hand-sewing techniques, such as the rolled-up hem stitch and the backstitch but will also be given space to create their own representations of clothing for the souvenir dolls. Participants are encouraged to bring their own dolls, if they have them if not they will be provided. Lunch provided.Priority will be given to Indigenous participants.

"Redressing history" workshop presented by daphne x Native Montreal

* ATELIER REPORT&Eacute; * nouvelle date &agrave; venir ! En prenant en consid&eacute;ration la th&eacute;matique de l&rsquo;exposition solo &laquo; Ma c&eacute;r&eacute;monie souvenir &raquo; de Jobena Petonoquot &agrave; daphne, les participants coudront des v&ecirc;tements pour les poup&eacute;es am&eacute;rindiennes touristiques. Les participants seront port&eacute;s &agrave; penser &agrave; des v&ecirc;tements plus appropri&eacute;s pour ces poup&eacute;es, et ainsi redresseront l&rsquo;Histoire. L&rsquo;utilisation de foulards Kokum, un des mat&eacute;riaux utilis&eacute;s par Jobena dans son exposition, aidera &agrave; faire une r&eacute;vision des st&eacute;r&eacute;otypes envers les personnes autochtones. Les foulards Kokum, ou plut&ocirc;t, les foulards ukr&eacute;niens, sont un morceau de v&ecirc;tement que les personnes autochtones se sont appropri&eacute; des colons ukr&eacute;niens du Manitoba. Ces foulards se retrouvent maintenant dans les Pow-wows, devenant ainsi un symbole culturel pour les Autochtones du Canada.&nbsp; D&rsquo;autres mat&eacute;riaux ayant une histoire semblable &agrave; celle-ci sont les perles, le coton, la dentelle, le satin et d&rsquo;autres tissus. Tous ces mat&eacute;riaux &eacute;taient recherch&eacute;s par les personnes autochtones voulant personnaliser leurs robes en laine pendant la p&eacute;riode Victorienne.&nbsp; Cet atelier sera une introduction de la fabrication de v&ecirc;tements de poup&eacute;es en tant que pratique d&eacute;coloniale. Les participants apprendront diff&eacute;rentes techniques de couture &agrave; la main, tel que le point d&rsquo;ourlet roul&eacute; et le point arri&egrave;re, et coudrons avec les diff&eacute;rents tissus mentionn&eacute;s ci-haut. Ils auront aussi l&rsquo;opportunit&eacute; de cr&eacute;er leur propre repr&eacute;sentation de v&ecirc;tements pour les poup&eacute;es souvenir. Les participants sont encourag&eacute;s &agrave; apporter leurs propres poup&eacute;es, s&#39;ils en ont. Sinon, elles leur seront fournies. D&icirc;ner fourni.La priorit&eacute; sera accord&eacute;e aux participants autochtones.

Bonjour <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name , Merci de vous &ecirc;tre inscrit &agrave; &quot;Redressons l&rsquo;Histoire&quot;, un atelier avec l&#39;artiste Jobena Petonoquot. Pr&eacute;sent&eacute; par daphne &amp; Native Montr&eacute;al le 21 f&eacute;vrier de 13h &agrave; 17h. 5425 av Casgrain, Unit #103 Montreal, QC H2T 1X6 Si vous devez annuler, veuillez nous en informer d&egrave;s que possible afin de permettre &agrave; une autre personne de participer. Amanda Ibarra &amp; Carina Torre<a fr-original-style="" href="mailto:info@daphne.art" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">info@daphne.art</a>&nbsp; <a fr-original-style="" href="mailto:ctorre@nativemontreal.com" rel="noopener noreferrer noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">ctorre@nativemontreal.com</a>&nbsp;

* ATELIER REPORTÉ * nouvelle date à venir ! En prenant en considération la thématique de l’exposition solo « Ma cérémonie souvenir » de Jobena Petonoquot à daphne, les participants coudront des vêtements pour les poupées amérindiennes touristiques. Les participants seront portés à penser à des vêtements plus appropriés pour ces poupées, et ainsi redresseront l’Histoire. L’utilisation de foulards Kokum, un des matériaux utilisés par Jobena dans son exposition, aidera à faire une révision des stéréotypes envers les personnes autochtones. Les foulards Kokum, ou plutôt, les foulards ukréniens, sont un morceau de vêtement que les personnes autochtones se sont approprié des colons ukréniens du Manitoba. Ces foulards se retrouvent maintenant dans les Pow-wows, devenant ainsi un symbole culturel pour les Autochtones du Canada.  D’autres matériaux ayant une histoire semblable à celle-ci sont les perles, le coton, la dentelle, le satin et d’autres tissus. Tous ces matériaux étaient recherchés par les personnes autochtones voulant personnaliser leurs robes en laine pendant la période Victorienne.  Cet atelier sera une introduction de la fabrication de vêtements de poupées en tant que pratique décoloniale. Les participants apprendront différentes techniques de couture à la main, tel que le point d’ourlet roulé et le point arrière, et coudrons avec les différents tissus mentionnés ci-haut. Ils auront aussi l’opportunité de créer leur propre représentation de vêtements pour les poupées souvenir. Les participants sont encouragés à apporter leurs propres poupées, s'ils en ont. Sinon, elles leur seront fournies. Dîner fourni.La priorité sera accordée aux participants autochtones.

EN

daphne

"Redressons l’Histoire", un atelier présenté par daphne & Native Montréal

5425 Av. Casgrain unit 103

Admission générale

Gratuit