Kinonik

### Context Profile for Kinonik

1. **Organization Mission & Cause:**
   - **Mission:** Kinonik is dedicated to the preservation and promotion of independent and experimental film. They aim to create a platform for filmmakers to showcase their work and foster a community that appreciates and engages with unique cinematic experiences.
   - **Cause:** The organization focuses on the artistic and cultural significance of handmade films, emphasizing the importance of preserving historical film techniques and supporting contemporary artists.

2. **Type of Activities:**
   - **Events:** Kinonik regularly hosts film screenings, workshops, and collaborative events with other organizations like The Bakery Photo Collective. Their recent event featured a selection of handmade films, showcasing both historical and contemporary works.
   - **Fundraising Campaigns:** They engage in fundraising through ticket sales for events and donations to support their programming and preservation efforts.
   - **Community Programs:** Kinonik likely offers educational programs and community engagement initiatives to promote film literacy and appreciation.

3. **Tone of Voice:**
   - The tone of Kinonik's communications is **friendly**, **inspiring**, and **informative**. They use accessible language that invites participation and fosters a sense of community among film enthusiasts. Their content is engaging and encourages a shared appreciation for the art of filmmaking.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in email communications, emojis may be used sparingly to add a friendly touch, but they are not a central aspect of their messaging.

5. **Key Facts:**
   - **Founding Info:** Specific founding details were not available on the website, but Kinonik is positioned as a grassroots organization focused on independent film.
   - **Scale:** Kinonik has a total of 128 forms and has conducted 92 email campaigns, indicating an active engagement with their audience.
   - **Impact Metrics:** While specific metrics were not detailed, the organization’s impact can be inferred through community engagement and the successful hosting of events.
   - **Volunteer Info:** Information on volunteer opportunities was not explicitly mentioned, but given the nature of nonprofit organizations, there may be opportunities for community involvement.

6. **Writing Guidelines:**
   - **Style:** Use a conversational and engaging style that reflects the friendly and inspiring tone of the organization. 
   - **Language:** Avoid overly formal language; instead, opt for approachable and inclusive wording that resonates with a diverse audience.
   - **Content Structure:** Use clear headings and bullet points for easy readability, especially in event announcements and fundraising appeals.
   - **Call to Action:** Encourage audience participation with clear and compelling calls to action, inviting them to attend events, support fundraising efforts, or engage with the community.

This context profile should serve as a foundational guide for creating personalized and effective content for Kinonik, ensuring alignment with their mission, tone, and audience engagement strategies.

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Admission (Kinonik Members)

Admission (Non-Members)

“Iconographically, a British counterpart to La Dolce Vita… But The Servant transcends contemporary echoes of early 1960s infatuation with the jaded rich to claim a piece for itself as a work of enduring value… Through décor, camera work, editing, sound and direction of actors, Losey fully realizes Pinter’s intentions. [He] brings to the assignment a maturity and easy, a rip command of the grammar of film, that far surpass his previous achievements. With The Servant, he is no longer merely unusual or eccentric, he is no longer something of an oddity, but a director of the first rank, and absolute master of the craft.”– Foster Hirsch “Gay sexuality is everywhere and nowhere in this movie, and Pinter’s sleek, indirect dialogue hints at suppressed and unacknowledged desire. The emotional mind games escalate: the servant becomes the master, and both men are secretly ashamed; Fox having fraternized with the lower orders, and Bogarde of having been trifled with by his employer. This is what unites them in their private and intensely English danse macabre. It is a brilliant, subversive account of class relations and the changing times.”– Peter Bradshaw, The Guardian “In terms of tone and mood, The Servant stands almost alone. You’d have to seek out two other guys-go-mad-in-a-flat movies, Performance and Dead Ringers, to find anything that approaches its atmosphere of febrile desperation and deepening identity confusion. The performances are note-perfect and Pinter’s script is smart, subversive and sly, lifting the lid on our age-old feudal hierarchy and having a good dig about inside. But it’s Losey’s direction which sets the nerves jangling: all deep shadows, distorted reflections and glowering close-ups, he quite literally takes us through the looking glass into a charged, claustrophobic fever dream of privilege, power and perversion.” – Tom Huddleston, Time Out (London)

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Last name, Kinonik thanks you... 📭   at Kinonik 121 Cassidy Point Dr. Portland, ME 04102⌚   On <span contenteditable="false" data-custom-variable="{{date-variable-5c8808e3-e40e-47d7-bde8-24337f18c2ee}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);display:inline-block;margin:0px;padding:1px 8px;font-size:11px;line-height:16px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Date Questions or concerns: info@kinonik.org2076505535

“Iconographically, a British counterpart to La Dolce Vita… But The Servant transcends contemporary echoes of early 1960s infatuation with the jaded rich to claim a piece for itself as a work of enduring value… Through décor, camera work, editing, sound and direction of actors, Losey fully realizes Pinter’s intentions. [He] brings to the assignment a maturity and easy, a rip command of the grammar of film, that far surpass his previous achievements. With The Servant, he is no longer merely unusual or eccentric, he is no longer something of an oddity, but a director of the first rank, and absolute master of the craft.”– Foster Hirsch “Gay sexuality is everywhere and nowhere in this movie, and Pinter’s sleek, indirect dialogue hints at suppressed and unacknowledged desire. The emotional mind games escalate: the servant becomes the master, and both men are secretly ashamed; Fox having fraternized with the lower orders, and Bogarde of having been trifled with by his employer. This is what unites them in their private and intensely English danse macabre. It is a brilliant, subversive account of class relations and the changing times.”– Peter Bradshaw, The Guardian “In terms of tone and mood, The Servant stands almost alone. You’d have to seek out two other guys-go-mad-in-a-flat movies, Performance and Dead Ringers, to find anything that approaches its atmosphere of febrile desperation and deepening identity confusion. The performances are note-perfect and Pinter’s script is smart, subversive and sly, lifting the lid on our age-old feudal hierarchy and having a good dig about inside. But it’s Losey’s direction which sets the nerves jangling: all deep shadows, distorted reflections and glowering close-ups, he quite literally takes us through the looking glass into a charged, claustrophobic fever dream of privilege, power and perversion.” – Tom Huddleston, Time Out (London)

Kinonik

The Servant (1963) directed by Joseph Losey

Kinonik 121 Cassidy Point Dr. Portland

Admission (Kinonik Members)

8 $ US

Admission (Non-Members)

10 $ US

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