Nigra Iuventa

### Context Profile for Nigra Iuventa

1. **Organization Mission & Cause:**
   - **Mission:** Nigra Iuventa is dedicated to supporting and promoting artists from African, Caribbean, and diasporic communities. Their mission focuses on cultural representation and empowerment through art, aiming to create a platform for these artists to showcase their work and connect with broader audiences.
   - **Cause:** The organization emphasizes the importance of cultural heritage and aims to uplift marginalized voices in the arts. They engage in various initiatives that foster cultural exchange and appreciation.

2. **Type of Activities:**
   - **Cultural Initiatives:** Nigra Iuventa organizes exhibitions and residencies that feature artists from the targeted communities.
   - **Fundraising Campaigns:** They run campaigns such as the recent "La boutique de Nigra Iuventa," which sells exclusive tote bags to fund their initiatives.
   - **Community Engagement:** The organization actively seeks to involve the community in their events and initiatives, promoting a sense of belonging and participation.

3. **Tone of Voice:**
   - The tone of voice on the Nigra Iuventa website is **friendly, welcoming, and inspiring**. The language is inclusive and encourages community involvement, reflecting a sense of warmth and appreciation for supporters.
   - Phrases like "Bienvenue dans la boutique Nigra Iuventa!" and "Merci de faire partie du mouvement" convey a sense of gratitude and community spirit.

4. **Emoji Usage:**
   - The website does not prominently feature emojis in its content. However, in informal communications or social media, the organization may opt to use emojis that resonate with their audience, such as art-related or community-focused emojis, to enhance engagement.

5. **Key Facts:**
   - **Founding Info:** Specific founding details are not provided on the website, but the organization appears to be relatively new, focusing on contemporary issues in the arts.
   - **Scale:** The organization has a limited number of forms (4 total) indicating a focused approach to their campaigns and outreach.
   - **Impact Metrics:** While specific metrics are not detailed, the impact is implied through the support of artists and cultural initiatives.
   - **Volunteer Info:** There is no specific information regarding volunteer opportunities on the website, but community involvement is encouraged.

6. **Writing Guidelines:**
   - **Style:** Use a friendly and inclusive tone that resonates with a diverse audience. 
   - **Language:** Incorporate both French and English where appropriate, reflecting the bilingual nature of their audience.
   - **Call to Action:** Encourage participation and support, using phrases that express gratitude and community involvement.
   - **Content Structure:** Use clear and engaging headings, bullet points for easy reading, and maintain a conversational style to foster connection with the audience.

### Summary
This context profile provides a comprehensive understanding of Nigra Iuventa's mission, activities, and communication style. It serves as a guide for creating personalized content that aligns with the organization's values and engages its audience effectively.

This ticket grants access to the conversation between Zohra Opoku and Mallory Lowe Mpoka.

General Admission

Ce billet donne accès à la conversation entre Zohra Opoku et Mallory Lowe Mpoka

Admission générale

This ticket includes access to the conversation and one drink at the bar.

Ally

Ce billet donne accès à la conversation et inclut une consommation au bar.

Allié·e

This ticket includes access to the conversation, one drink at the bar, and directly supports Nigra Iuventa's mission.

Benefactor

Ce billet donne accès à la conversation, inclut une consommation, et soutient directement la mission de Nigra Iuventa.

Bienfaiteur·rice

La pratique de Zohra Opoku explore l&#39;identit&eacute;, l&#39;appartenance et la m&eacute;moire culturelle &agrave; travers la photographie, les textiles et les installations. N&eacute;e en Allemagne de l&#39;Est et &eacute;tablie &agrave; Accra, l&#39;artiste puise dans des r&eacute;cits personnels et ancestraux pour explorer les tensions entre h&eacute;ritage et exp&eacute;rience contemporaine. Par la s&eacute;rigraphie, la broderie et le collage, elle fait du tissu un espace de r&eacute;flexion sur le corps et les histoires qu&#39;il porte. Dans cet &eacute;change, Zohra Opoku entre en dialogue avec l&#39;artiste Mallory Lowe Mpoka autour de pr&eacute;occupations communes autour de la m&eacute;moire, la mat&eacute;rialit&eacute; et la transmission des histoires diasporiques. Cette activit&eacute; est pr&eacute;sent&eacute;e en partenariat avec le Goethe-Institut Montr&eacute;al, et s&#39;inscrit dans le cadre du symposium Black Atlantic Networks: Heritage, Knowledge and Solidarity, tenu &agrave; Montr&eacute;al du 18 au 22 novembre 2025 &mdash; un espace de dialogue transnational et de co-construction des savoirs. Informations pratiques- Mercredi 8 avril 2026, 18h- Espace Rodier, 914 R. Notre Dame O, Montr&eacute;al, QC H3C 1J9- Activit&eacute; en anglais- Bar payant sur place&nbsp; Biographies des intervenantes: La pratique multidisciplinaire de Zohra Opoku (n&eacute;e en 1976 &agrave; Altd&ouml;bern, ancienne RDA/Allemagne de l&rsquo;Est ; vit et travaille &agrave; Accra, Ghana) est ancr&eacute;e dans son histoire personnelle et son h&eacute;ritage culturel. N&eacute;e et &eacute;lev&eacute;e en Allemagne de l&rsquo;Est, elle s&rsquo;est ensuite install&eacute;e au Ghana afin de se reconnecter &agrave; ses racines ancestrales. Opoku explore les intersections complexes entre identit&eacute; et m&eacute;moire. Son &oelig;uvre &eacute;volue entre ces exp&eacute;riences, jetant des ponts entre les cultures, les g&eacute;ographies et les temporalit&eacute;s.&nbsp; La pratique d&rsquo;Opoku commence fr&eacute;quemment par la photographie et se d&eacute;veloppe &agrave; travers un processus tactile de d&eacute;construction et de reconstruction. Les images photographiques sont s&eacute;rigraphi&eacute;es sur des tissus naturels pr&eacute;alablement teints, puis transform&eacute;es par la broderie &agrave; la main et le collage. Ces techniques, ancr&eacute;es &agrave; la fois dans l&rsquo;artisanat traditionnel et la composition exp&eacute;rimentale, constituent la base d&#39;&oelig;uvres textiles richement superpos&eacute;es, d&rsquo;installations et de sculptures.&nbsp; L&rsquo;identit&eacute; personnelle et ses subtilit&eacute;s complexes occupent une place centrale dans son travail. S&rsquo;inspirant de sa propre vie et de son corps, Opoku r&eacute;fl&eacute;chit &agrave; des th&egrave;mes tels que le sentiment d&rsquo;appartenance, la m&eacute;moire et la repr&eacute;sentation. Elle int&egrave;gre fr&eacute;quemment des reliques familiales, des symboles personnels ainsi que des &eacute;l&eacute;ments issus de la culture visuelle ghan&eacute;enne, comme des r&eacute;f&eacute;rences aux traditions de la m&eacute;tallurgie en bronze d&rsquo;Afrique de l&rsquo;Ouest. Il en r&eacute;sulte un corpus d&rsquo;&oelig;uvres &agrave; la fois cathartique et r&eacute;sonnant, ancr&eacute; dans l&rsquo;exp&eacute;rience v&eacute;cue mais capable d&rsquo;interpeller des questions plus vastes, partag&eacute;es &agrave; travers la diaspora africaine et au-del&agrave;. &nbsp; Mallory Lowe Mpoka&nbsp;(n&eacute;e en 1996) est une artiste belgo-camerounaise bas&eacute;e &agrave; Montr&eacute;al dont la pratique multidisciplinaire explore le lieu, la m&eacute;moire et le colonialisme environnemental.&nbsp;Face aux fractures impos&eacute;es par la colonisation, elle relie r&eacute;cits r&eacute;els et fictifs en r&eacute;activant archives familiales et m&eacute;morabilia dans des contextes renouvel&eacute;s. Son &oelig;uvre exprime un &eacute;tat nomade d&rsquo; &laquo; entre-deux &raquo;, traversant l&rsquo;Afrique, l&rsquo;Europe et l&rsquo;Am&eacute;rique du Nord, et t&eacute;moignant des h&eacute;ritages de la migration. Par la photographie, le tissage, la sculpture, la teinture et l&rsquo;installation, elle &eacute;labore des formes o&ugrave; mati&egrave;re, image et r&eacute;cit circulent entre les lieux et les m&eacute;moires qui l&rsquo;habitent.&nbsp;L&rsquo;&oelig;uvre de Mpoka a &eacute;t&eacute; pr&eacute;sent&eacute;e &agrave; l&rsquo;international, notamment &agrave; la Villa Romana (Italie), au Mus&eacute;e des Beaux-Arts du Canada et au Savvy Contemporary (Allemagne). Elle a publi&eacute; son livre d&rsquo;artiste Architecture of the Self: What Lives Within Us &agrave; l&rsquo;hiver 2024. Nomin&eacute;e pour le prix Malick Sidib&eacute; (2022) et le New Generation Photography Award (2025), elle expose en solo &agrave; la Fonderie Darling lors de la Biennale Momenta 2025.&nbsp;Son prochain grand corpus d&rsquo;&oelig;uvres sera pr&eacute;sent&eacute; &agrave; l&rsquo;&eacute;t&eacute; et &agrave; l&rsquo;automne 2026 aux Rencontres d&#39;Arles.

<span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom <span contenteditable="false" data-custom-variable="{{lastname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Nom, Merci pour votre inscription &agrave; la conversation entre Zohra Opoku et Mallory Lowe Mpoka, le mercredi 8 avril 2026 &agrave; 18h &agrave; l&#39;Espace Rodier.Votre soutien contribue directement &agrave; la mission de Nigra Iuventa: appuyer le d&eacute;veloppement et la reconnaissance des artistes afrodescendant&middot;e&middot;s et africain&middot;e&middot;s en art contemporain en soutenant la cr&eacute;ation, la diffusion et la pr&eacute;servation de leurs &oelig;uvres. Nous avons h&acirc;te de vous accueillir.

La pratique de Zohra Opoku explore l'identité, l'appartenance et la mémoire culturelle à travers la photographie, les textiles et les installations. Née en Allemagne de l'Est et établie à Accra, l'artiste puise dans des récits personnels et ancestraux pour explorer les tensions entre héritage et expérience contemporaine. Par la sérigraphie, la broderie et le collage, elle fait du tissu un espace de réflexion sur le corps et les histoires qu'il porte. Dans cet échange, Zohra Opoku entre en dialogue avec l'artiste Mallory Lowe Mpoka autour de préoccupations communes autour de la mémoire, la matérialité et la transmission des histoires diasporiques. Cette activité est présentée en partenariat avec le Goethe-Institut Montréal, et s'inscrit dans le cadre du symposium Black Atlantic Networks: Heritage, Knowledge and Solidarity, tenu à Montréal du 18 au 22 novembre 2025 — un espace de dialogue transnational et de co-construction des savoirs. Informations pratiques- Mercredi 8 avril 2026, 18h- Espace Rodier, 914 R. Notre Dame O, Montréal, QC H3C 1J9- Activité en anglais- Bar payant sur place  Biographies des intervenantes: La pratique multidisciplinaire de Zohra Opoku (née en 1976 à Altdöbern, ancienne RDA/Allemagne de l’Est ; vit et travaille à Accra, Ghana) est ancrée dans son histoire personnelle et son héritage culturel. Née et élevée en Allemagne de l’Est, elle s’est ensuite installée au Ghana afin de se reconnecter à ses racines ancestrales. Opoku explore les intersections complexes entre identité et mémoire. Son œuvre évolue entre ces expériences, jetant des ponts entre les cultures, les géographies et les temporalités.  La pratique d’Opoku commence fréquemment par la photographie et se développe à travers un processus tactile de déconstruction et de reconstruction. Les images photographiques sont sérigraphiées sur des tissus naturels préalablement teints, puis transformées par la broderie à la main et le collage. Ces techniques, ancrées à la fois dans l’artisanat traditionnel et la composition expérimentale, constituent la base d'œuvres textiles richement superposées, d’installations et de sculptures.  L’identité personnelle et ses subtilités complexes occupent une place centrale dans son travail. S’inspirant de sa propre vie et de son corps, Opoku réfléchit à des thèmes tels que le sentiment d’appartenance, la mémoire et la représentation. Elle intègre fréquemment des reliques familiales, des symboles personnels ainsi que des éléments issus de la culture visuelle ghanéenne, comme des références aux traditions de la métallurgie en bronze d’Afrique de l’Ouest. Il en résulte un corpus d’œuvres à la fois cathartique et résonnant, ancré dans l’expérience vécue mais capable d’interpeller des questions plus vastes, partagées à travers la diaspora africaine et au-delà.   Mallory Lowe Mpoka (née en 1996) est une artiste belgo-camerounaise basée à Montréal dont la pratique multidisciplinaire explore le lieu, la mémoire et le colonialisme environnemental. Face aux fractures imposées par la colonisation, elle relie récits réels et fictifs en réactivant archives familiales et mémorabilia dans des contextes renouvelés. Son œuvre exprime un état nomade d’ « entre-deux », traversant l’Afrique, l’Europe et l’Amérique du Nord, et témoignant des héritages de la migration. Par la photographie, le tissage, la sculpture, la teinture et l’installation, elle élabore des formes où matière, image et récit circulent entre les lieux et les mémoires qui l’habitent. L’œuvre de Mpoka a été présentée à l’international, notamment à la Villa Romana (Italie), au Musée des Beaux-Arts du Canada et au Savvy Contemporary (Allemagne). Elle a publié son livre d’artiste Architecture of the Self: What Lives Within Us à l’hiver 2024. Nominée pour le prix Malick Sidibé (2022) et le New Generation Photography Award (2025), elle expose en solo à la Fonderie Darling lors de la Biennale Momenta 2025. Son prochain grand corpus d’œuvres sera présenté à l’été et à l’automne 2026 aux Rencontres d'Arles.

En conversation: Zohra Opoku et Mallory Lowe Mpoka

&nbsp;Zohra Opoku&rsquo;s multidisciplinary practice is grounded in her personal history and cultural heritage. Born and raised in East Germany and later relocating to Ghana to reconnect with her ancestral roots, Opoku explores the complex intersections of identity and memory. Her work navigates the space between these experiences, bridging cultures, geographies, and time.In this exchange, Zohra Opoku enters into dialogue with artist Mallory Lowe Mpoka around shared concerns: memory, materiality, and the transmission of diasporic histories. This event is presented in partnership with the Goethe-Institut Montreal and is part of the symposium Black Atlantic Networks: Heritage, Knowledge and Solidarity, held in Montreal from November 18 to 22, 2025&mdash;a space for transnational dialogue and the co-construction of knowledge. Information- Wednesday, April 8, 2026, 6:00 p.m.- Espace Rodier, 914 Notre Dame Street West, Montreal, QC H3C 1J9- Activity in English Zohra Opoku&rsquo;s multidisciplinary practice is grounded in her personal history and cultural heritage. Born and raised in East Germany and later relocating to Ghana to reconnect with her ancestral roots, Opoku explores the complex intersections of identity and memory. Her work navigates the space between these experiences, bridging cultures, geographies, and time.&nbsp;Opoku&rsquo;s practice often begins with photography and evolves through a tactile process of deconstruction and reconstruction. Photographic images are screen-printed onto pre-dyed natural fabrics, then transformed through hand embroidery and collage. These techniques, rooted in both traditional craftsmanship and experimental composition, form the basis of richly layered textile works, installations, and sculptures.&nbsp;Personal identity and its complex nuances are a central concern in her work. Drawing from her own life and body, Opoku reflects on themes of belonging, memory, and representation. She often integrates family heirlooms, personal symbols, and elements from Ghana&rsquo;s visual culture, such as references to West African brass-making traditions. The result is a body of work that is both cathartic and resonant, anchored in lived experience yet capable of speaking to broader questions shared across the African diaspora and beyond. &nbsp;&ldquo;The transition from being based in Germany to being in Ghana and bringing these two worlds together in a single conversation&mdash;whether through materials, craftsmanship, or memory&mdash;is important,&rdquo; she said. &ldquo;It allows others to identify with the work, particularly within the diaspora where people share similar experiences.&rdquo; Through this lens, Opoku&rsquo;spractice becomes a form of visual storytelling&mdash;a constantly evolving archive of identity, intimate, textured, and quietly powerful.&nbsp;The work of Zohra Opoku has been exhibited internationally, including in the 15th edition of Sharjah Biennale (United Arab Emirates, 2023); at the 14th edition of the Dak&rsquo;art Biennial (Senegal, 2022) and at 7th Athens Biennale (Greece, 2021).&nbsp;Institutionally, her work has been presented at the Louvre Abu Dhabi (UAE, 2024-2025), The Minneapolis Institute of Art (Minneapolis, 2025), the Brooklyn Museum (New York, 2024), The Cleveland Museum of Art (Cleveland, 2018), RAW Material Company (Dakar, 2024), High Museum of Art (Atlanta, 2024), Palais Populaire (Berlin, 2024), Wereld Museum (Rotterdam, 2024), Kunstmuseum Wolfsburg (Wolfsburg, 2022), SAVVY Contemporary (Berlin, 2022), TATE Modern (London, 2022), Southbank Centre / Hayward Gallery (London, 2020), Kunsthaus Hamburg (Hamburg, 2020), Archeological Museum of Mykonos (2019), National Museum (Nairobi, 2017), Guggenheim Museum (Bilbao, 2015), Mus&eacute;e de l&#39;Ethnographie (Bordeaux, 2013), CCA Lagos (2010), and Kunsthaus Hamburg (2010), among many others.&nbsp;Zohra Opoku&rsquo;s solo exhibition,*We Proceed in the Footsteps of the Sunlight*, will be on view starting in September 2025 at the Zeitz MOCAA in Cape Town for one year.&nbsp;&nbsp;Her work is collected by renowned public institutions and private collections such as the the Centre Pompidou (Paris), CCS Bard College Hessel Museum of Art (Annandale-on-Hudson), Los Angeles County Museum of Art (Los Angeles), Samuel P. Harn Museum of Art (Gainesville), The Faurschou Foundation (Copenhagen), The Royal Museum of Ontario (Toronto), Tate Modern (London), The Onassis Collection (Athens), Eskenazi Museum of Art, (Bloomington), The Cleveland Clinic Art Collection (Cleveland), and The Dean Collection (New York).&nbsp;The artist&rsquo;s next solo exhibition will open at the Fondation Cartier in Paris in October 2026. Mallory Lowe Mpoka (born 1996) is a Belgian-Cameroonian artist based in Montr&eacute;al whose multidisciplinary practice explores place, memory, and environmental colonialism.&nbsp;In response to the fractures imposed by colonization, she weaves together real and fictional narratives by reactivating family archives and memorabilia within renewed contexts. Her work expresses a nomadic state of in-betweenness, moving across Africa, Europe, and North America, and bearing witness to the legacies of migration. Through photography, weaving, sculpture, dyeing, and installation, she develops forms in which material, image, and narrative circulate among the places and memories that inhabit her.&nbsp;Mpoka&rsquo;s work has been presented internationally, notably at the Villa Romana (Italy), the National Gallery of Canada, and SAVVY Contemporary (Germany). She published her artist&rsquo;s book Architecture of the Self: What Lives Within Us in winter 2024. Nominated for the Malick Sidib&eacute; Prize (2022) and the New Generation Photography Award (2025), she presents a solo exhibition at Fonderie Darling as part of the 2025 MOMENTA Biennale. Her forthcoming major body of work will be presented starting summer 2026 at Les Rencontres d&#39;Arles.&nbsp;Her forthcoming major body of work will be presented starting summer 2026 at Les Rencontres d&#39;Arles.

Hello <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">Pr&eacute;nom ,&nbsp; Thank you for registering for the conversation between Zohra Opoku and Mallory Lowe Mpoka, on Wednesday, April 8, 2026 at 6 PM at Espace Rodier. Your support directly contributes to Nigra Iuventa&#39;s mission: fostering the development and recognition of Afrodescendant and African artists in contemporary art by supporting the creation, dissemination and preservation of their work. We look forward to welcoming you. 📲 Follow Nigra Iuventa to discover the complete program and our latest news: <a fr-original-style="" href="https://www.instagram.com/nigra_iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">Instagram</a> | <a fr-original-style="" href="https://www.linkedin.com/company/nigra-iuventa/" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">LinkedIn</a> | &nbsp;💛 As a non-profit organization, we strive to offer the majority of our activities for free. If you would like to support our mission, even a symbolic donation makes a real difference: <span contenteditable="false" data-button-color="{{#5555E7}}" data-custom-variable="{{form-link-button-8af0f129-ac48-4ce5-9272-4e254bb3ac7a}}" data-prefilled-form-id="{{00e93070-26bb-4fbc-8d2e-9aeff0ea3709}}" data-prefilled-form-type="{{DonationForm}}" data-text="{{Donate}}" fr-original-class="fr-deletable styled-tag-button" fr-original-style="background-color: #5555E7" style="background-color: rgb(85, 85, 231); border-radius: 8px; height: 36px; color: rgb(255, 255, 255); padding: 8px 16px; font-size: 14px; line-height: 20px; font-family: Roboto; font-weight: 500; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">DonateWe look forward to welcoming you,

Zohra Opoku’s multidisciplinary practice is grounded in her personal history and cultural heritage. Born and raised in East Germany and later relocating to Ghana to reconnect with her ancestral roots, Opoku explores the complex intersections of identity and memory. Her work navigates the space between these experiences, bridging cultures, geographies, and time.In this exchange, Zohra Opoku enters into dialogue with artist Mallory Lowe Mpoka around shared concerns: memory, materiality, and the transmission of diasporic histories. This event is presented in partnership with the Goethe-Institut Montreal and is part of the symposium Black Atlantic Networks: Heritage, Knowledge and Solidarity, held in Montreal from November 18 to 22, 2025—a space for transnational dialogue and the co-construction of knowledge. Information- Wednesday, April 8, 2026, 6:00 p.m.- Espace Rodier, 914 Notre Dame Street West, Montreal, QC H3C 1J9- Activity in English Zohra Opoku’s multidisciplinary practice is grounded in her personal history and cultural heritage. Born and raised in East Germany and later relocating to Ghana to reconnect with her ancestral roots, Opoku explores the complex intersections of identity and memory. Her work navigates the space between these experiences, bridging cultures, geographies, and time. Opoku’s practice often begins with photography and evolves through a tactile process of deconstruction and reconstruction. Photographic images are screen-printed onto pre-dyed natural fabrics, then transformed through hand embroidery and collage. These techniques, rooted in both traditional craftsmanship and experimental composition, form the basis of richly layered textile works, installations, and sculptures. Personal identity and its complex nuances are a central concern in her work. Drawing from her own life and body, Opoku reflects on themes of belonging, memory, and representation. She often integrates family heirlooms, personal symbols, and elements from Ghana’s visual culture, such as references to West African brass-making traditions. The result is a body of work that is both cathartic and resonant, anchored in lived experience yet capable of speaking to broader questions shared across the African diaspora and beyond.  “The transition from being based in Germany to being in Ghana and bringing these two worlds together in a single conversation—whether through materials, craftsmanship, or memory—is important,” she said. “It allows others to identify with the work, particularly within the diaspora where people share similar experiences.” Through this lens, Opoku’spractice becomes a form of visual storytelling—a constantly evolving archive of identity, intimate, textured, and quietly powerful. The work of Zohra Opoku has been exhibited internationally, including in the 15th edition of Sharjah Biennale (United Arab Emirates, 2023); at the 14th edition of the Dak’art Biennial (Senegal, 2022) and at 7th Athens Biennale (Greece, 2021). Institutionally, her work has been presented at the Louvre Abu Dhabi (UAE, 2024-2025), The Minneapolis Institute of Art (Minneapolis, 2025), the Brooklyn Museum (New York, 2024), The Cleveland Museum of Art (Cleveland, 2018), RAW Material Company (Dakar, 2024), High Museum of Art (Atlanta, 2024), Palais Populaire (Berlin, 2024), Wereld Museum (Rotterdam, 2024), Kunstmuseum Wolfsburg (Wolfsburg, 2022), SAVVY Contemporary (Berlin, 2022), TATE Modern (London, 2022), Southbank Centre / Hayward Gallery (London, 2020), Kunsthaus Hamburg (Hamburg, 2020), Archeological Museum of Mykonos (2019), National Museum (Nairobi, 2017), Guggenheim Museum (Bilbao, 2015), Musée de l'Ethnographie (Bordeaux, 2013), CCA Lagos (2010), and Kunsthaus Hamburg (2010), among many others. Zohra Opoku’s solo exhibition,*We Proceed in the Footsteps of the Sunlight*, will be on view starting in September 2025 at the Zeitz MOCAA in Cape Town for one year.  Her work is collected by renowned public institutions and private collections such as the the Centre Pompidou (Paris), CCS Bard College Hessel Museum of Art (Annandale-on-Hudson), Los Angeles County Museum of Art (Los Angeles), Samuel P. Harn Museum of Art (Gainesville), The Faurschou Foundation (Copenhagen), The Royal Museum of Ontario (Toronto), Tate Modern (London), The Onassis Collection (Athens), Eskenazi Museum of Art, (Bloomington), The Cleveland Clinic Art Collection (Cleveland), and The Dean Collection (New York). The artist’s next solo exhibition will open at the Fondation Cartier in Paris in October 2026. Mallory Lowe Mpoka (born 1996) is a Belgian-Cameroonian artist based in Montréal whose multidisciplinary practice explores place, memory, and environmental colonialism. In response to the fractures imposed by colonization, she weaves together real and fictional narratives by reactivating family archives and memorabilia within renewed contexts. Her work expresses a nomadic state of in-betweenness, moving across Africa, Europe, and North America, and bearing witness to the legacies of migration. Through photography, weaving, sculpture, dyeing, and installation, she develops forms in which material, image, and narrative circulate among the places and memories that inhabit her. Mpoka’s work has been presented internationally, notably at the Villa Romana (Italy), the National Gallery of Canada, and SAVVY Contemporary (Germany). She published her artist’s book Architecture of the Self: What Lives Within Us in winter 2024. Nominated for the Malick Sidibé Prize (2022) and the New Generation Photography Award (2025), she presents a solo exhibition at Fonderie Darling as part of the 2025 MOMENTA Biennale. Her forthcoming major body of work will be presented starting summer 2026 at Les Rencontres d'Arles. Her forthcoming major body of work will be presented starting summer 2026 at Les Rencontres d'Arles.

EN

Nigra Iuventa

En conversation: Zohra Opoku et Mallory Lowe Mpoka

914 R. Notre Dame O

Admission générale

10 $

Allié·e

25 $

Bienfaiteur·rice

50 $