IndyBaroque Music Inc.

### Context Profile for IndyBaroque Music Inc.

1. **Organization Mission & Cause**:
   - **Mission**: IndyBaroque Music Inc. is dedicated to enriching the cultural landscape of Indianapolis through the performance and promotion of Baroque music. Their goal is to provide high-quality musical experiences that engage and inspire the community.
   - **Cause**: The organization focuses on the preservation and performance of Baroque music, aiming to educate audiences about this genre and its historical significance.

2. **Type of Activities**:
   - **Concerts**: IndyBaroque hosts a series of concerts featuring Baroque repertoire, including their main stage concerts for the 25/26 season, which include titles like "Bach Heritage" and "O Radiant Dawn."
   - **Season Subscriptions**: They offer subscription packages that provide access to multiple concerts, along with exclusive perks for subscribers.
   - **Community Engagement**: The organization engages with the community through educational outreach and special events for subscribers.

3. **Tone of Voice**:
   - The tone of the website and communications is **friendly**, **inviting**, and **informative**. It aims to create a sense of community and enthusiasm around Baroque music, while also maintaining professionalism in its presentation.

4. **Emoji Usage**:
   - The website and communications do not prominently feature emojis. The tone remains formal and professional, focusing on clear and engaging language without the casualness that emojis might convey.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not mentioned on the website, but the organization has established itself as a key player in the local arts scene.
   - **Scale**: The organization has conducted 14 forms and 48 email campaigns, indicating an active engagement with its audience.
   - **Impact Metrics**: While specific metrics are not detailed, the organization emphasizes community engagement and subscriber benefits, suggesting a focus on building a loyal audience.
   - **Volunteer Info**: There is no specific mention of volunteer opportunities on the website, but community involvement is implied through their outreach efforts.

6. **Writing Guidelines**:
   - **Style**: Use clear, engaging language that reflects the friendly and inviting tone of the organization. Avoid overly casual language or slang.
   - **Structure**: Organize content in a way that highlights key information, such as concert details, subscription benefits, and community engagement opportunities.
   - **Call to Action**: Include strong calls to action that encourage subscriptions, attendance at concerts, and participation in events.
   - **Visuals**: Incorporate images where relevant to enhance engagement, as seen in their email campaigns and website.

This context profile provides a comprehensive overview of IndyBaroque Music Inc., enabling AI assistants to create tailored content that resonates with the organization's mission and audience.

General Admission

Senior Ticket

Student Ticket

<p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);font-size:var(--tec-font-size-4);line-height:var(--tec-line-height-2);color:rgb(20, 24, 39);font-family:proxima-nova;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin-top:0px">La France Galante led by Artistic Director & traverso player Barthold Kuijken<p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);font-size:var(--tec-font-size-4);line-height:var(--tec-line-height-2);color:rgb(20, 24, 39);font-family:proxima-nova;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin-top:0px"> <p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);font-size:var(--tec-font-size-4);line-height:var(--tec-line-height-2);color:rgb(20, 24, 39);font-family:proxima-nova;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin-top:0px">Program:<ul><li style="box-sizing:inherit;font-weight:400">André Campra Suite from L’Europe Galante</li><li style="box-sizing:inherit;font-weight:400">Michel Blavet Concerto in a minor</li><li style="box-sizing:inherit;font-weight:400">Jean-Philippe Rameau Suite from Les Indes Galantes </li></ul><p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);font-size:var(--tec-font-size-4);line-height:var(--tec-line-height-2);color:rgb(20, 24, 39);font-family:proxima-nova;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin-top:0px">The French Galant is one of these concepts that is difficult to translate – maybe like the English gentleman? It includes too many aspects… Of course visually beautiful, harmonious, and rich; with delicate body movements (as in the court dances); with a refined, well-educated and imaginative language; gently talking about love, without taking it all too seriously, more as a society game or event, but also not without depth or emotion (though mostly somehow hidden); with an artful and effortless nonchalance; without great noise or exaggerated movements; everything seeming to be part of a complex illusion, detached from the “real” world, as on a stage, where you are simultaneously spectator and actor. The great 17th-18th century composers like Lully, Campra or Rameau managed to have their music perfectly fit into this “alternative” world. No wonder that the Ballet was a favorite genre, making it possible to dream away to far countries, under the guidance of Amour or Les Plaisirs. Even if the opéra-ballet was called L’Europe Galante (Campra) or Les Indes Galantes (Rameau), the real subject is the – obviously exquisite – French taste and Galanterie. <p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);font-size:var(--tec-font-size-4);line-height:var(--tec-line-height-2);color:rgb(20, 24, 39);font-family:proxima-nova;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin-top:0px">Campra will let us travel from France to Spain, Italy, and Turkey; Rameau tells us that Amour and Mars quarrel so much in Europe, that Amour needs to escape to even further continents:Turkey, the Incas of Middle-America, Persia, and in “Les Sauvages” finally to North-America. But rest assured: Amour has the final victory! (The piece ballet was originally called Les Victoires Galantes).<p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);font-size:var(--tec-font-size-4);line-height:var(--tec-line-height-2);color:rgb(20, 24, 39);font-family:proxima-nova;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin-top:0px">I selected from both opéra-ballets the overtures, some descriptive airs and dances and of course the chaconnes, the long and rich finale of an act or of the whole composition.<p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-6);font-size:var(--tec-font-size-4);line-height:var(--tec-line-height-2);color:rgb(20, 24, 39);font-family:proxima-nova;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;background-color:rgb(255, 255, 255);text-decoration-thickness:initial;text-decoration-style:initial;text-decoration-color:initial;margin-top:0px">Why did I put Blavet’s flute concerto in this context? Blavet was for many years the acclaimed principal flute of the Paris opera, where for many seasons the older compositions of Lully, Campra and their followers were still performed, and where Rameau presented his masterworks. The middle movement of the concerto is a Gavotte that could come straight out of one of these operas, and in the other movements, he displays a virtuosity that his contemporaries considered elegant and “good taste” – in contrast to the Italian style which they judged exaggerated and bizarre.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);padding:1px 8px;font-size:11px;display:inline-block;margin:0px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">First name , Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Don't forget to add to your calendar! Bach Dances<span contenteditable="false" data-custom-variable="{{location-variable-be1b40c7-adc9-4c9c-801e-f9680b29f499}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);padding:1px 8px;font-size:11px;display:inline-block;margin:0px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Location <span contenteditable="false" data-custom-variable="{{date-variable-904f896f-fa91-4a0e-9fec-ad04c61456ba}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);padding:1px 8px;font-size:11px;display:inline-block;margin:0px;overflow-wrap:anywhere;user-select:none;box-sizing:inherit">Date

<p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);line-height:var(--tec-line-height-2);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin-top:0px;max-width:100%">La France Galante led by Artistic Director &amp; traverso player Barthold Kuijken<p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);line-height:var(--tec-line-height-2);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin-top:0px;max-width:100%"> <p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);line-height:var(--tec-line-height-2);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin-top:0px;max-width:100%">Program:<ul><li>André Campra Suite from L’Europe Galante</li><li>Michel Blavet Concerto in a minor</li><li>Jean-Philippe Rameau Suite from Les Indes Galantes </li></ul><p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);line-height:var(--tec-line-height-2);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin-top:0px;max-width:100%">The French Galant is one of these concepts that is difficult to translate – maybe like the English gentleman? It includes too many aspects… Of course visually beautiful, harmonious, and rich; with delicate body movements (as in the court dances); with a refined, well-educated and imaginative language; gently talking about love, without taking it all too seriously, more as a society game or event, but also not without depth or emotion (though mostly somehow hidden); with an artful and effortless nonchalance; without great noise or exaggerated movements; everything seeming to be part of a complex illusion, detached from the “real” world, as on a stage, where you are simultaneously spectator and actor. The great 17th-18th century composers like Lully, Campra or Rameau managed to have their music perfectly fit into this “alternative” world. No wonder that the Ballet was a favorite genre, making it possible to dream away to far countries, under the guidance of Amour or Les Plaisirs. Even if the opéra-ballet was called L’Europe Galante (Campra) or Les Indes Galantes (Rameau), the real subject is the – obviously exquisite – French taste and Galanterie. <p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);line-height:var(--tec-line-height-2);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin-top:0px;max-width:100%">Campra will let us travel from France to Spain, Italy, and Turkey; Rameau tells us that Amour and Mars quarrel so much in Europe, that Amour needs to escape to even further continents:Turkey, the Incas of Middle-America, Persia, and in “Les Sauvages” finally to North-America. But rest assured: Amour has the final victory! (The piece ballet was originally called Les Victoires Galantes).<p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-3);line-height:var(--tec-line-height-2);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin-top:0px;max-width:100%">I selected from both opéra-ballets the overtures, some descriptive airs and dances and of course the chaconnes, the long and rich finale of an act or of the whole composition.<p style="box-sizing:inherit;margin-bottom:var(--tec-spacer-6);line-height:var(--tec-line-height-2);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;orphans:2;text-align:start;text-indent:0px;text-transform:none;widows:2;word-spacing:0px;-webkit-text-stroke-width:0px;white-space:normal;text-decoration-thickness:initial;text-decoration-style:initial;margin-top:0px;max-width:100%">Why did I put Blavet’s flute concerto in this context? Blavet was for many years the acclaimed principal flute of the Paris opera, where for many seasons the older compositions of Lully, Campra and their followers were still performed, and where Rameau presented his masterworks. The middle movement of the concerto is a Gavotte that could come straight out of one of these operas, and in the other movements, he displays a virtuosity that his contemporaries considered elegant and “good taste” – in contrast to the Italian style which they judged exaggerated and bizarre.

IndyBaroque Music Inc.

La France Galante

1230 Greyhound Ln

General Admission

US$30

Senior Ticket

US$20

Student Ticket

US$10