AS220

### Context Profile for AS220

1. **Organization Mission & Cause:**
   AS220 is a nonprofit organization dedicated to fostering a creative community in Providence, Rhode Island. Their mission is to provide a platform for artists and the community to express themselves freely and to support the development of new art forms. They aim to create an inclusive environment where creativity thrives, and they emphasize the importance of art as a tool for social change and community engagement.

2. **Type of Activities:**
   - **Events:** AS220 hosts a variety of events including live performances, art exhibitions, and workshops. They often feature local artists and provide a space for creative expression.
   - **Fundraising Campaigns:** Regular fundraising initiatives are conducted to support their programming and facilities.
   - **Community Programs:** They offer programs that engage the community in the arts, including educational workshops and collaborative projects that aim to empower participants through creativity.

3. **Tone of Voice:**
   The tone of AS220's communications is friendly, informal, and inviting. They use inclusive language that encourages participation and fosters a sense of community. The content often conveys enthusiasm and passion for the arts, making it accessible and relatable to a broad audience.

4. **Emoji Usage:**
   AS220 does not prominently use emojis in their communications. Their content tends to maintain a professional yet approachable tone without relying on emojis to convey emotion or engagement.

5. **Key Facts:**
   - **Founding Info:** AS220 was founded in 1985 and has since become a cornerstone of the Providence arts community.
   - **Scale:** They have a significant presence with 353 total forms and 557 total email campaigns, indicating active engagement with their audience.
   - **Impact Metrics:** While specific metrics were not detailed on the website, AS220 emphasizes their role in supporting local artists and fostering community engagement through the arts.
   - **Volunteer Info:** The organization likely has volunteer opportunities, although specific details were not extracted from the website.

6. **Writing Guidelines:**
   - Use a friendly and conversational tone that reflects the community-oriented mission of AS220.
   - Focus on inclusivity and encouragement, inviting readers to participate in events and programs.
   - Keep language simple and accessible, avoiding jargon to ensure clarity for all audiences.
   - Highlight the impact of participation and the importance of community in all communications.
   - Use engaging subject lines and content that reflect the excitement and vibrancy of the events and programs offered.

This context profile provides a comprehensive overview of AS220, enabling AI assistants to generate tailored content that resonates with the organization's mission and audience.

General Admission

Doors at 7, Show at 8$15 cover - Main Stage show featuring: //81355In a city where the echoes of Babyface&rsquo;s polished R&amp;B and the defiant soul of Etheridge Knight still linger, 81355 (pronounced &lsquo;bless&rsquo;) doesn&rsquo;t just contribute to Indianapolis&rsquo; music lineage&mdash;they disrupt, reinterpret, and transcend it. A coalition of sonic architects&mdash;Sirius Blvck, Oreo Jones, and David &ldquo;Moose&rdquo; Adamson (Sedcairn)&mdash;the trio fractures traditional hip-hop frameworks, forging something that feels both archival and futuristic, urgent and eternal.If hip-hop is a house of mirrors, 81355 smashes the glass, reassembling the shards into something entirely their own. Their sound moves like an abstract mural in flux, bending echoes of avant-garde boom-bap, subterranean electronic textures, and freeform lyrical incantations. The trio siphons the urgency of early Stones Throw, the cosmic sprawl of Shabazz Palaces, and the deconstructed poetry of the human experience , yet their roots remain firmly planted in the soil of the Indianapolis underground&mdash;a scene that has long thrived in the margins, despite (or perhaps because of) the city&rsquo;s resistance to championing its own cultural vanguards.Blvck, the baritone-voiced poet-warrior, crafts bars with the weight of manifestos. Jones, an alchemist of genre, weaves hooks like ghostly transmissions from an alternate timeline. And Adamson&mdash;whose sonic fingerprints have left smudges across the city&rsquo;s indie and experimental landscapes&mdash;warps the edges, his production morphing from metallic clangs to haunting synth drifts with an almost liquid ease.To listen to 81355 is to step into a parallel Indianapolis&mdash;one where the Midwest isn&rsquo;t just a waypoint between coasts but a gravitational force in itself, pulling together histories of forgotten stories, Afrofuturist exploration, and avant-garde disruption. In an era of algorithmic predictability, 81355 leans into the unknown, where hip-hop doesn&rsquo;t just reflect culture but disassembles and rebuilds it. They are not just pushing boundaries; they are erasing them entirely.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip " fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name , Thanks so much for your purchase - here are your tickets!&nbsp; See you at the gig! - Emma RomeBooking Associate<a fr-original-style="color:inherit;text-decoration:inherit;user-select:auto;box-sizing:inherit;" href="mailto:emma.rome@as220.org" style="color: inherit; text-decoration: inherit; user-select: auto; box-sizing: inherit;">emma.rome@as220.org</a> // booking@as220.org

Doors at 7, Show at 8$15 cover - Main Stage show featuring: //81355In a city where the echoes of Babyface’s polished R&amp;B and the defiant soul of Etheridge Knight still linger, 81355 (pronounced ‘bless’) doesn’t just contribute to Indianapolis’ music lineage—they disrupt, reinterpret, and transcend it. A coalition of sonic architects—Sirius Blvck, Oreo Jones, and David “Moose” Adamson (Sedcairn)—the trio fractures traditional hip-hop frameworks, forging something that feels both archival and futuristic, urgent and eternal.If hip-hop is a house of mirrors, 81355 smashes the glass, reassembling the shards into something entirely their own. Their sound moves like an abstract mural in flux, bending echoes of avant-garde boom-bap, subterranean electronic textures, and freeform lyrical incantations. The trio siphons the urgency of early Stones Throw, the cosmic sprawl of Shabazz Palaces, and the deconstructed poetry of the human experience , yet their roots remain firmly planted in the soil of the Indianapolis underground—a scene that has long thrived in the margins, despite (or perhaps because of) the city’s resistance to championing its own cultural vanguards.Blvck, the baritone-voiced poet-warrior, crafts bars with the weight of manifestos. Jones, an alchemist of genre, weaves hooks like ghostly transmissions from an alternate timeline. And Adamson—whose sonic fingerprints have left smudges across the city’s indie and experimental landscapes—warps the edges, his production morphing from metallic clangs to haunting synth drifts with an almost liquid ease.To listen to 81355 is to step into a parallel Indianapolis—one where the Midwest isn’t just a waypoint between coasts but a gravitational force in itself, pulling together histories of forgotten stories, Afrofuturist exploration, and avant-garde disruption. In an era of algorithmic predictability, 81355 leans into the unknown, where hip-hop doesn’t just reflect culture but disassembles and rebuilds it. They are not just pushing boundaries; they are erasing them entirely.

AS220

81355

115 Empire St

Add a donation for AS220

General Admission

US$15