Palestine House of Freedom

### Context Profile for Palestine House of Freedom

**1. Organization Mission & Cause:**
Palestine House of Freedom is dedicated to promoting Palestinian culture, heritage, and community empowerment. Their mission focuses on providing a platform for Palestinians to express their identity, share their stories, and engage in cultural activities that foster a sense of belonging and pride. The organization aims to support the Palestinian community through educational programs, cultural events, and advocacy efforts that highlight the importance of Palestinian heritage.

**2. Type of Activities:**
- **Cultural Events:** The organization hosts various cultural events, such as the "Tatreez Stitching Circle," which focuses on traditional Palestinian embroidery, allowing participants to learn and engage with their cultural heritage.
- **Community Programs:** They offer programs that encourage community involvement and education, fostering connections among Palestinians and allies.
- **Fundraising Campaigns:** Regular fundraising initiatives are conducted to support their programs and outreach efforts, ensuring sustainability and growth.

**3. Tone of Voice:**
The tone of voice on the Palestine House of Freedom website is friendly, inviting, and culturally rich. The language used is accessible and warm, aiming to create a sense of community and belonging. It often employs an inspiring tone, encouraging participation and engagement in cultural activities.

**4. Emoji Usage:**
The organization does not appear to use emojis in their communications based on the website content and the provided email campaigns. Their communication style remains professional and straightforward, focusing on clarity and cultural significance rather than informal expressions.

**5. Key Facts:**
- **Founding Information:** Specific founding details were not readily available on the website. Further research may be required to gather this information.
- **Scale:** The organization has a total of 30 forms and has conducted 39 email campaigns, indicating a structured approach to outreach and engagement.
- **Impact Metrics:** While specific impact metrics were not detailed on the website, the emphasis on community engagement and cultural preservation suggests a focus on qualitative impacts rather than quantitative metrics.
- **Volunteer Information:** The website does not provide explicit details about volunteer opportunities, but community involvement is encouraged through events and programs.

**6. Writing Guidelines:**
- **Style:** Maintain a friendly and inviting tone that reflects the cultural richness of the Palestinian heritage.
- **Language:** Use accessible language that resonates with a diverse audience, avoiding overly formal or technical jargon.
- **Engagement:** Encourage participation and community involvement in all communications, highlighting the importance of cultural activities and events.
- **Clarity:** Ensure that messages are clear and straightforward, focusing on the mission and activities of the organization.

This context profile serves as a foundational guide for creating personalized and engaging content for the Palestine House of Freedom, aligning with their mission and communication style.

Suggested Donation

Tatreez Stitching Kit

General Admission

<span fr-original-style="font-size: 11.5pt; font-family: Roboto, sans-serif; color: rgb(80, 0, 80); background-color: rgb(255, 255, 255); font-weight: 700; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size:11.5pt;font-family:Roboto, sans-serif;color:rgb(80, 0, 80);background-color:rgb(255, 255, 255);font-weight:700;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Embroidering Exile: Palestinian Dress in the Wake of Al-Nakba and Al-Naksa <span fr-original-style="font-size: 11.5pt; font-family: Roboto, sans-serif; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size:11.5pt;font-family:Roboto, sans-serif;color:rgb(0, 0, 0);background-color:rgb(255, 255, 255);font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">The forced displacement of over 750,000 Palestinians between 1947 and 1950, known as al-Nakba (“the catastrophe”), marked a rupture in everyday life that profoundly transformed Palestinian dressmaking traditions. Dress styles, motifs, and their meanings shifted as tatreez (embroidery)  became a response to dispossession, dislocation, and exile. Further transformations occurred during key moments of Palestinian political history: the 1960s, particularly surrounding al-Naksa (the 1967 war, or "the setback"), and the First Intifada from (1987-1993). In refugee camps and across the diaspora, the practice of Palestinian dressmaking and embroidery continued, but with renewed urgency. Once tied to specific towns or villages, the thobe began to signify a shared national identity.  <span fr-original-style="font-size: 11.5pt; font-family: Roboto, sans-serif; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size:11.5pt;font-family:Roboto, sans-serif;color:rgb(0, 0, 0);background-color:rgb(255, 255, 255);font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">This lecture commemorates the Six-Day War (June 5–10, 1967), which marked the beginning of the ongoing Israeli military occupation of the West Bank, Gaza Strip, and East Jerusalem. In the aftermath of this seismic event, tatreez shifted in its meaning and function as a form of cultural expression and testimony. From the intimate labor of individual women’s hands to the international recognition of Palestinian embroidery by UNESCO in 2021 as Intangible Cultural Heritage, tatreez continues to serve as a vessel of collective memory and a historical record of the Palestinian people. <span fr-original-style="font-size: 11.5pt; font-family: Roboto, sans-serif; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); font-weight: 400; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-variant-alternates: normal; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-position: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;" style="font-size:11.5pt;font-family:Roboto, sans-serif;color:rgb(0, 0, 0);background-color:rgb(255, 255, 255);font-weight:400;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-position:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap;box-sizing:inherit">Join Wafa Ghnaim, dress historian and fashion researcher, for a lecture tracing the evolving aesthetics and symbolic language of tatreez as a visual archive of exile with a tatreez community stitching circle to follow.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style style="background-color:rgb(248, 248, 255);border:1px solid rgb(191, 191, 255);border-radius:4px;color:rgb(42, 42, 196);padding:1px 8px;font-size:11px;display:inline-block;margin:0px;overflow-wrap:anywhere;-webkit-touch-callout:none;-webkit-user-select:none;box-sizing:inherit">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! In solidarity, Palestine House of Freedom / Dar AlHurriya Teaminfo@daralhurriya.org

Embroidering Exile: Palestinian Dress in the Wake of Al-Nakba and Al-Naksa The forced displacement of over 750,000 Palestinians between 1947 and 1950, known as al-Nakba (“the catastrophe”), marked a rupture in everyday life that profoundly transformed Palestinian dressmaking traditions. Dress styles, motifs, and their meanings shifted as tatreez (embroidery)  became a response to dispossession, dislocation, and exile. Further transformations occurred during key moments of Palestinian political history: the 1960s, particularly surrounding al-Naksa (the 1967 war, or "the setback"), and the First Intifada from (1987-1993). In refugee camps and across the diaspora, the practice of Palestinian dressmaking and embroidery continued, but with renewed urgency. Once tied to specific towns or villages, the thobe began to signify a shared national identity.  This lecture commemorates the Six-Day War (June 5–10, 1967), which marked the beginning of the ongoing Israeli military occupation of the West Bank, Gaza Strip, and East Jerusalem. In the aftermath of this seismic event, tatreez shifted in its meaning and function as a form of cultural expression and testimony. From the intimate labor of individual women’s hands to the international recognition of Palestinian embroidery by UNESCO in 2021 as Intangible Cultural Heritage, tatreez continues to serve as a vessel of collective memory and a historical record of the Palestinian people. Join Wafa Ghnaim, dress historian and fashion researcher, for a lecture tracing the evolving aesthetics and symbolic language of tatreez as a visual archive of exile with a tatreez community stitching circle to follow.

Palestine House of Freedom

Embroidering Exile: Palestinian Dress in the Wake of Al-Nakba and Al-Naksa

650 Pennsylvania Ave. SE

Suggested Donation

US$40

Tatreez Stitching Kit

US$15

General Admission

Free