EDAM Performing Arts Society

### Context Profile for EDAM Performing Arts Society

1. **Organization Mission & Cause**:
   - **Mission**: EDAM Performing Arts Society is dedicated to fostering a vibrant community through the art of dance, particularly focusing on Contact Improvisation. They aim to create inclusive spaces for diverse participants, especially BIPOC (Black, Indigenous, People of Color) dancers, to explore movement and creativity.
   - **Cause**: The organization emphasizes accessibility in dance, providing opportunities for individuals of all backgrounds to engage in artistic expression and physical movement.

2. **Type of Activities**:
   - **Classes**: Regular classes in Contact Improvisation, with a focus on BIPOC participants. Classes are designed to be beginner-friendly and encourage exploration and creativity.
   - **Workshops**: Special events and workshops led by experienced instructors, such as Natalie Tin Yin Gan, aimed at developing skills in Contact Improvisation.
   - **Community Jams**: Open jam sessions for dancers to practice and improvise in a supportive environment.
   - **Membership**: A lifetime membership is required for participation, promoting a sense of belonging within the community.

3. **Tone of Voice**:
   - The tone is **friendly**, **inclusive**, and **supportive**, aiming to create a welcoming atmosphere for all participants. The language is approachable, encouraging, and emphasizes community and collaboration.
   - The content often uses phrases that invite participation and exploration, reflecting a nurturing and encouraging environment.

4. **Emoji Usage**:
   - The website and email communications do not prominently feature emojis. The tone remains professional and clear without the use of visual embellishments, focusing instead on straightforward communication.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not mentioned on the website, but the organization has established a strong community presence.
   - **Scale**: EDAM has conducted 8 forms and 12 email campaigns, indicating active engagement with their community.
   - **Impact Metrics**: While specific metrics are not detailed on the website, the focus on BIPOC engagement and community accessibility suggests a commitment to inclusivity and outreach.
   - **Volunteer Info**: There is no explicit mention of volunteer opportunities on the website, but the community-oriented nature of the organization may imply volunteer involvement in events and classes.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that is accessible to a broad audience. Avoid jargon unless it is clearly defined.
   - **Inclusivity**: Always prioritize inclusive language, especially when discussing events and classes aimed at BIPOC participants.
   - **Encouragement**: Use inviting phrases that encourage participation, such as "join us," "everyone is welcome," and "explore your creativity."
   - **Structure**: Keep content organized with headings and bullet points for easy readability. Ensure that important information (dates, times, and contact details) is highlighted clearly.

This context profile serves as a guide for creating personalized and effective content for EDAM Performing Arts Society, ensuring alignment with their mission, values, and community engagement strategies.

LXCL:For those who are economically abundant or sustained and reliably meet basic needs.

Regular Rate

LXCL:For those who are economically balanced and usually meet basic needs.

Supported Rate

LXCL:For those who are economically constrained or underemployed and may not always meet basic needs.

Subsidized Rate

LXCL:To participate in classes at EDAM, you must be a member. If you are new to EDAM, please purchase a membership. EDAM Membership is a lifetime membership (one-time $5 membership fee).

EDAM Membership

<div fr-original-style="width:100%;box-sizing:inherit;line-height:1.5;" style="width:100%;box-sizing:inherit;line-height:1.5;"><div fr-original-style="line-height:1.5;" style="line-height:1.5;">BIPOC Intro to Contact Workshopwith Natalie Tin Yin GanSaturday, May 2nd1 - 4pm *If you are interested in attending this workshop, and cost is a barrier please reach out to Sierra at: info@edamdance.org. This workshop is for BIPOC folks who are interested in beginning a Contact Improvisation dance practice. If you are curious about joining classes and jams, this workshop is the perfect starting point! What to Expect: We will begin with an opening circle to meet one another and open the practice. A facilitated, gentle warm-up will guide us to deepen our awareness of ourselves in relation to gravity. Natalie will offer a welcoming and playful space to explore the basic principles of Contact Improvisation including: rolling point of Contact, sloughing (sliding), meeting pressure (continuity of connection), weight sharing, and underdancing (offering mobile support). We will practice moving in and out of the floor with ease and efficiency. We will move through exercise individually, in partners, and as a group. You are welcome to do as much or as little as you like, including choosing to be in and out of contact. Witnessing and resting are part of the practice. Options to modify exercises will be available throughout. Beginner Level: This workshop is for beginners and those who are brand new to Contact Improvisation. Those who have a foundational understanding of the form are welcome to join to revisit the basics and support our shared practice. What to Wear/Bring: We suggest wearing comfortable clothing: long sleeves, pants, clothing for changing body temperatures and thin kneepads are recommended. Please bring a water bottle. You may like to bring a notebook for your own practice. What is Contact Improvisation?Contact Improvisation is an improvised social dance, involving non-verbal communication between bodies moving through physical contact. It is a meditation on presence and body awareness, as well as a play of physics using gravity, momentum, and inertia to inspire dancing together. Every moment is a collaboration with a focus on &ldquo;listening&rdquo; through the skin surface at the physical point of contact. BIPOC Space: This workshop is held in the container of an affinity-group for those who self-identify as BIPOC (Black, Indigenous, Person of Colour). About Natalie: Natalie Tin Yin Gan (顏婷妍) is an independent dance artist, writer, and facilitator based in so-called Vancouver. She lives and learns on the unsurrendered ancestral lands of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Her work spans multimedia dance theatre, clown/comedy performance, video game development, creative writing, and community facilitation. She has presented work in Asia, Europe, and across Canada. Natalie is the Co-Artistic Director of Hong Kong Exile, an interdisciplinary collective committed to devising new stories and expressions of the Chinese diaspora. She is the lead Narrative Designer and writer for the critically-acclaimed independent video game 1000xRESIST, nominated for the Hugo Awards, the Nebula Awards, and winner of a Peabody Award. She was also the 2024 recipient of Blackout Arts Society&rsquo;s Fringe Award. Passionate about facilitation and community care, Natalie is a certified teacher of Fitzmaurice Voicework&reg;, a body-centred and trauma-aware approach to the voice. She has been a student of Peter Bingham since 2009. Natalie has the deepest privilege of teaching CI at EDAM, where she delights in and nerds out on cultivating beginner-friendly space for folks to fall in love with the form.</div></div>

Hi <span data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name , Thank you for registering for our BIPOC Intro to Contact Workshop&nbsp;with Natalie Tin Yin Gan&nbsp;on Saturday, May 2nd from 1 - 4:00pm&nbsp;at EDAM. Please ensure you review the Workshop Registration and Cancellation Policy posted below. A welcome email with details about how to get here, what the wear/bring, and access notes will be sent a couple days ahead of the workshop. Your registration is GST inclusive. EDAM&#39;s GST No.: 118902843RT0001 In the meantime, should you have any questions about attending the workshop, please do not hesitate to email us at: <a fr-original-style="text-decoration-color:currentcolor;box-sizing:inherit;-webkit-user-select:auto;" href="mailto:info@edamdance.org" style="text-decoration-color:currentcolor;box-sizing:inherit;-webkit-user-select:auto;">info@edamdance.org</a> Warm Regards,Sierra Megas General Manager EDAM | Experimental Dance and Music<a fr-original-style="-webkit-user-select:auto;" href="mailto:info@edamdance.org" style="-webkit-user-select:auto;">info@edamdance.org</a> ___ Workshop Refund &amp; Cancellation Policy<ul fr-original-style="" style="box-sizing: inherit;"><li fr-original-style="box-sizing:inherit;" style="box-sizing:inherit;">Admin Fee: There is a non-refundable $10 admin fee for all workshop cancellations. This helps us cover the cost of managing cancellations.</li><li fr-original-style="box-sizing:inherit;" style="box-sizing:inherit;">Cancellations made at least 4 working days (Monday to Friday) in advance of the workshop start date are 100% refundable, minus the admin fee. Please email us.</li><li fr-original-style="box-sizing:inherit;" style="box-sizing:inherit;">Cancellations made 48 hours in advance of the workshop start date are 50% refundable minus the admin fee. Please email us.</li><li fr-original-style="box-sizing:inherit;" style="box-sizing:inherit;">Cancellations made less than 48 hours in advance of the workshop date are non-refundable.</li><li fr-original-style="box-sizing:inherit;" style="box-sizing:inherit;">If you know you will not be attending the workshop (for any reason) you may give your spot to a friend. Please email us.</li><li fr-original-style="box-sizing:inherit;" style="box-sizing:inherit;">Sick Policy: We understand and respect that sickness happens unexpectedly. Cancellations made due to illness are 50% refundable minus the admin fee. Please email us.</li><li fr-original-style="box-sizing:inherit;" style="box-sizing:inherit;">EDAM reserves the right to cancel the workshop for any reason. Registered participants will be contacted and full refunds will be issued.</li><li fr-original-style="box-sizing:inherit;" style="box-sizing:inherit;">EDAM reserves the right to change the teacher if the booked teacher can no longer attend. Registered participants will be contacted and may request a refund if they no longer wish to attend the workshop with the new teacher.</li></ul>

<div><div>BIPOC Intro to Contact Workshopwith Natalie Tin Yin GanSaturday, May 2nd1 - 4pm *If you are interested in attending this workshop, and cost is a barrier please reach out to Sierra at: info@edamdance.org. This workshop is for BIPOC folks who are interested in beginning a Contact Improvisation dance practice. If you are curious about joining classes and jams, this workshop is the perfect starting point! What to Expect: We will begin with an opening circle to meet one another and open the practice. A facilitated, gentle warm-up will guide us to deepen our awareness of ourselves in relation to gravity. Natalie will offer a welcoming and playful space to explore the basic principles of Contact Improvisation including: rolling point of Contact, sloughing (sliding), meeting pressure (continuity of connection), weight sharing, and underdancing (offering mobile support). We will practice moving in and out of the floor with ease and efficiency. We will move through exercise individually, in partners, and as a group. You are welcome to do as much or as little as you like, including choosing to be in and out of contact. Witnessing and resting are part of the practice. Options to modify exercises will be available throughout. Beginner Level: This workshop is for beginners and those who are brand new to Contact Improvisation. Those who have a foundational understanding of the form are welcome to join to revisit the basics and support our shared practice. What to Wear/Bring: We suggest wearing comfortable clothing: long sleeves, pants, clothing for changing body temperatures and thin kneepads are recommended. Please bring a water bottle. You may like to bring a notebook for your own practice. What is Contact Improvisation?Contact Improvisation is an improvised social dance, involving non-verbal communication between bodies moving through physical contact. It is a meditation on presence and body awareness, as well as a play of physics using gravity, momentum, and inertia to inspire dancing together. Every moment is a collaboration with a focus on “listening” through the skin surface at the physical point of contact. BIPOC Space: This workshop is held in the container of an affinity-group for those who self-identify as BIPOC (Black, Indigenous, Person of Colour). About Natalie: Natalie Tin Yin Gan (顏婷妍) is an independent dance artist, writer, and facilitator based in so-called Vancouver. She lives and learns on the unsurrendered ancestral lands of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Her work spans multimedia dance theatre, clown/comedy performance, video game development, creative writing, and community facilitation. She has presented work in Asia, Europe, and across Canada. Natalie is the Co-Artistic Director of Hong Kong Exile, an interdisciplinary collective committed to devising new stories and expressions of the Chinese diaspora. She is the lead Narrative Designer and writer for the critically-acclaimed independent video game 1000xRESIST, nominated for the Hugo Awards, the Nebula Awards, and winner of a Peabody Award. She was also the 2024 recipient of Blackout Arts Society’s Fringe Award. Passionate about facilitation and community care, Natalie is a certified teacher of Fitzmaurice Voicework®, a body-centred and trauma-aware approach to the voice. She has been a student of Peter Bingham since 2009. Natalie has the deepest privilege of teaching CI at EDAM, where she delights in and nerds out on cultivating beginner-friendly space for folks to fall in love with the form.</div></div>

EDAM Performing Arts Society

BIPOC Intro to Contact Workshop

303 E 8th Ave

Regular Rate

$70

Supported Rate

$53

Subsidized Rate

$36

EDAM Membership

$5

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