Capilano Review Contemporary Arts Society

**Context Profile for Capilano Review Contemporary Arts Society**

1. **Organization Mission & Cause:**
   - The Capilano Review Contemporary Arts Society is dedicated to promoting and supporting contemporary art and literature. Their mission is to provide a platform for innovative and experimental works that challenge conventional boundaries and foster dialogue within the arts community. They aim to engage a diverse audience through the publication of The Capilano Review, which features cutting-edge poetry, prose, visual art, and critical essays.

2. **Type of Activities:**
   - **Publications:** The primary activity is the publication of The Capilano Review, which is a literary and arts magazine known for its avant-garde content.
   - **Events:** They host readings, art exhibitions, and panel discussions that align with their mission of fostering contemporary arts.
   - **Collaborations:** The organization often collaborates with artists, writers, and other cultural institutions to create unique and thought-provoking content.

3. **Tone of Voice:**
   - The tone of the Capilano Review Contemporary Arts Society is professional, intellectual, and inspiring. The language used on the website is sophisticated and reflective of their commitment to contemporary and experimental art. They maintain a formal tone that appeals to an audience interested in high-level artistic discourse.

4. **Emoji Usage:**
   - The organization does not use emojis in their communications. Their focus is on maintaining a professional and formal tone that aligns with their intellectual and artistic mission.

5. **Key Facts:**
   - **Founding Info:** The Capilano Review has a long history, originally founded in 1972, but the current organizational structure as the Capilano Review Contemporary Arts Society is relatively new.
   - **Impact Metrics:** The magazine has a reputation for being a leading publication in the Canadian arts scene, known for its commitment to experimental and boundary-pushing content.
   - **Volunteers:** Information about volunteer opportunities is not prominently featured, suggesting a focus on professional contributions from artists and writers.

6. **Writing Guidelines:**
   - **Style:** Use a formal and intellectual style that reflects the organization's focus on contemporary and experimental art.
   - **Content Focus:** Emphasize innovation, boundary-pushing ideas, and the promotion of dialogue within the arts community.
   - **Audience Engagement:** Target an audience that is interested in high-level artistic and literary content. Avoid casual language and maintain a tone that respects the sophistication of the subject matter.
   - **Visuals and Layout:** The website uses clean, minimalist design elements that highlight the content itself. Written content should be clear and concise, with a focus on quality over quantity.

By adhering to these guidelines, AI-generated content can effectively align with the Capilano Review Contemporary Arts Society's mission and tone, ensuring consistency and authenticity in communications.

LXCL:Registration for both workshop sessions, on April 18th and 24th.

Workshop registration

LXCL:Registration for both workshop sessions, on April 18th and 24th. Free for all Indigenous participants.

Indigenous participant registration

LXCL:No one will be turned away for lack of funds. If the the workshop fee presents a barrier, register here.

NOTAFLOF

Saturday, April 18 &amp; Saturday, April 25, 11am-2pm PST &nbsp;Online (Zoom) How do we write through what we love? How do we make space for language to rise to the moment? At the centre of our conversation will be a commitment to not let writing become decorative. We&#39;ll look closely at writers from Gaza who continue to publish and create in the face of ongoing genocide. We&#39;ll ask what it means for us to pay attention, to centre Palestinian voices and their words, and to understand writing as something we owe to life. Participants are invited to bring one piece of writing they have come back to repeatedly: a poem, a piece of prose, a short text that has offered guidance, comfort, or a way through. Together, we&#39;ll read, discuss, and write, exploring how the language we love shapes the language we make. Bring your text, bring your questions, bring your pen. <p dir="ltr" fr-original-style="line-height:1.295;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;padding:0pt 0pt 8pt 0pt;" style="line-height: 1.295; background-color: rgb(255, 255, 255); margin: 0pt 0px; padding: 0pt 0pt 8pt; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);">About the hostNasrin Himada is a Palestinian curator and writer. Their practice is heavily influenced by their long-term friendships and by their many ongoing collaborations with artists, filmmakers, and poets. They currently hold the position of Associate Curator at Agnes Etherington Art Centre, Queen&rsquo;s University. Accessibility InformationThis event will be taking place over Zoom. The link will be sent out to participants in advance of the event. Live closed captioning will be available.&nbsp;

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for Lines into the Air: Writing is Reading and Returning, with Nasrin Himada. The workshops will be taking place online on Saturday, April 18 and Saturday, April 25, from 11am-2pm PST. A Zoom link will be emailed prior to the workshop.&nbsp; If you have any questions leading up to the event, please feel free to email us at <a fr-original-style="" href="mailto:contact@thecapilanoreview.com" rel="noopener noreferrer" style="text-decoration-color: initial; user-select: auto; box-sizing: inherit;" target="_blank">contact@thecapilanoreview.com</a>.&nbsp; We look forward to seeing you soon!&nbsp;

Saturday, April 18 &amp; Saturday, April 25, 11am-2pm PST  Online (Zoom) How do we write through what we love? How do we make space for language to rise to the moment? At the centre of our conversation will be a commitment to not let writing become decorative. We'll look closely at writers from Gaza who continue to publish and create in the face of ongoing genocide. We'll ask what it means for us to pay attention, to centre Palestinian voices and their words, and to understand writing as something we owe to life. Participants are invited to bring one piece of writing they have come back to repeatedly: a poem, a piece of prose, a short text that has offered guidance, comfort, or a way through. Together, we'll read, discuss, and write, exploring how the language we love shapes the language we make. Bring your text, bring your questions, bring your pen. About the hostNasrin Himada is a Palestinian curator and writer. Their practice is heavily influenced by their long-term friendships and by their many ongoing collaborations with artists, filmmakers, and poets. They currently hold the position of Associate Curator at Agnes Etherington Art Centre, Queen’s University. Accessibility InformationThis event will be taking place over Zoom. The link will be sent out to participants in advance of the event. Live closed captioning will be available.

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Capilano Review Contemporary Arts Society

Lines into the Air: Writing is Reading and Returning, with Nasrin Himada

Online

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Workshop registration

$45

Indigenous participant registration

Free

NOTAFLOF