Capilano Review Contemporary Arts Society

**Context Profile for Capilano Review Contemporary Arts Society**

1. **Organization Mission & Cause:**
   - The Capilano Review Contemporary Arts Society is dedicated to promoting and supporting contemporary art and literature. Their mission is to provide a platform for innovative and experimental works that challenge conventional boundaries and foster dialogue within the arts community. They aim to engage a diverse audience through the publication of The Capilano Review, which features cutting-edge poetry, prose, visual art, and critical essays.

2. **Type of Activities:**
   - **Publications:** The primary activity is the publication of The Capilano Review, which is a literary and arts magazine known for its avant-garde content.
   - **Events:** They host readings, art exhibitions, and panel discussions that align with their mission of fostering contemporary arts.
   - **Collaborations:** The organization often collaborates with artists, writers, and other cultural institutions to create unique and thought-provoking content.

3. **Tone of Voice:**
   - The tone of the Capilano Review Contemporary Arts Society is professional, intellectual, and inspiring. The language used on the website is sophisticated and reflective of their commitment to contemporary and experimental art. They maintain a formal tone that appeals to an audience interested in high-level artistic discourse.

4. **Emoji Usage:**
   - The organization does not use emojis in their communications. Their focus is on maintaining a professional and formal tone that aligns with their intellectual and artistic mission.

5. **Key Facts:**
   - **Founding Info:** The Capilano Review has a long history, originally founded in 1972, but the current organizational structure as the Capilano Review Contemporary Arts Society is relatively new.
   - **Impact Metrics:** The magazine has a reputation for being a leading publication in the Canadian arts scene, known for its commitment to experimental and boundary-pushing content.
   - **Volunteers:** Information about volunteer opportunities is not prominently featured, suggesting a focus on professional contributions from artists and writers.

6. **Writing Guidelines:**
   - **Style:** Use a formal and intellectual style that reflects the organization's focus on contemporary and experimental art.
   - **Content Focus:** Emphasize innovation, boundary-pushing ideas, and the promotion of dialogue within the arts community.
   - **Audience Engagement:** Target an audience that is interested in high-level artistic and literary content. Avoid casual language and maintain a tone that respects the sophistication of the subject matter.
   - **Visuals and Layout:** The website uses clean, minimalist design elements that highlight the content itself. Written content should be clear and concise, with a focus on quality over quantity.

By adhering to these guidelines, AI-generated content can effectively align with the Capilano Review Contemporary Arts Society's mission and tone, ensuring consistency and authenticity in communications.

LXCL:Registration for both workshop sessions, on May 12th and May 19th.

Workshop registration

LXCL:Registration for both workshop sessions, on May 12th and May 19th. Free for all Indigenous participants.

Indigenous participant registration

LXCL:No one will be turned away for lack of funds. If the the workshop fee presents a barrier, register here.

NOTAFLOF

Tuesday May 12, 1:30-4pm &amp; Tuesday May 19, 1-3:30pm &nbsp;In-person at the Museum of Vancouver, 1100 Chestnut Street (Sen̓&aacute;ḵw village)This is a two-part workshop. The registration fee covers both dates. What does it mean to sense our histories to the lands we live with, in the present? This workshop will take place over two sessions at Sen̓&aacute;ḵw, where we will spend time listening to/with place and connecting that experience through writing to our own histories and positionalities. In response to Lee Maracle&rsquo;s short story &ldquo;Goodbye, Snauq,&rdquo; we will write through a sequence of continuing arrivals, hellos, landings, and visitations, as attempts at naming our relationships to Coast Salish lands.&nbsp;&nbsp;<p dir="ltr" fr-original-style="line-height:1.295;background-color:#ffffff;margin-top:0pt;margin-bottom:0pt;" style="line-height: 1.295; background-color: rgb(255, 255, 255); margin: 0pt 0px; width: 100%; box-sizing: inherit; color: rgb(0, 0, 0);"> About the workshop host Dylan Robinson is a xw&eacute;lmexw (St&oacute;:lō / Skwah First Nation member) artist, curator, and professor based at the University of British Columbia. Robinson&rsquo;s curatorial work includes the international touring exhibition Soundings (2019&ndash;2025) co-curated with Candice Hopkins, and his book Hungry Listening (University Minnesota Press, 2020) examines Indigenous and settler colonial practices of listening. His current research focuses on public art&rsquo;s role in the interpellation of Indigenous and settler subjectivities. Accessibility Information ASL interpretation is available. If you would benefit from ASL interpretation at the workshop, please indicate so in your registration form when prompted.&nbsp; There is a drop-off area in front of the Museum of Vancouver. Curb cuts are located on the right and left sides of the entrance, though there is no curb cut in the middle. There are no stairs leading to the museum entrance, and the door on the right side has automatic door access.&nbsp; There are five accessible parking spots are available in the EasyPark parking lot. At the front desk, visitors can request accessibility support including a wheelchair and sensory items such as dimming glasses, ear protection, and fidgets.&nbsp; Washrooms are located on the upper and lower floors and can be reached by elevator; there are no washrooms on the main floor. All the gallery spaces are located on the main floor.&nbsp; The&nbsp;Local History Room is&nbsp;located&nbsp;on the lower floor and can be accessed by elevator. It is close to multiple washrooms, and the room itself includes a single, all-gender stall. The space also has access to the patio and fresh air. More accessibility information can be found here: https://museumofvancouver.ca/museum-hours-and-admission

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name,<p fr-original-style="box-sizing: inherit; width: 311px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 311px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> Thank you for registering for Lines into the Air: xwlal&aacute;:met Sen̓&aacute;ḵw&mdash;Listening to Sen̓&aacute;ḵw, with Dylan Robinson. The workshop will be taking place Tuesday May 12, 1:30-4pm and Tuesday May 19, 1-3:30pm in-person at Museum of Vancouver, 1100 Chestnut Street, Sen̓&aacute;ḵw. Please note there will time spent outside during the workshop. This is a two-part workshop, and we ask that everyone ensures they are available to participate both dates.&nbsp;<p fr-original-style="box-sizing: inherit; width: 311px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 311px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> If you have any questions leading up to the event, please feel free to email us at contact@thecapilanoreview.com.&nbsp;<p fr-original-style="box-sizing: inherit; width: 311px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" style="box-sizing: inherit; width: 311px; margin: 0px; line-height: 1.5; color: rgb(0, 0, 0); font-family: Roboto; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: 0.25px; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"> We look forward to seeing you soon!&nbsp;

Tuesday May 12, 1:30-4pm &amp; Tuesday May 19, 1-3:30pm  In-person at the Museum of Vancouver, 1100 Chestnut Street (Sen̓áḵw village)This is a two-part workshop. The registration fee covers both dates. What does it mean to sense our histories to the lands we live with, in the present? This workshop will take place over two sessions at Sen̓áḵw, where we will spend time listening to/with place and connecting that experience through writing to our own histories and positionalities. In response to Lee Maracle’s short story “Goodbye, Snauq,” we will write through a sequence of continuing arrivals, hellos, landings, and visitations, as attempts at naming our relationships to Coast Salish lands.   About the workshop host Dylan Robinson is a xwélmexw (Stó:lō / Skwah First Nation member) artist, curator, and professor based at the University of British Columbia. Robinson’s curatorial work includes the international touring exhibition Soundings (2019–2025) co-curated with Candice Hopkins, and his book Hungry Listening (University Minnesota Press, 2020) examines Indigenous and settler colonial practices of listening. His current research focuses on public art’s role in the interpellation of Indigenous and settler subjectivities. Accessibility Information ASL interpretation is available. If you would benefit from ASL interpretation at the workshop, please indicate so in your registration form when prompted.  There is a drop-off area in front of the Museum of Vancouver. Curb cuts are located on the right and left sides of the entrance, though there is no curb cut in the middle. There are no stairs leading to the museum entrance, and the door on the right side has automatic door access.  There are five accessible parking spots are available in the EasyPark parking lot. At the front desk, visitors can request accessibility support including a wheelchair and sensory items such as dimming glasses, ear protection, and fidgets.  Washrooms are located on the upper and lower floors and can be reached by elevator; there are no washrooms on the main floor. All the gallery spaces are located on the main floor.  The Local History Room is located on the lower floor and can be accessed by elevator. It is close to multiple washrooms, and the room itself includes a single, all-gender stall. The space also has access to the patio and fresh air. More accessibility information can be found here: https://museumofvancouver.ca/museum-hours-and-admission

Capilano Review Contemporary Arts Society

Lines into the Air: xwlalá:met Sen̓áḵw—Listening to Sen̓áḵw, with Dylan Robinson

1100 Chestnut St

Workshop registration

$45

Indigenous participant registration

Free

NOTAFLOF

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