EDAM Performing Arts Society

### Context Profile for EDAM Performing Arts Society

1. **Organization Mission & Cause**:
   - **Mission**: EDAM Performing Arts Society is dedicated to fostering a vibrant community through the art of dance, particularly focusing on Contact Improvisation. They aim to create inclusive spaces for diverse participants, especially BIPOC (Black, Indigenous, People of Color) dancers, to explore movement and creativity.
   - **Cause**: The organization emphasizes accessibility in dance, providing opportunities for individuals of all backgrounds to engage in artistic expression and physical movement.

2. **Type of Activities**:
   - **Classes**: Regular classes in Contact Improvisation, with a focus on BIPOC participants. Classes are designed to be beginner-friendly and encourage exploration and creativity.
   - **Workshops**: Special events and workshops led by experienced instructors, such as Natalie Tin Yin Gan, aimed at developing skills in Contact Improvisation.
   - **Community Jams**: Open jam sessions for dancers to practice and improvise in a supportive environment.
   - **Membership**: A lifetime membership is required for participation, promoting a sense of belonging within the community.

3. **Tone of Voice**:
   - The tone is **friendly**, **inclusive**, and **supportive**, aiming to create a welcoming atmosphere for all participants. The language is approachable, encouraging, and emphasizes community and collaboration.
   - The content often uses phrases that invite participation and exploration, reflecting a nurturing and encouraging environment.

4. **Emoji Usage**:
   - The website and email communications do not prominently feature emojis. The tone remains professional and clear without the use of visual embellishments, focusing instead on straightforward communication.

5. **Key Facts**:
   - **Founding Info**: Specific founding details are not mentioned on the website, but the organization has established a strong community presence.
   - **Scale**: EDAM has conducted 8 forms and 12 email campaigns, indicating active engagement with their community.
   - **Impact Metrics**: While specific metrics are not detailed on the website, the focus on BIPOC engagement and community accessibility suggests a commitment to inclusivity and outreach.
   - **Volunteer Info**: There is no explicit mention of volunteer opportunities on the website, but the community-oriented nature of the organization may imply volunteer involvement in events and classes.

6. **Writing Guidelines**:
   - **Style**: Use clear, concise language that is accessible to a broad audience. Avoid jargon unless it is clearly defined.
   - **Inclusivity**: Always prioritize inclusive language, especially when discussing events and classes aimed at BIPOC participants.
   - **Encouragement**: Use inviting phrases that encourage participation, such as "join us," "everyone is welcome," and "explore your creativity."
   - **Structure**: Keep content organized with headings and bullet points for easy readability. Ensure that important information (dates, times, and contact details) is highlighted clearly.

This context profile serves as a guide for creating personalized and effective content for EDAM Performing Arts Society, ensuring alignment with their mission, values, and community engagement strategies.

Sliding Scale: $15

Sliding Scale: $20

Sliding Scale: $25

Student Ticket: $5

<span fr-original-style="font-size:11pt;font-family:Calibri,sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;font-variant-alternates:normal;vertical-align:baseline;" style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); background-color: transparent; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; vertical-align: baseline; box-sizing: inherit;">EDAM Presents: Sabine ParzerSaturday, October 4thDoors: 6:30PMShow: 7PMRun Time: 1 hour Lecture:&nbsp;Somatics in Performance and PedagogyIn this lecture Sabine will lay out the parallel historical development of the fields of&nbsp;somatics and modern dance/ contemporary dance and specifically how the performance and pedagogy aspects of dance have been influenced by the integration of somatics. Although from a contemporary point of view, it would seem natural for the &ldquo;Soma&rdquo;&nbsp;(meaning &ldquo;living body&rdquo; or &ldquo;the body as perceived from within&rdquo;) to be a part of dance performance and dance education, this was not the case. The interweaving of somatic principles has changed the course of contemporary dance effecting artistic aesthetics, the sustainability of dancer&rsquo;s careers, injury rehabilitation and prevention. Performance: Mayya Amore Mayya Amore is a 20-minute solo dance piece, based on different developmental movements that unfold into spacial awareness and gestures. Archetypal energies guide Mayya Amore through the integration of old and new, internal and external, separating and connecting. About Sabine:<div data-block-type="2" data-sqsp-block="text" fr-original-style="" id="isPasted" style="width: 100%; line-height: 1.5; box-sizing: inherit;"><div data-sqsp-text-block-content="" fr-original-style="" style="line-height: 1.5; box-sizing: inherit;">Sabine Parzer&nbsp;is head and founder of the Holistic Dance Institute (founded 2010). In 2012 she created the Contact Festival Austria, which she has been the artistic director of until 2017. Her professional experience spans over 30 years of teaching, performing, choreographing and researching in the USA, Canada, Europe, Russia, Israel and Brazil. Sabine is a dancer, choreographer, dance-pedagogue, bodyworker, organizer and author. Sabine has a Bachelor of Arts from Columbia College Chicago in Modern Dance, and an education in Systemische und Integrative Bewegungslehre&reg; (an extended Feldenkrais&reg; Training). The in-depth practice of Contact Improvisation and Authentic Movement begins 1997. Ongoing trainings since 1995 in Kleintechnique, ZenBodytherapy&reg;, Yoga, White Crane Silat, Rosen Method&reg;, Kashmirian Massage, Psychotherapy and family constellations a.o. She is currently studying Visionary Cranialsacral Work with Hugh Milne and Shadow work with Robert Masters. In her Holistic Dance Institute people from all different kinds of backgrounds, such as dancers, artists, bodyworkers, social workers, coaches and psychotherapists are trained in Holistic Dance Teachers Trainings, Advanced Teachers Trainings, Retreats, open workshops and single sessions.&nbsp;Her professional dance career began in Chicago, IL, in 1990, where she danced professionally in Mordine &amp; Company Dance Theatre, Kast &amp; Company and in many independent productions. She was a co-founder of Loop Troop and has been presenting her choreographies and improvisational scores since 1990 in New York City, San Francisco, Chicago, Berlin, Rio de Janeiro, Tel Aviv, Moscow and Vienna, amongst other cities. She has recently collaborated with film maker Krisztina Kerekes on the experimental dance film &ldquo;eMBODYMe&rdquo; and the documentation about her work &ldquo;Interconnections&rdquo;. Her latest solo &ldquo;Mayya Amore&rdquo; will premiere in 2025. Sabine teaches regularly at international dancefestivals such as Impulstanz Vienna, Tanzfabrik Berlin, Tanzquartier Wien, Potsdamer Tanztage and has taught intensives at many international festivals such as Israeli Contact Festival, Moscow Contact Festival, Kontakt Budapest, Contact in Rio de Janeiro, Ibiza Contact Festival and more. Between 1999 and 2013 she was employed as dance therapist at a rehabilitation center for people after work and traffic accidents in Austria.</div></div> photo: Cristi Serban Photography

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for purchasing a ticket to Sabine Parzer&#39;s Lecture/Performance at EDAM. Your ticket is GST inclusive. Saturday, October 4thDoors will open at 6:30PM.Show will begin at 7PM. Getting Here:- EDAM is located at 303 E 8th Ave- Driving: If you are arriving by car, there is free street parking in the neighbourhood along Scotia St and around Dude Chilling Park (check for hour limits and permit signs). Parking can sometimes be difficult to find, so allow yourself an extra 10-15 min.- Biking: We have a bike rack out front.- Transit: We are within a couple blocks of public transit and are closest to stops at Main/Broadway and Main/Kingsway. We look forward to seeing you at the show! With warmth,Sierra MegasGeneral ManagerEDAMinfo@edamdance.org

EDAM Presents: Sabine ParzerSaturday, October 4thDoors: 6:30PMShow: 7PMRun Time: 1 hour Lecture: Somatics in Performance and PedagogyIn this lecture Sabine will lay out the parallel historical development of the fields of somatics and modern dance/ contemporary dance and specifically how the performance and pedagogy aspects of dance have been influenced by the integration of somatics. Although from a contemporary point of view, it would seem natural for the “Soma” (meaning “living body” or “the body as perceived from within”) to be a part of dance performance and dance education, this was not the case. The interweaving of somatic principles has changed the course of contemporary dance effecting artistic aesthetics, the sustainability of dancer’s careers, injury rehabilitation and prevention. Performance: Mayya Amore Mayya Amore is a 20-minute solo dance piece, based on different developmental movements that unfold into spacial awareness and gestures. Archetypal energies guide Mayya Amore through the integration of old and new, internal and external, separating and connecting. About Sabine:<div><div>Sabine Parzer is head and founder of the Holistic Dance Institute (founded 2010). In 2012 she created the Contact Festival Austria, which she has been the artistic director of until 2017. Her professional experience spans over 30 years of teaching, performing, choreographing and researching in the USA, Canada, Europe, Russia, Israel and Brazil. Sabine is a dancer, choreographer, dance-pedagogue, bodyworker, organizer and author. Sabine has a Bachelor of Arts from Columbia College Chicago in Modern Dance, and an education in Systemische und Integrative Bewegungslehre® (an extended Feldenkrais® Training). The in-depth practice of Contact Improvisation and Authentic Movement begins 1997. Ongoing trainings since 1995 in Kleintechnique, ZenBodytherapy®, Yoga, White Crane Silat, Rosen Method®, Kashmirian Massage, Psychotherapy and family constellations a.o. She is currently studying Visionary Cranialsacral Work with Hugh Milne and Shadow work with Robert Masters. In her Holistic Dance Institute people from all different kinds of backgrounds, such as dancers, artists, bodyworkers, social workers, coaches and psychotherapists are trained in Holistic Dance Teachers Trainings, Advanced Teachers Trainings, Retreats, open workshops and single sessions. Her professional dance career began in Chicago, IL, in 1990, where she danced professionally in Mordine &amp; Company Dance Theatre, Kast &amp; Company and in many independent productions. She was a co-founder of Loop Troop and has been presenting her choreographies and improvisational scores since 1990 in New York City, San Francisco, Chicago, Berlin, Rio de Janeiro, Tel Aviv, Moscow and Vienna, amongst other cities. She has recently collaborated with film maker Krisztina Kerekes on the experimental dance film “eMBODYMe” and the documentation about her work “Interconnections”. Her latest solo “Mayya Amore” will premiere in 2025. Sabine teaches regularly at international dancefestivals such as Impulstanz Vienna, Tanzfabrik Berlin, Tanzquartier Wien, Potsdamer Tanztage and has taught intensives at many international festivals such as Israeli Contact Festival, Moscow Contact Festival, Kontakt Budapest, Contact in Rio de Janeiro, Ibiza Contact Festival and more. Between 1999 and 2013 she was employed as dance therapist at a rehabilitation center for people after work and traffic accidents in Austria.</div></div> photo: Cristi Serban Photography

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EDAM Performing Arts Society

ARCHIVED 2025/26 | Sabine Parzer | Lecture/Performance

303 E 8th Ave

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Sliding Scale: $15

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Sliding Scale: $20

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Sliding Scale: $25

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Student Ticket: $5

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