She is not asking for permission. She never was. The guardian spirits surround her-ဘီလူး/ Balu figures, protectors, warriors of myth and sacred tradition. And yet she is the most powerful presence in the frame. They orbit her. She does not notice them. Or perhaps she commands them. She holds her cheroot the way someone holds authority. Naturally. As if it was never something she had to claim. This work is about the women history forgot to document but never managed to erase. They were always there, at the centre of everything, completely unbothered by the forces that surrounded them. We were just not looking. Now we are.

Digital print, 51 x 76 cm

She is not asking for permission. She never was.

Postcards, Digital print,18 x 12.6 cm

Fear does not disappear. It just stops being the one in charge. This work is about what women pass to each other when no one is watching. The quiet knowledge that the most dangerous things in life can be handled, held, even controlled, not by eliminating the danger but by refusing to let it eliminate you. The words repeat around the golden circle not as a wish. As a declaration. Something already decided, long before this moment. Fear no more.

Digital print, 51 x 76 cm

Fear does not disappear. It just stops being the one in charge.

Postcards, Digital print, 18 x 12.6 cm

This artwork reflects how Prospect Burma has changed my life and the lives of many others, giving us the opportunity to learn, grow, and help build a better future for Myanmar.

Before becoming a Prospect Burma scholar, I faced uncertainty, fear, and self-doubt. Now, I have a clearer path and more confidence in myself. I have learned to overcome my fears, take responsibility, and step up to contribute to my community in ways I once thought I could never do.

Each peacock feather, made from a book, represents a scholar, their story, journey, and impact on their community. Together, these feathers show how one opportunity can create a ripple of change.

Digital print, 21 x 29.7 cm

Inspired by the Prospect Burma logo and Myanmar Kanote, I created this artwork to honour Prospect Burma’s 37 years of supporting education and creating opportunities for Myanmar youth.

For many of us, continuing our education can feel uncertain and out of reach, especially during times like this. Prospect Burma has continued to stand beside young people, giving us hope and the chance to keep learning and moving forward.

Rooted in Burmese culture, the peacock represents Prospect Burma’s journey and evolution over the years. Standing tall and dignified through difficult times, it reflects the resilience of Prospect Burma and the hope it continues to give to Myanmar’s next generation.

Digital print, 21 x 29.7 cm

Selection of breakfast items typically found in teashops around Myanmar.

A4 cards, Digital print media, 21 x 29.7cm

Burmese BBQ items

Postcard, 10 cm by 15 cm

Selection of breakfast items typically found in teashops around Myanmar.

Postcards, Digital print media, 10 x 15 cm

Traditional Myanmar medicines.

Stickers, Digital print, 18 x 12 cm

Family favourite, normally found in homes and teashops around Myanmar.

Postcards, Digital print, 10 x 15 cm

A famous landmark of Kalaw, southern Shan State, Myanmar, is one of the relics of British colonial days, in the cool, pine-scented mountain air.

Postcards, Digital print, 28.5 x 17 cm

Inle is a highland freshwater lake located in western Shan State, Myanmar, currently facing severe ecosystem challenges.

Original, Watercolour on paper, 39 x 27 cm

Daily life in a residential community on the outskirts of Yangon, Myanmar - mothers waiting under yellow and blue umbrellas to pick up their children outside a primary school.

Original, Watercolour on paper, 36 x 26 cm

The old British built station located near Kalaw in the Taunggyi District

of Shan State, Myanmar.

Original, Watercolour on paper, 38.5 x 27 cm

The old British built station located near Kalaw in the Taunggyi District

of Shan State, Myanmar.

Original, Watercolour on paper, 38.5 x 27 cm

Sketch of Bogyoke Market, one of Yangon’s most famous heritage buildings. As many people have left Myanmar over the years, Yangon remains in their memories, and Bogyoke Market is a place that brings a sense of nostalgia.

Print, Watercolour on paper, 41 x 30.5 cm

Street market on Myanmar New Year's Day, when Padauk flowers bloom after Thingyan and people happily share them with one another. The sketch captures the market vendors and the joyful atmosphere of the celebration.

Print, Watercolour on paper, 41 x 30.5 cm

Handwritten by Ko Ko Thett.

Digital print, 29.7 x 42 cm