Casa Flamenca Inc

**Casa Flamenca Inc Context Profile**

**1. Organization Mission & Cause:**
Casa Flamenca Inc is dedicated to preserving and promoting the rich cultural heritage of flamenco. Their mission is to provide a platform for flamenco artists and enthusiasts to engage with and learn about this vibrant art form. They aim to foster a deeper understanding and appreciation of flamenco through education, performance, and community engagement. The organization is committed to making flamenco accessible to a diverse audience and nurturing the next generation of flamenco artists.

**2. Type of Activities:**
Casa Flamenca offers a variety of activities centered around flamenco, including:
- **Classes and Workshops:** They provide classes for all skill levels, from absolute beginners to advanced practitioners, focusing on flamenco dance, music, and culture.
- **Performances and Events:** Regular performances by local and international flamenco artists.
- **Community Programs:** Initiatives to engage the local community and promote cultural exchange.
- **Festivals and Special Events:** Hosting flamenco festivals and special events to celebrate and showcase flamenco art.

**3. Tone of Voice:**
The tone of Casa Flamenca is friendly, inviting, and passionate. They use an inspiring and inclusive language that encourages participation and learning. The tone reflects a deep respect for the art of flamenco and a desire to share its beauty with a broader audience.

**4. Emoji Usage:**
Casa Flamenca does not prominently use emojis in their communications. Their content is more focused on clear, descriptive language that conveys their passion and dedication to flamenco.

**5. Key Facts:**
- **Founding Info:** Casa Flamenca was established to serve as a cultural hub for flamenco in the community.
- **Scale:** They have conducted 63 total forms and 67 email campaigns, indicating a robust engagement strategy.
- **Impact Metrics:** The organization focuses on educational outreach and cultural preservation, though specific impact metrics are not detailed on the website.
- **Volunteer Info:** While not explicitly detailed, the organization likely relies on volunteers for event support and community programs.

**6. Writing Guidelines:**
- **Style:** Use clear, descriptive language that is both informative and engaging.
- **Content Focus:** Highlight the cultural and educational aspects of flamenco, emphasizing inclusivity and community involvement.
- **Tone:** Maintain a friendly and passionate tone that reflects the organization's dedication to flamenco.
- **Structure:** Use concise paragraphs with a focus on key messages about flamenco's cultural significance and the organization's activities.

This context profile will assist AI assistants in generating content that aligns with Casa Flamenca's mission and communication style, ensuring it resonates with their audience and supports their cultural and educational objectives.

LXCL:Grants entry to Mari Peña and Antonio Moya special Workshop5 days 1.5 hours

General Admission

Don&rsquo;t miss the opportunity to study with this amazing&nbsp;artists from Lebrija, SpainWorkshop - Secretos de los Cantes de Lebrija y Utrera1.5 hour5 day workshop Mari Pe&ntilde;a<p fr-original-style="margin-top: 0px; margin-bottom: 0px; line-height: 17.639999389648438px; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: -webkit-standard; font-size: 14.699999809265137px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;" id="isPasted" style="margin: 0px; line-height: 17.64px; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: -webkit-standard; font-size: 14.7px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; width: 100%; box-sizing: inherit;">The Pe&ntilde;a family, known as &quot;De la Buena,&quot; is related to Fernanda and Bernarda de Utrera, Juan Pe&ntilde;a &quot;El Lebrijano,&quot; In&eacute;s and Pedro Bac&aacute;n, and has worked with El Lebrijano, Manuel de Paula, and In&eacute;s Bac&aacute;n. They have participated in numerous recordings, most notably on the albums &quot;Utrera Joven por fiestas&quot; and &quot;Gitanas por Buler&iacute;as,&quot; both released by Luna Disco. They have performed on numerous occasions at the Mont-de-Marsan International Festival (France), sharing the stage with artists such as Jos&eacute; de la Tomasa, Carmen Ledesma, Gaspar de Utrera, and Pepa de Benito. They have also toured the Netherlands and Germany with Bernarda de Utrera and Miguel Funi&#39;s show. Of particular note are her appearances at various editions of the Seville Flamenco Biennial in shows with Pedro Pe&ntilde;a, In&eacute;s Bac&aacute;n, Concha Vargas, Carmen Ledesma, and others.She recently performed at the Teatro Central in Seville, the N&icirc;mes International Festival, and in Paris, where she achieved resounding success.<p fr-original-style="margin-top: 0px; margin-bottom: 0px; line-height: 17.639999389648438px; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: -webkit-standard; font-size: 14.699999809265137px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;" style="margin: 0px; line-height: 17.64px; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: -webkit-standard; font-size: 14.7px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; width: 100%; box-sizing: inherit;">Her participation in the most prominent Andalusian festivals, such as the Casabermeja Festival, El Gazapacho de Mor&oacute;n, La Caracol&aacute; Lebrijana, El Potaje Gitano de Utrera, La Hierbabuena de Las Cabezas, and many more, demonstrates that Mari is becoming an increasingly essential artist in the Andalusian cultural scene.In September 2013, she was invited by the Antonio Mairena Foundation to give a recital at the University of Seville on the anniversary of the maestro from Los Alcores.In 2014, she toured several theaters in Japan, performing in the country&#39;s major cities, with the show &quot;Plata y Oro&quot; by Antonio Canales and Carmen Ledesma.In 2016, the show &quot;Trianero,&quot; again directed by Antonio Canales, premiered at the Seville Biennial.<p fr-original-style="margin-top: 0px; margin-bottom: 0px; line-height: 17.639999389648438px; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: -webkit-standard; font-size: 14.699999809265137px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;" style="margin: 0px; line-height: 17.64px; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: -webkit-standard; font-size: 14.7px; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; width: 100%; box-sizing: inherit;">That same year, 2016, she performed at the legendary &ldquo;Studio 104&rdquo; of the &ldquo;Maison de la Radio&rdquo; at France Musique, an iconic venue for world music in the French capital. https://youtu.be/hCpPRgDXEts?si=mcTEiwHLPUH3-EDlIn short, Mari Pe&ntilde;a is the worthy heir to the flamenco singing tradition of her town, Utrera. That&#39;s why she places special emphasis on maintaining the traditional school of this town&#39;s flamenco singing tradition: sole&aacute;s where she always remembers her elders: Perrate, Fernanda, Maria Pe&ntilde;a, Chacha Fernanda, etc.; canti&ntilde;as of Pinini (her great-grandfather&#39;s brother); tientos in the style of Gaspar; and other songs&hellip; with a finale that brings together all the styles of the region and its most famous performers: Turronero, Manuel de Angustias, Bambino, Bernarda, and others. (The aforementioned Gaspar, Perrate, and Fernanda).Mari has an album on the market: &ldquo;Mi tierra&rdquo; (My Land), where she explores various styles with great sensitivity and skill.<p fr-original-style="color: rgba(0,0,0,var(--O42jJQ,1)); caret-color: rgb(0, 0, 0); --8sD0Kg: none; font-family: YAFdJjvw9Ps_0, _fb_, auto; --cyV3ZQ: 13.2916px; --gJPlXQ: 1.6; text-transform: none; line-height: 21px;" id="isPasted" style="color: rgba(0,0,0,var(--O42jJQ,1)); caret-color: rgb(0, 0, 0); --8sD0Kg: none; font-family: YAFdJjvw9Ps_0, _fb_, auto; --cyV3ZQ: 13.2916px; --gJPlXQ: 1.6; text-transform: none; line-height: 21px; margin: 0px; width: 100%; box-sizing: inherit;">Antonio Moya<p fr-original-style="color: rgba(0,0,0,var(--O42jJQ,1)); caret-color: rgb(0, 0, 0); --8sD0Kg: none; font-family: YAFdJjvw9Ps_0, _fb_, auto; --cyV3ZQ: 13.2916px; --gJPlXQ: 1.6; text-transform: none; line-height: 21px;" style="color: rgba(0,0,0,var(--O42jJQ,1)); caret-color: rgb(0, 0, 0); --8sD0Kg: none; font-family: YAFdJjvw9Ps_0, _fb_, auto; --cyV3ZQ: 13.2916px; --gJPlXQ: 1.6; text-transform: none; line-height: 21px; margin: 0px; width: 100%; box-sizing: inherit;">A self-taught guitarist in his early days, he met the maestro Pedro Bac&aacute;n, who fully integrated him into his family and his shows. With the Pinini clan, he toured Europe, participating in all the prestigious flamenco festivals. He is the regular accompanist for In&eacute;s Bac&aacute;n, Pepa de Benito, Carmen Ledesma, Tom&aacute;s de Perrate, and Mari Pe&ntilde;a, among others. He was the last guitarist for the late Gaspar de Utrera, Fernanda y Bernarda, and Manuel de Angustias, among others. He has worked with flamenco singers such as Juan Pe&ntilde;a &quot;El Lebrijano,&quot; Miguel Funi, Agujetas de Jerez, Chano Lobato, Pansequito, Chiquetete, Triana Pura, Manuel de Paula, and many more.

Hi <span contenteditable="false" data-custom-variable="{{firstname}}" fr-original-class="fr-deletable styled-tag-chip" fr-original-style="" style="background-color: rgb(248, 248, 255); border: 1px solid rgb(191, 191, 255); border-radius: 4px; color: rgb(42, 42, 196); padding: 1px 8px; font-size: 11px; display: inline-block; margin: 0px; overflow-wrap: anywhere; user-select: none; box-sizing: inherit;">First name, Thank you for registering for our event and supporting our cause. Your registration greatly helps our mission. 🚀 If you would like to contribute further, contact us to become a volunteer, or talk to your friends about our cause! Carmen Montescasaflamenca102@gmail.com

Don’t miss the opportunity to study with this amazing artists from Lebrija, SpainWorkshop - Secretos de los Cantes de Lebrija y Utrera1.5 hour5 day workshop Mari Peña<p style="margin:0px;line-height:17.64px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;width:100%;box-sizing:inherit;max-width:100%">The Peña family, known as "De la Buena," is related to Fernanda and Bernarda de Utrera, Juan Peña "El Lebrijano," Inés and Pedro Bacán, and has worked with El Lebrijano, Manuel de Paula, and Inés Bacán. They have participated in numerous recordings, most notably on the albums "Utrera Joven por fiestas" and "Gitanas por Bulerías," both released by Luna Disco. They have performed on numerous occasions at the Mont-de-Marsan International Festival (France), sharing the stage with artists such as José de la Tomasa, Carmen Ledesma, Gaspar de Utrera, and Pepa de Benito. They have also toured the Netherlands and Germany with Bernarda de Utrera and Miguel Funi's show. Of particular note are her appearances at various editions of the Seville Flamenco Biennial in shows with Pedro Peña, Inés Bacán, Concha Vargas, Carmen Ledesma, and others.She recently performed at the Teatro Central in Seville, the Nîmes International Festival, and in Paris, where she achieved resounding success.<p style="margin:0px;line-height:17.64px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;width:100%;box-sizing:inherit;max-width:100%">Her participation in the most prominent Andalusian festivals, such as the Casabermeja Festival, El Gazapacho de Morón, La Caracolá Lebrijana, El Potaje Gitano de Utrera, La Hierbabuena de Las Cabezas, and many more, demonstrates that Mari is becoming an increasingly essential artist in the Andalusian cultural scene.In September 2013, she was invited by the Antonio Mairena Foundation to give a recital at the University of Seville on the anniversary of the maestro from Los Alcores.In 2014, she toured several theaters in Japan, performing in the country's major cities, with the show "Plata y Oro" by Antonio Canales and Carmen Ledesma.In 2016, the show "Trianero," again directed by Antonio Canales, premiered at the Seville Biennial.<p style="margin:0px;line-height:17.64px;font-style:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-size-adjust:auto;-webkit-text-stroke-width:0px;text-decoration:none;width:100%;box-sizing:inherit;max-width:100%">That same year, 2016, she performed at the legendary “Studio 104” of the “Maison de la Radio” at France Musique, an iconic venue for world music in the French capital. https://youtu.be/hCpPRgDXEts?si=mcTEiwHLPUH3-EDlIn short, Mari Peña is the worthy heir to the flamenco singing tradition of her town, Utrera. That's why she places special emphasis on maintaining the traditional school of this town's flamenco singing tradition: soleás where she always remembers her elders: Perrate, Fernanda, Maria Peña, Chacha Fernanda, etc.; cantiñas of Pinini (her great-grandfather's brother); tientos in the style of Gaspar; and other songs… with a finale that brings together all the styles of the region and its most famous performers: Turronero, Manuel de Angustias, Bambino, Bernarda, and others. (The aforementioned Gaspar, Perrate, and Fernanda).Mari has an album on the market: “Mi tierra” (My Land), where she explores various styles with great sensitivity and skill.Antonio MoyaA self-taught guitarist in his early days, he met the maestro Pedro Bacán, who fully integrated him into his family and his shows. With the Pinini clan, he toured Europe, participating in all the prestigious flamenco festivals. He is the regular accompanist for Inés Bacán, Pepa de Benito, Carmen Ledesma, Tomás de Perrate, and Mari Peña, among others. He was the last guitarist for the late Gaspar de Utrera, Fernanda y Bernarda, and Manuel de Angustias, among others. He has worked with flamenco singers such as Juan Peña "El Lebrijano," Miguel Funi, Agujetas de Jerez, Chano Lobato, Pansequito, Chiquetete, Triana Pura, Manuel de Paula, and many more.

Casa Flamenca Inc

Mari Peña & Antonio Moya-Cante/Guitar Workshop Secretos de los Cantes de Lebrija & Utrera

401 Rio Grande Blvd NW

General Admission

$300

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